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  1. Embodying the Tragic Father(s): Autobiography and Intertextuality in Aristophanes.Mario Telò - 2010 - Classical Antiquity 29 (2):278-326.
    This paper examines the role of the generation gap in Aristophanes' construction of his persona throughout Wasps, Clouds, and Peace. It contends that in Wasps and Clouds Aristophanes defines the relationship with his audience and his rivals by presenting himself as the figure of a paternal son. The same stance shapes the comic poet's generic self-positioning in the initial scene of Peace, where the parody of Euripides' Aeolus and Bellerophon evinces a corrective attitude in relation not only to the troubled (...)
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  • Aristophanes and the events of 411.Alan H. Sommerstein - 1977 - Journal of Hellenic Studies 97:112-126.
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  • The number of speaking actors in Old Comedy.Douglas M. MacDowell - 1994 - Classical Quarterly 44 (2):325-335.
    The number of speaking actors in Old Comedy has been much discussed, but no consensus has been reached. The old assumption that the number was three, as in tragedy, was shaken when it was realized that some scenes of Aristophanes have four characters on-stage at once, all taking part in the dialogue: for example, in Lys. 77–253 we have Lysistrate, Kalonike, Myrrhine, and Lampito, and in Frogs 1414–81 we have Dionysos, Aiskhylos, Euripides, and Plouton. Rees therefore argued that there was (...)
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  • The number of speaking actors in Old Comedy.Douglas M. MacDowell - 1994 - Classical Quarterly 44 (02):325-.
    The number of speaking actors in Old Comedy has been much discussed, but no consensus has been reached. The old assumption that the number was three, as in tragedy, was shaken when it was realized that some scenes of Aristophanes have four characters on-stage at once, all taking part in the dialogue: for example, in Lys. 77–253 we have Lysistrate, Kalonike, Myrrhine, and Lampito, and in Frogs 1414–81 we have Dionysos, Aiskhylos, Euripides, and Plouton. Rees therefore argued that there was (...)
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  • Los dissoì lógoi en las Nubes de Aristófanes: Esquema formal y punto de detención de la proliferación discursiva.Julián Gallego - 2006 - Circe de Clásicos y Modernos 10:177-193.
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