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Reflection, reflective judgment, and aesthetic exemplarity

In Rebecca Kukla (ed.), Aesthetics and Cognition in Kant's Critical Philosophy. Cambridge University Press (2006)

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  1. On Wittgenstein's notion of meaning-blindness: Its subjective, objective and aesthetic aspects.Christian Helmut Wenzel - 2009 - Philosophical Investigations 33 (3):201-219.
    Wittgenstein in his later years thought about experiences of meaning and aspect change. Do such experiences matter? Or would a meaning- or aspect-blind person not lose much? Moreover, is this a matter of aesthetics or epistemology? To get a better perspective on these matters, I will introduce distinctions between certain subjective and objective aspects, namely feelings of our inner psychological states versus fine-tuned objective experiences of the outer world. It seems to me that in his discussion of meaning-blindness, Wittgenstein unhappily (...)
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  • Kant's aesthetics: Overview and recent literature.Christian Helmut Wenzel - 2009 - Philosophy Compass 4 (3):380-406.
    In 1764, Kant published his Observations on the Feeling of the Beautiful and the Sublime and in 1790 his influential third Critique , the Critique of the Power of Judgment . The latter contains two parts, the 'Critique of the Aesthetic Power of Judgment' and the 'Critique of the Teleological Power of Judgment'. They reveal a new principle, namely the a priori principle of purposiveness ( Zweckmäßigkeit ) of our power of judgment, and thereby offer new a priori grounds for (...)
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  • Kant's Aesthetics: Overview and Recent Literature.Christianhelmut Wenzel - 2009 - Philosophy Compass 4 (3):380-406.
    In 1764, Kant published his Observations on the Feeling of the Beautiful and the Sublime and in 1790 his influential third Critique, the Critique of the Power of Judgment. The latter contains two parts, the ‘Critique of the Aesthetic Power of Judgment’ and the ‘Critique of the Teleological Power of Judgment’. They reveal a new principle, namely the a priori principle of purposiveness (Zweckmäßigkeit) of our power of judgment, and thereby offer new a priori grounds for beauty and biology within (...)
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  • The Guillotine as an Aesthetic Idol and Kant’s Loathing.Valerijs Vinogradovs - 2016 - Sophia 55 (1):101-113.
    Kant’s doctrine of aesthetic ideas, along with his brief treatment of ugliness, has been the focus of some recent literature. In this paper, I employ an original approach, which nonetheless draws from Kant’s oeuvre, to pin down the phenomenological complexity of a spectacular event that took place at the inception of the French Terror—the decapitation of Louis the XVI. To this end, the first section of the essay fleshes out an interpretative framework explicating how seeing the guillotine as an aesthetic (...)
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  • Can everything be beautiful? Pan-aestheticism and the Kantian puzzle of the free play of the faculties.Elena Romano - 2020 - Con-Textos Kantianos 1 (12):292-313.
    My contribution deals directly with the problem of Kant’s apparent commitment to pan- aestheticism, which is in particular attached to the task of explaining the possibility of the free play of the faculties. The aim is to provide an overview of the ways in which this problem can be confronted and eventually solved. In this regard, one way to deal with this problem consists in revisiting the assumption that the free play of the faculties is to be understood as simply (...)
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  • Beyond the Pleasure Principle: A Kantian Aesthetics of Autonomy.Dominic McIver Lopes - 2021 - Estetika: The European Journal of Aesthetics 58 (1):1-18.
    Aesthetic hedonism is the view that to be aesthetically good is to please. For most aesthetic hedonists, aesthetic normativity is hedonic normativity. This paper argues that Kant's third critique contains resources for a non-hedonic account of aesthetic normativity as sourced in autonomy as self-legislation. A case is made that the account is also Kant's because it ties his aesthetics into a key theme of his larger philosophy.
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  • On Aesthetic Judgments and Contemplative Perception in the Critique of the Power of Judgment.Hemmo Laiho - 2020 - Con-Textos Kantianos 1 (12):191-208.
    The paper argues that much of Kant’s largely formalistic account of aesthetic appreciation stands on the idea that the judger is able to engage with the object of her judgment purely sensibly and hence non-conceptually or non-cognitively. This is to say that the judger must be able to ground her judgment on the immediate sensory affection by the object or on the object’s sensible form. The paper also argues that these two purely sensible grounds, accessible in the aesthetic examination of (...)
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  • Subsuming ‘determining’ under ‘reflecting’: Kant’s power of judgment, reconsidered.Nicholas Dunn - 2021 - Inquiry: An Interdisciplinary Journal of Philosophy.
    Kant’s distinction between the determining and reflecting power of judgment in the third Critique is not well understood in the literature. A mainstream view unifies these by making determination the telos of all acts of judgment (Longuenesse 1998). On this view, all reflection is primarily in the business of producing empirical concepts for cognition, and thus has what I call a determinative ideal. I argue that this view fails to take seriously the independence and autonomy of the ‘power of judgment’ (...)
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  • El -conceptualismo de Kant y los juicios de gusto.Matias Oroño - 2017 - Con-Textos Kantianos 6:93-105.
    Hay una tendencia dentro del debate sobre el conceptualismo y el no-conceptualismo kantiano a pasar por alto la estética de Kant. El objetivo central de este artículo es ofrecer un análisis sobre la interpretación no-conceptualista de Heidemann en torno a la teoría kantiana de los juicios de gusto. En primer lugar, se discuten los argumentos que Heidemann ofrece acerca del carácter cognitivo de los juicios de gusto. En segundo lugar, se analiza el supuesto no-conceptualismo implicado en la experiencia estética de (...)
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  • Perception in Kant's Model of Experience.Hemmo Laiho - 2012 - Dissertation, University of Turku
    In order to secure the limits of the critical use of reason, and to succeed in the critique of speculative metaphysics, Immanuel Kant (1724–1804) had to present a full account of human cognitive experience. Perception in Kant’s Model of Experience is a detailed investigation of this aspect of Kant’s grand enterprise with a special focus: perception. The overarching goal is to understand this common phenomenon both in itself and as the key to understanding Kant’s views of experience. In the process, (...)
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