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  1. Why Do We “Like” on WeChat Moments: The Effects of Personality Traits and Content Characteristics.Chun Zheng, Xingyu Song, Jieyun Li, Yijiang Chen, Tingyue Dong & Sha Yang - 2022 - Frontiers in Psychology 13.
    To probe the motivational roles of hedonic gratification and social gratification in giving “Like” feedback on social media, we developed a set of novel pictures to simulate WeChat Moments. We subsequently examined how the personality trait of extraversion and stimulus content characteristics influenced “Liking” behavior. A 2 × 3 × 2 -mixed experimental design was applied to data obtained from 56 WeChat Moments users. These participants included 28 individuals with the highest extraversion scale scores, and 28 individuals with the lowest (...)
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  • Paradox of negative emotions in art: analysis of theoretical and empirical studies.К.-Д Гомес - 2023 - Siberian Journal of Philosophy 20 (3):43-56.
    In this article, I will first present a number of contemporary philosophical conceptions that offer various solutions to the “paradox of negative emotions” as a general problem of how one can enjoy art that involves painful emotions. Solutions presented include ambivalence and value judgments theories, compensatory theories, and theories of catharsis. Then the article highlights a number of modern empirical studies devoted to this paradox. Despite the fact that they contain methodological and substantive problems, and do not add up to (...)
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  • Horror Films and Grief.Jonny Lee & Becky Millar - 2021 - Emotion Review 13 (3):171-182.
    Many of the most popular and critically acclaimed horror films feature grief as a central theme. This article argues that horror films are especially suited to portraying and communicating the phenomenology of grief. We explore two overlapping claims. First, horror is well suited to represent the experience of grief, in particular because the disruptive effects of horror “monsters” on protagonists mirror the core experience of disruption that accompanies bereavement. Second, horror offers ways in which the experience of grief can be (...)
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