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  1. Margolis Looks at the Arts.Russell Pryba - 2021 - Metaphilosophy 52 (1):60-74.
    This paper examines the early aesthetic writings of Joseph Margolis from the late 1950s to the mid‐1960s in order to argue for the relevance of these works in understanding Margolis’s later, more well‐known views in the philosophy of art. Specifically, the paper addresses Margolis’s early essays on the definition and ontology of art and aesthetic perception. These essays not only show Margolis engaged in the most significant debates in mid‐century analytic aesthetics but also provide important indications of the limitations of (...)
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  • What, After All, Is the Work of Culture?Vincent Colapietro - 2021 - Metaphilosophy 52 (1):27-48.
    This paper offers an overview of Joseph Margolis’s philosophy of culture, highlighting how Margolis’s radical historicism is not inconsistent with our realistic intuitions regrading facts and objectivity. While Margolis identifies interpretation as the work of culture, the paper suggests that a much more basic sense of human labor needs to be thematized more fully than Margolis does in any defensible account of culture. Margolis of course appreciates work in this sense, but he does not consistently make it integral to his (...)
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  • Joseph Margolis on Pragmatism.James Campbell - 2021 - Metaphilosophy 52 (1):10-26.
    This paper begins with a memoir of the author’s interactions with Joseph Margolis that delineates both Margolis’s importance as a teacher and their disagreements on aspects of American philosophy. It then turns to Margolis’s discussions of pragmatism as a philosophical movement, with an emphasis on his understanding of John Dewey. The paper considers, third, Margolis’s account of the decline and rebirth of pragmatism, the latter process attributed largely to the work of Richard Rorty. The paper concludes with an examination of (...)
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  • Margolis as Columbia Naturalist.Lawrence Cahoone - 2021 - Metaphilosophy 52 (1):49-59.
    Is Joseph Margolis a member of the often neglected school of “Columbia naturalism”? Columbia naturalism promoted a distinctive non-reductive nationalism in mid-twentieth-century America. Inspired by pragmatism, and Dewey in particular, its members included Ernest Nagel, John Herman Randall, Joseph Blau, Herbert Schneider, and Justus Buchler. Margolis received his degree from Columbia in 1953. Neither his early work in aesthetics nor his mature attempt to justify pragmatic themes in an uncompromising dialogue with analytic and continental philosophy seems particularly “Columbian.” Neither does (...)
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