Contemporary philosophers have not, at least until very recently, been much concerned with the study of the emotions. It was not always so. The Stoics thought deeply about this topic. Although they were divided on points of detail, they agreed on the broad outline of an account. In it emotions are valuational judgments and resulting affective states.

Contemporary philosophers have not, at least until very recently, been much concerned with the study of the emotions. It was not always so. The Stoics thought deeply about this topic. Although they were divided on points of detail, they agreed on the broad outline of an account. In itemotions are valuational judgments and resulting affective states.

According to folk psychology, instrumental music regularly elicits emotions in listeners. Philosophers and psychologists such as Kivy, Konecni and Zangwill have questioned the existence of these musically elicited emotions, arguing that instrumental music elicits moods or aesthetic judgments rather than emotions. I defend the folk psychological position against these skeptics. The first chapter sets up the debate surrounding musically elicited emotions, while chapters two and three defend the thesis that instrumental music elicits emotions against the critics’ arguments. Chapter four outlines (...) the implications of this defense for a variety of fields. (shrink)