In recent years, there have been reports about increased religious discrimination in schools. As a way of acknowledging the importance of religion and faith communities in the public sphere and to propose a solution to the exclusion of religious citizens, the political philosopher Jürgen Habermas suggests an act of translation for which both secular and religious citizens are mutually responsible. What gets lost in Habermas’s translation, this paper argues, is the condition that makes translation both necessary and (im)possible. Drawing on (...) Walter Benjamin’s notion of the mysterious untranslatable and the task of the translator, the paper approaches translation as an ethical process involving risk, asymmetry and uncertainty. Not knowing where this risk will lead, the paper takes the ethical ambivalence at play in Jacques Derrida’s notion of the untranslatable and explores this in relation to religious difference in education. It argues that the untranslatable needs to be acknowledged in terms of a respect for difference and a limit to narration, if students with religious convictions are not to be further violated in schools. (shrink)

Deconstructing Martial Arts analyses familiar issues and debates that arise in scholarly, practitioner and popular cultural discussions and treatments of martial arts and argues that martial arts are dynamic and variable constructs whose meanings and values regularly shift, mutate and transform, depending on the context. It argues that deconstructing martial arts is an invaluable approach to both the scholarly study of martial arts in culture and society and also to wider understandings of what and why martial arts are. Placing martial (...) arts in relation to core questions and concerns of media and cultural studies around identity, value, orientalism, and embodiment, Deconstructing Martial Arts introduces and elaborates deconstruction as a rewarding method of cultural studies. (shrink)

This paper discusses the educational significance of the national museum as a reminder of the nature of home and its relation to nostalgia. I contextualise the sense of home in various ways. First, the national museum materialises the nostalgic claim of ‘our’ history, the collective memory and identity, which is in some way or other mixed up with the personal memory. Second, it problematises the relation to home. Barbara Cassin’s question, ‘when are we ever at home?’, subtitle to her book (...) Nostalgia, expresses a puzzle that may be apparent both to those who have never left home and to those who have to leave their home for personal, social, or political reasons. In the light of Cassin’s book, the national museum comes to be seen in a contradictory way: it provides the ground and materialisation for the collective identity of a people, and it leaves open to something more disturbing. Yet this disturbance, if welcomed and embraced, is crucial to realising the educative importance of the museum in its contribution to the understanding of the human condition. (shrink)

In this article, I argue that Peter Fitzpatrick provides a unique contribution to international studies, most especially to contemporary interdisciplinary studies of International Law (IL) and International Relations (IR). Peter provides a significant theoretical contribution to the interdisciplinary study of IL and IR not only as a critical thinker of modern law, but also as a critical thinker of the modern international. On the one hand, his supplementary critical legal thinking contributes to a ‘decolonial deconstructionist’ rethinking of the politics of (...) international law. His close reading of how modern international law (auto)grounds ‘itself’, for instance, offers a strident critique of the racist, imperial, and colonial lines of discrimination involved in the negative (auto)constitution of this (supposedly) universal legal being. On the other hand, he provides a conception of the ‘(inter)national’ which displaces conventional, modern understandings of the legal and political organization of ‘humanity’ and ‘the world’, problematizing their foundational assumptions and spatialized geometrical frames as being based on oppositional dualisms (‘inside/outside’, ‘national/international’, ‘empire/modernity’, ‘theological/secular’, etc.), while offering a deconstructionist engagement with the ‘constitutive outside’ of the modern (inter)national. As a form of postcolonial counter-archive, Peter’s work enacts a decolonial deconstruction of ‘our’ (inter)national ‘selves’, including the (inter)national commonality ‘itself’. Before an incalculable, quasi-ontological heteronomy, a dissymmetrical Law of originary sociability which I (re)articulate here with/as the ‘and’ of the world(s), Peter’s supplementary critical thinking of the (inter)national contributes to imagining the world, humanity, and our social being(s), including law and language, otherwise. (shrink)

Derrida’s autobiographical and philosophical text Monolingualism of the Other; or, the Prosthesis of Origin is a partial recounting of his own childhood and upbringing in Algeria at a time when it was a colony of France. It is on one level a reflection on matters related to colonialism, and especially on the effects of the imposition of colonial language upon schooling and wider practices of education and coming into the world. Yet Derrida’s text also opens onto structural questions about estrangement, (...) unsettledness and Unheimlichkeit such as they pertain to and characterise life in language more generally. This paper puts Derrida’s Monolingualism of the Other into relation with contemporary discussions of multilingualism and language learning in the context of the global education agenda. The result, as we shall see, is the destabilising of assumptions that underpin multilingualism and the global education agenda and foreclose their democratic and ethical aims. At the same time, as we shall also see, Derrida’s text opens ways in which the education of language subjects can be reconstructed in relation to a new conception of ethics and the humanities. (shrink)

Although Derrida himself rejected the Saussurian notion of ‘signifier’ and replaced it with ‘trace’ or ‘mark’ this essay argues for the continued relevance of ‘signifier’ for and to the Derridean project of ‘deconstructing’. A radical reading of ‘signifier’ as undertook by Derrida himself in Of Grammatology can help demonstrate the power of certain Derridean readings such as that, in Of Spirit, which seeks to problematise the Heideggerian approach to questioning as ‘the piety of thought’. By exposing certain connotations of the (...) German word, Zusage – ‘speaking to’ – the essay seeks to bring out the affective dimension in Derrida's deconstructive reading of Heidegger and more generally in the deconstructive project. (shrink)

Derrida, in some remarks about the inauguration of new refuge-cities in Europe and America,argues for the invention of a new cosmopolitical polity which would be instituted on the basis of an ethics of hospitality. The implications run up against current notions of sovereigntyand challenge many current assumptions about citizenship and rights which draw from Enlightenment thought. This article will sketch these issues, linking up notions of rights and sovereignty inherited from the Enlightenment to their possible transmutation in contemporary conditions and (...) to questions of an ethics of responsibility and hospitality. It will examine the implications for the dissolution of the public sphere as it is now constituted and the emergence of culturally plural and transmodern forms of sociality. (shrink)

Derrida, in some remarks about the inauguration of new refuge-cities in Europe and America,argues for the invention of a new cosmopolitical polity which would be instituted on the basis of an ethics of hospitality. The implications run up against current notions of sovereigntyand challenge many current assumptions about citizenship and rights which draw from Enlightenment thought. This article will sketch these issues, linking up notions of rights and sovereignty inherited from the Enlightenment to their possible transmutation in contemporary conditions and (...) to questions of an ethics of responsibility and hospitality. It will examine the implications for the dissolution of the public sphere as it is now constituted and the emergence of culturally plural and transmodern forms of sociality. (shrink)

Khora, as it figures in Plato’s Timaeus, as read by Jacques Derrida, poses a singular translation problem, not only for having more than one meaning, but also for having less than one. This might be thought of in terms of Derrida’s distinction between ‘polysemy’ and ‘dissemination’, in so far as any concept of translation will ‘re-mark’ a translation or reception of something like khora, the ‘all-receiving’. This means both that khora is untranslatable and that its translation into every language is (...) inevitable, which has implications for the question of a ‘politics of khora’, as becomes particularly apparent in Derrida’s unpublished seminar from 1985–86. (shrink)

There is a trend in modern times towards taking the individual’s desire to be the indicator or basis of what the good life would be for the individual. Desire is believed to be an outer expression of an inner voice. The idea is that the individual’s desire shows what matters and therefore what constitutes the good life for her. An assumption is that the desire is knowable. The task for a fulfilled life is to reason out what the desire is (...) and, as a next step, take corresponding rational actions towards its fulfilment. John Rawls is a paradigm case of this approach. What is missing, I believe, in assuming the knowability of desire, is an awareness of the key characteristic of human desire: that is, it is always in a process of formation and change. In this article, I try to explore the problems of seeing desire as capable of being made fully present, by looking at the ideas of Ralph Waldo Emerson, Jacques Derrida, and Adam Phillips. (shrink)

Drawing upon a range of theorists, photographers and literary texts, this article explores the role of memory in grounding identity. If the subject is constituted in language, it is argued, identity can be achieved only in the realm of the imaginary, through fixation in an imago of the self. It is memory above all that gives this being-in-denial its imagined solidity; but that solidity is an effect of language’s ability to create verisimilitude in an eternal present of signification, and not (...) of memory’s relation to a real past. Identity therefore always remains precarious, because the signifiers that furnish the points de capiton of what we remember always also defer elsewhere. (shrink)

In this article I posit translation as philosophical operation that disrupts commonsense meaning and understanding. By defamiliarising language, translation can arrest thinking about a text in a way that assumes the language is understood. In recent work I have grappled with the phrase 'ways of knowing', which, for linguistic and conceptual reasons, confuses discussions about epistemological diversity. I here expand this inquiry by considering languages in which more than one equivalent exists for the English verb 'to know'. French, for example, (...) has both savoir and connaître , and German has wissen and kennen . This interlinguistic translation thus allows for a reconsideration of the inquiry into the phrase 'ways of knowing': do problems arise with 'ways of knowing-in-the sense-of connaître ', or with 'ways of knowing-in-the-sense-of savoir ', or both? Displacement is, more generally speaking, a method used by philosophers. Shifting the concept or phenomenon under consideration into a different context or discursive register allows one to defamiliarise it and see it in terms of something else. Through translation, whether interlinguistic or interdiscursive, philosophers ask what questions and understandings become possible when we see A in terms of B. (shrink)

In this article I posit translation as philosophical operation that disrupts commonsense meaning and understanding. By defamiliarising language, translation can arrest thinking about a text in a way that assumes the language is understood. In recent work I have grappled with the phrase ‘ways of knowing’, which, for linguistic and conceptual reasons, confuses discussions about epistemological diversity. I here expand this inquiry by considering languages in which more than one equivalent exists for the English verb ‘to know’. French, for example, (...) has both savoir and connaître, and German has wissen and kennen. This interlinguistic translation thus allows for a reconsideration of the inquiry into the phrase ‘ways of knowing’: do problems arise with ‘ways of knowing-in-the sense-of connaître’, or with ‘ways of knowing-in-the-sense-of savoir’, or both? Displacement is, more generally speaking, a method used by philosophers. Shifting the concept or phenomenon under consideration into a different context or discursive register allows one to defamiliarise it and see it in terms of something else. Through translation, whether interlinguistic or interdiscursive, philosophers ask what questions and understandings become possible when we see A in terms of B. (shrink)

‘On the Run’ explores various aspects of ‘imagining Derrida’/‘Derrida imagining’, as well as the notion of a deconstructive imaginary. The text is at once critical, autobiographical and phantomatic or fantastical. Attention is given to Derrida's interests in cinema and ghosts, friendship and imagination, telepathy and literature. The question of a ‘deconstructive imaginary’ is pursued through discussion of Defoe's Robinson Crusoe, Wallace Stevens and Sigmund Freud, in particular. The paper concludes with a meditation on dreams about dead people.

Even after the concept of ‘origin’ has been called into question, a troubling wish to speak of origins persists, especially in the narrative act of accounting for one's own origins in confessional discourse. Here, the self encounters the limits of its narratibility, even as it interrogates how, in the Nietzschean sense, it became what it is. This essay explores the question of troubled origins by placing Nietzsche's Ecce Homo: How One Becomes What One Is and Derrida's Monolingualism of the Other; (...) or, the Prosthesis of Origin in syntactical relation with Didier Eribon's Returning to Reims and Botho Strauß's Herkunft. The essay meditates on the ways in which a world-oriented longing for identification persists long after the ideas of identity and self-identity have been bid farewell. If there is a kind of survival to be espied in textual acts of confronting one's troubled origins, such survival would have to travel through a language that unfolds on the far side of any conventional identity-thinking. By the same token, this language could never simply resist the conceptual and rhetorical temptation powerfully exerted by the seductive processes of identification. Derrida, Strauß, and Eribon, each in their own idiomatic way, implore us to question just what such textual acts of commemorative survival imply for a thinking to come. (shrink)

The built environment and the organisation of public spaces reflect the normative notions of male and female. Public toilets, amongst other widely common public spaces, underline these two opposing concepts and challenge the presence of transgender. Within the boundaries of public toilets, transgender and gender non-conforming individuals become a crucial point of debate, scrutiny and controversy. Analysing the politics of such gender-segregated space, this article explores the notion of uniformity and challenges the idea of single-ness as the absolute expression of (...) the self. (shrink)

Over the past thirty years, academic debate over pornography in the discourses of feminism and cultural studies has foundered on questions of the performative and of the word's definition. In the polylogue of Droit de regards, pornography is defined as la mise en vente that is taking place in the act of exegesis in progress. (Wills's idiomatic English translation includes an ‘it’ that is absent in the French original). The definition in Droit de regards alludes to the word's etymology (writing (...) by or about prostitutes) but leaves the referent of the ‘sale’ suspended. Pornography as la mise en vente boldly restates the necessary iterability of the sign and anticipates two of Derrida's late arguments: that there is no ‘the’ body and that performatives may be powerless. Deriving a definition of pornography from a truncated etymology exemplifies the prosthesis of origin and challenges other critical discourses to explain how pornography can be understood as anything more than ‘putting (it) up for sale’. (shrink)

Despite frequent valorizations of music in the west, the art has also been perceived as a threat to philosophy and theology, ostensibly on the grounds of its potential for danger to the polis, temptation to impiety, coercion, or lack of objective content. Accompanying these doubts is a longstanding anxiety concerning music's relation with inarticulation or silence. Debates over the definition and ontology of music persist today in both analytic and continental traditions, with neither approach succeeding in forging consensus. Musical Platonism (...) is today's uneasy default position in the academy. However, recent reassessments of speech acts and of the Derridean world as phantasm can return music to its structural constitution in différance – to an alternation between sound and silence. This redefinition of music and its parallel with language can contextualize Derrida's most extended engagement with the topic, his interview with Ornette Coleman. (shrink)

With specific reference to the teaching of Irish and English in Ireland, I am concerned in this paper with the experiences of language dispossession and language pedagogy. Drawing on Jacques Derrida’s key concepts of ‘hospitality’ and ‘monolingualism’, I argue that in Ireland the first of these experiences cannot be separated from the second. Taking into consideration its colonial past as well as the changing linguistic profile of its present, Ireland is at once ‘host’ and ‘hostage’ to the English language and (...) this deconstructing identity has important ramifications for the country’s systematic teaching of English as well as Irish. The primary philosophical text guiding my discussion is Derrida’s ‘Monolingualism of the Other’. (shrink)

How does the clinical encounter work? To tackle this question, the present study centers on the paradigmatic clinical encounter, namely, psychoanalysis, paradigmatic in that it is structured by the encounter itself. Our question thus becomes: how does the clinical encounter work, when its only modality is speech? By reading Jacques Lacan and Emmanuel Levinas together, we better identify how speech sets up as subjects those who address one another and how this subjectivation touches the suffering body specifically. In this framework, (...) a definition of the encounter is put to work: The encounter of a sufferer and a listener, that is, the clinical encounter, is the opening of an inter-human space beyond suffering. This conception of the encounter permits a specifying of the violence it avoids—respecting the transcendence of the other irreducibly other—but also the violence that it mobilizes—through a presumption of subjectivity imposed upon the other, by which the subjectivation at work in the encounter is, by definition, a subjection to the other. This outlines, then, an ethics of the clinical encounter: a relationship of man to man commanded by one sensing body to another, i.e. a minimal and therefore radical ethics that is structured as a sensible ethics between speaking bodies. (shrink)

As populations around the globe become increasingly culturally diverse, just inter-personal relations seem dependent on our ability to find new ways of communicating with people from other cultures whose values and linguistic strategies may vary from our own cultural practices. Hence, in the increasing body of literature on intercultural education, intercultural education means helping students to acquire the right language and communication skills for enabling mutual understanding and transformation between cultures. However, several post-colonial scholars have pointed out that there is (...) a tendency to homogenise differences and neglect relations of power and the culturally untranslatable in the Western conception of language. This paper explores some implications of the post-colonial critique of intercultural education by following Luce Irigaray's writings on language and communication. Taking as its point of departure the Western ‘common sense’ conception of language as an instrument for communication and transfer of information, the paper first elaborates on the importance of exploring new ways of relating to language if we want to speak and listen to the other as other. It then offers a close reading of Martin Heidegger's existential analysis of the nature of language as Saying-Sowing and of Irigaray's response as she develops it in two of her later works. By way of conclusion the paper discusses how a more poetic and attentive listening could open up for a transformative and non-hierarchical communication in difference, and considers what implications this has for the promotion of social justice and pluralism in intercultural education. (shrink)

The tension between the absence of identity and the feeling of presence theorised in Jacques Derrida's philosophy is revealed in D'ailleurs Derrida, a film by Safaa Fathy (1999). Fathy's film has had limited scholarly attention, yet it makes a distinctive contribution both to understanding and questioning Derridean thought. I argue that the not-meness of identity is revealed by Fathy through the theme of ‘elsewhere’ (ailleurs) in the film and yet it allows the audience to experience the tone and cadence of (...) Derrida's speaking voice, in counterpoint with contemporary and archival images, thus providing a sense of his philosophy in relation to his life. The film shows how forms of absence such as silence, the not-said, and even pauses are essential to his work. Ultimately the film operates by giving Derrida the location, space, and time to articulate his views on identity, the close relationship between writing and filming, the experience of being ‘the Marrano's Marrano, circumcision, forgiveness and hospitality, and absence and presence. Nevertheless, Fathy's film both reflects and questions his philosophical focus on absence and spectrality through a range of cinematic techniques, including reverse shots and cross-cutting between locations. (shrink)

The tension between the absence of identity and the feeling of presence theorised in Jacques Derrida’s philosophy is revealed in D’ailleurs Derrida, a film by Safaa Fathy (1999). Fathy’s film has had limited scholarly attention, yet it makes a distinctive contribution both to understanding and questioning Derridean thought. I argue that the not-meness of identity is revealed by Fathy through the theme of ‘elsewhere’ (ailleurs) in the film and yet it allows the audience to experience the tone and cadence of (...) Derrida’s speaking voice, in counterpoint with contemporary and archival images, thus providing a sense of his philosophy in relation to his life. The film shows how forms of absence such as silence, the not-said, and even pauses are essential to his work. Ultimately the film operates by giving Derrida the location, space, and time to articulate his views on identity, the close relationship between writing and filming, the experience of being ‘the Marrano’s Marrano’, circumcision, forgiveness and hospitality, and absence and presence. Nevertheless, Fathy’s film both reflects and questions his philosophical focus on absence and spectrality through a range of cinematic techniques, including reverse shots and cross-cutting between locations. (shrink)

Generally, regulation is thought of as a constant that carries with it both a formative and conservative power, a power that standardises, demarcates and forms an order, through procedures, rules and precedents. It is dominantly thought that the singularity and formalisation of structures like rules is what enables regulation to achieve its aim of identifying, apprehending, sanctioning and forestalling/pre-empting threats and crime or harm. From this point of view, regulation serves to firmly establish fixed and stable categories of what norms, (...) customs, morals and behaviours are applicable to a particular territory, society or community in a given time. These fixed categories are then transmitted onto individuals by convention, ritual and enforcement through imperatives of law (and technology) that mark certain behaviours as permissible and others as forbidden, off bounds. In this manner, regulation serves a programming (i.e., a calculable or determinable) purpose. It functions as a pro-active management or as a mastery of threats, risks, crimes and harms that affect a society and its security both in the future and in the present. Regulation for instance, will inscribe and codify what it determines to constitute crime or harm such as pornography, incitement of terrorism, extremist speech, racial hatred etc. These determined or calculated/calculable categories will then be enforced and regulated (e.g. through automated filtering) in order to ensure a preservation of public order within society. Drawing mainly from deconstruction, this article situates law and technologies within a wider ecological process of texts, speech and writing i.e., communication. In placing regulation within disseminatory and iterable processes of communication, this article complicates, destabilises and critiques the dominant position of determinability and calculability within the regulatory operations of law. (shrink)

Proper attention to the theme of corporeality is crucial for understanding Derrida’s analysis of Hegel in “The Pit and the Pyramid.” This article argues that Derrida’s essay compels us to face the impossibility of giving a wholly coherent account of embodiment. The _Aufhebung_ supposedly unites the exteriority of the corporeal with interiority in a higher unity that cancels and preserves them both; Hegel’s own text reveals, however, that meaning is primordially absent from the body that was thought to incarnate it. (...) And it is this absence of ideal meaning that is originary: Differance conditions the body as it conditions speech, rendering the body other than itself such that it is not categorizable as flesh that is the self or as an object that is not the self. I am and am not my body because the dichotomy between interiority and exteriority breaks down even at the level of the body. Indeed, I am and am not my self; the embodied self is disrupted from the start, never self-contained. Thus embodiment always already testifies to the other. (shrink)

The relationship between national languages and schooling is a recurring theme in Derrida’s writings on education, playing an important role in the challenge he mounts to traditional understandings of the French State’s involvement in the teaching of philosophy. In this essay, I follow this thread of thinking across several of Derrida’s texts, paying specific attention to his diagnoses of positions arguing for a universal philosophical language on the one hand, and those elevating French as the proper language of philosophy on (...) the other. I demonstrate how, against these positions, an alternative understanding of relation between language and philosophical education starts to emerge in Derrida’s work, one in which translation is a key element. (shrink)

This article investigates the meaning of the ‘social’ based on Durkheim’s philosophy of society as a ‘collective representation’. I argue that the social, the way Durkheim formulates it, is an abstract sign for reality, a metaphor, which operates on the level of language. Because of this fact, the ‘social’ is from the start limited in its functionality as a descriptor, but it also contains within its own linguistic form, in its word, the possibility of renewal and renaming that is the (...) unique force inherent in language. I propose that this origin of the social operates according to the ‘spirit of postmodernism’, which constitutes a common response to modernity, by what later differentiates itself into the currents of sociology and postmodernism. (shrink)

This article argues that Jacques Derrida’s Politics of Friendship presents an implicit but significant critique of Maurice Blanchot’s The Unavowable Community. In Blanchot’s text, the Other disrupts any sense of fusional or essentialist community. But Derrida criticises Blanchot for neglecting the need to negotiate my responsibility to infinite others. Derrida proposes a logic of the plus un, playing on this double meaning in French, where a need to count singularities (‘plus one’) disrupts the unity of community (‘no longer one’). For (...) Derrida, this offers a greater emphasis on those outside the boundaries of constituted communities, something he finds lacking in Blanchot. I demonstrate that Derrida’s position is a challenge to an emerging xenophobic discourse in 1980s French politics. I propose, therefore, that Derrida’s difference with Blanchot is motivated as much by a political difference as a philosophical one, with Derrida judging Blanchot’s account inadequate for contemporary political concerns. (shrink)

The characterisation of Derrida’s politics as a seeking for the “lesser violence” has become an almost paradigmatic interpretation. Yet the phrase _la moindre violence_ appears only in the early essay “Violence and Metaphysics” and its meaning is not as straightforward as might initially seem. I will argue that it is a mistake to take this expression to summarise the political import of this essay let alone of deconstruction more generally. What Derrida repeatedly concerns himself on that occasion is not “the (...) lesser violence” but “worse violence” and “the worst violence,” terms that appears several times. This will be seen to be as a prefiguring of how, from the early 1980s on, following engagements with Plato and Lyotard, Derrida repeatedly names and elaborates “the worst” as that which we should seek to avoid. In order to uncover the politics of deconstruction, I will examine what Derrida has to say about “the worst” as well as what is said in the secondary literature, for it is also a term around which a number of unfortunate misinterpretations have arisen. In conclusion, it will be remarked that with the late coinage of the term _aimance_ Derrida makes clear his close proximity to the ethics of Levinas and his affirmation of an aspiration to nonviolence in the relationship with the other. (shrink)

An isolated sentence—aphoristic, not fragmentary—tends to reverberate like an oracular utterance having the self-sufficiency of a communication to which nothing need be added.That is barbarian language you hear.There is no document of culture which not at the same time a document of barbarism.Zōon logon ekhon echoes. It rings, three unpunctuated words filling the air and resounding across the landscape. It reverberates, a fragment heard over and over, almost to the point where it seems to go without saying—almost. It reflects, an (...) idea in which a question of beginning, perhaps the beginning, returns from the rock face as that which "has governed an enormous tradition", an origin story, a common... (shrink)

For Derrida, the ‘‘as if’’, as a regulative principle directly appropriated and modified from its Kantian context, becomes the central lynchpin for understanding, not only Derrida's philosophical system as a whole, but also his numerous seemingly enigmatic references to his ‘‘jewishness’’. Through an analysis of the function of the ‘‘as if’’ within the history of thought, from Greek tragedy to the poetry of Wallace Stevens, I hope to show how Derrida can only appropriate his Judaic roots as an act of (...) mourning that seeks to render the lost object as present, ‘‘as if’’ it were incorporated by the subject for whom this act nevertheless remains an impossibility. As Derrida discerns within the poetry of Paul Celan, bringing a sense of presence/presentness to our experiences, and as a confirmation of the subject which the human being struggles to assert, is the poetic task par excellence. It is seemingly also, if Derrida is to be understood on this point, the only option left to a humanity wherein poetry comes to express what religious formulations can no longer justify. (shrink)

This paper considers two among the several points of intersection in the work of Roberto Esposito and Jacques Derrida. First, and most obviously: in the context of conceptualizing community, and more broadly, Esposito and Derrida have elaborated concepts of immunity and auto-immunity to refer to auto-destructive modes of defense which profoundly threaten what – seemingly – ought to have been safeguarded through their mechanism. The second point of proximity is the use both make of figures of maternity and birth in (...) these conceptualizations. This comparison not only illuminates the differing philosophical commitments of Derrida and Esposito but also offers a means of challenging the fate of sexual difference in the work of Esposito. (shrink)

This article investigates the politics of translation at work in contemporary theories of secularism. It turns to the thought of Jacques Derrida in order to challenge liberal and more critical perspectives. Without a complex analysis of translation and its ethico-political effects, the revisitation of secularism remains deficient, leaving the liberal politics of translation exclusionary and that of their critics ineffective. Pointing to the resources Derrida offers for a deeper understanding of the nature, political stakes, and implications of translation, this article (...) illuminates an understudied and yet crucial dimension of the relationship between religion and politics, and more generally of public life. (shrink)

The article explores Jacques Derrida’s view of the secular as the field of the socio-political. It focuses on his argument as to why religion and politics cannot be strictly separated as in the classical modern paradigm. By engaging Derrida’s later writings, this article shows that the secular domain cannot be purified of all faith and is best thought of as theologico-political, where ‘theologico-political’ indicates the interrelatedness and distinction between the theological and the political. The article’s central claim is that by (...) opening up to some form of the theological that is not reducible to traditional conceptions, and to a faith that is not necessarily religious, Derrida provides significant resources for understanding the secular today in more complex and critical ways than usual approaches offer. (shrink)

Some scholars claim that in Derrida's Of Grammatology the author presents China and its script as essentially and radically Other when compared to the West. In this paper, I argue that Derrida's discussion of Leibniz, his critique of the notions of ‘phonetic writing’ and ‘ideograph’, and the distinction he makes between ‘logocentrism’ and ‘phonocentrism’, enables him to deconstruct an essentialist conception of China or Chinese writing. However, far from conceiving China in a relativist or ethnocentric manner, Derrida also pays attention (...) to the historicity of the encounter between European philosophy and China. In order to underline the transcultural potential of deconstruction, I discuss the concept of ‘crypt’ in light of the Chinese translation of the word ‘ différance’. This allows me to reinterpret what I claim to be Derrida's problematic reference to Chinese writing as ‘outside of all logocentrism’ from the point of view of his philosophy of translation. 1. (shrink)

This paper offers a critique of Derrida's deconstruction of the promise on the grounds that it does not adequately account for the ethical constitution of the promise in the pragmatic context of face-to-face dialogue. Instead, Derrida focuses on the way in which the promise opens the horizon of interpretation or readability for an indefinite community of readers. Derrida's view is explicated at length, drawing on Limited Inc, Le monolinguisme de l'autre: ou, la prosthèse d'origine, and 'Avances', the Preface to Serge (...) Margel's Le tombeau du dieu artisan. Paul Ricoeur's interpretation of the promise as an attestation of my availability to the other person is presented as a more justifiable grounding of ethics. Key Words: attestation • community • Derrida • ethics • pragmatics • promise • Ricoeur. (shrink)

In a tribute to the intellectual legacy of Peter Fitzpatrick, this article explores the poiesis of modern law, as a constitutive ambivalence distilled in the affinity between law and literature. Reading with Fitzpatrick, the resolution of the contradictions of this law in myth depends, paradoxically, upon its fundamental irresolution. Reflecting upon the profound significance of his revelation of the mythology of modern law and its scholarly reverberations, I consider the constitutive tensions of this law as exemplified in the relation between (...) praxis and poiesis, the operative function of the former dependent upon the creative unfolding of the latter. The alchemy of autopoiesis, by which law boldly proclaims itself law, is made explicit in the eschatology of its archive and the formation of its sovereign subject in negation. Revealing the literary dimensions of this law, the conceit of autonomy is nonetheless subject to the subversive substitutions of the supplement. Pressing yet further, the autopoiesis of law is found to be enfolded within a generative sympoiesis, constituted by the movement between its apposite dimensions. Ultimately, extending Fitzpatrick’s rendering of the irresolution of modern law as decolonial, I explore the possibilities afforded by a reading of the fundamental mutuality of myths, and the decolonial conviviality of poiesis. (shrink)

This essay builds from an analysis of the philosophical underpinnings of Bruce Lee’s jeet kune do to an analysis of the current state of academic scholarship generally and martial arts studies scholarship specifically. For the sake of a more comprehensive understanding of the philosophical underpinnings of jeet kune do, and in particular its affinities with a philosophical tradition traced by Stanley Cavell under the heading of perfectionism, this essay brings the philosophical writings of Ralph Waldo Emerson and Ayn Rand into (...) contact with Lee’s writings during the time that he spent formulating his martial arts philosophy. Additionally, this essay uses the philosophical insights of Emerson, Rand, and Lee to challenge longstanding academic dogma vis-à-vis poststructuralist philosophy, the methods of academic intervention, and the nature of philosophical argumentation. Though pitched as a debate regarding the content and the status of Bruce Lee and his combative philosophy, this essay endeavors to inspire scholars to (re)examine their conceptions of Bruce Lee, martial arts, and martial arts studies. (shrink)