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  1. Empathy or Empathies? Uncertainties in the Interdisciplinary Discussion.Andrea Pinotti & Massimo Salgaro - 2019 - Gestalt Theory 41 (2):141-158.
    Summary The term empathy has become a linguistic commonplace in everyday communication as well as in interdisciplinary research. The results of the research questions, raised in the last hundred (and more) years, coming from different areas, such as aesthetics, psychology, neurosciences and literary theory, lack in fact a clear concept of empathy. Not surprisingly, a recent paper has identified up to 43 distinct definitions of empathy in academic publications. By reconstructing the main research lines on empathy, our paper highlights the (...)
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  • When Neuroscience ‘Touches’ Architecture: From Hapticity to a Supramodal Functioning of the Human Brain.Paolo Papale, Leonardo Chiesi, Alessandra C. Rampinini, Pietro Pietrini & Emiliano Ricciardi - 2016 - Frontiers in Psychology 7.
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  • Creative Practices Embodied, Embedded, and Enacted in Architectural Settings: Toward an Ecological Model of Creativity.Laura H. Malinin - 2016 - Frontiers in Psychology 6.
    Memoires by eminently creative people often describe architectural spaces and qualities they believe instrumental for their creativity. However, places designed to encourage creativity have had mixed results, with some found to decrease creative productivity for users. This may be due, in part, to lack of suitable empirical theory or model to guide design strategies. Relationships between creative cognition and features of the physical environment remain largely uninvestigated in the scientific literature, despite general agreement among researchers that human cognition is physically (...)
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  • The Enactive Approach to Architectural Experience: A Neurophysiological Perspective on Embodiment, Motivation, and Affordances.Andrea Jelić, Gaetano Tieri, Federico De Matteis, Fabio Babiloni & Giovanni Vecchiato - 2016 - Frontiers in Psychology 7.
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  • Walking through Architectural Spaces: The Impact of Interior Forms on Human Brain Dynamics.Maryam Banaei, Javad Hatami, Abbas Yazdanfar & Klaus Gramann - 2017 - Frontiers in Human Neuroscience 11.
  • Reality, Fiction, and Make-Believe in Kendall Walton.Emanuele Arielli - 2021 - In Krešimir Purgar (ed.), The Palgrave Handbook of Image Studies. pp. 363-377.
    Images share a common feature with all phenomena of imagination, since they make us aware of what is not present or what is fictional and not existent at all. From this perspective, the philosophical approach of Kendall Lewis Walton—born in 1939 and active since the 1960s at the University of Michigan—is perhaps one of the most notable contributions to image theory. Walton is an authoritative figure within the tradition of analytical aesthetics. His contributions have had a considerable influence on a (...)
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