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  1. Trust in Technicians in Paleontology Laboratories.Caitlin Donahue Wylie - 2018 - Science, Technology, and Human Values 43 (2):324-348.
    New technologies can upset scientific workplaces’ established practices and social order. Scientists may therefore prefer preserving skilled manual work and the social status quo to revolutionary technological change. For example, digital imaging of rock-encased fossils is a valuable way for scientists to “see” a specimen without traditional rock removal. However, interviews in vertebrate paleontology laboratories reveal workers’ skepticism toward computed tomography imaging. Scientists criticize replacing physical fossils with digital images because, they say, images are more subjective than the “real thing.” (...)
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  • Circulation of Coronavirus Images: Helping Social Distancing?Bettina Bock von Wülfingen - 2023 - Berichte Zur Wissenschaftsgeschichte 46 (2-3):259-282.
    As soon as the SARS‐Cov2 disease was recognized by experts to potentially cause a serious pandemic, a three dimensional diagrammatic image of the virus, colored in strong red, conquered public media globally.This study confronts this iconic virus image with a historic image analysis of 33,000 biomedical articles on coronaviruses published between 1968–2020 and interviews with some of their authors.Only a small fraction of scientific virus publications entail images of the complete virus. Red as an alarm color is not used at (...)
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  • Mapping Ecologists’ Ecologies of Knowledge.Peter J. Taylor - 1990 - PSA Proceedings of the Biennial Meeting of the Philosophy of Science Association 1990 (2):95-109.
    Ecologists, particularly those who consider socially generated effects in the environment, grapple with complex, changing situations. Historians, sociologists and philosophers studying the construction of science likewise attempt to account for (or discount) a wide variety of influences, which make up what historian Charles Rosenberg has called “ecologies of knowledge” (Rosenberg 1988). This paper introduces a graphic methodology, mapping, designed to assist researchers at both levels—in science and in science studies—to work with the complexity of their material. By analyzing the implications (...)
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  • The Trajectory of Color.B. A. C. Saunders & J. Van Brakel - 2002 - Perspectives on Science 10 (3):302-355.
  • The trajectory of color.B. A. C. Saunders & Jaap Van Brakel - 2002 - Perspectives on Science 10 (3):302-355.
    : According to a consensus of psycho-physiological and philosophical theories, color sensations (or qualia) are generated in a cerebral "space" fed from photon-photoreceptor interaction (producing "metamers") in the retina of the eye. The resulting "space" has three dimensions: hue (or chroma), saturation (or "purity"), and brightness (lightness, value or intensity) and (in some versions) is further structured by primitive or landmark "colors"—usually four, or six (when white and black are added to red, yellow, green and blue). It has also been (...)
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  • Image Interpretation: Bridging the Gap from Mechanically Produced Image to Representation.Laura Perini - 2012 - International Studies in the Philosophy of Science 26 (2):153-170.
    There is currently a gap in our understanding of how figures produced by mechanical imaging techniques play evidential roles: several studies based on close examination of scientific practice show that imaging techniques do not yield data whose significance can simply be read off the image. If image-making technology is not a simple matter of nature re-presenting itself to us in a legible way, just how do the images produced provide support for scientific claims? In this article I will first show (...)
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  • Commentary: Visual Cultures, Publication Technologies, and Legitimation in the Life Sciences.Lynn K. Nyhart - 2023 - Berichte Zur Wissenschaftsgeschichte 46 (2-3):283-293.
    This paper comments on five articles in the special issue “Circulating Images in the Life Sciences.” It sees the papers as unified by two themes. The first is their attention to the processes of legitimation. The second is the embedding of the images in textual cultures, which changed over time from the mid‐nineteenth century to the very recent past, most notably with the recent advent of digital culture.
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  • Conjuring Machinic Life.Natasha Myers - 2008 - Spontaneous Generations 2 (1):112.
    “Captured” in the hands of twenty-first-century structural biologists, “life itself” is taking on new form. The current trend towards molecularization in the life sciences is revealing that “life itself” is denser than the one-dimensional logic of a genetic code: it has a multidimensional material body, and its molecular structures, forces, and movements carry out the regulated work of the cell. Researchers are no longer satisfied reducing the organism to the coding systems embedded in computer software ; the organism now has (...)
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  • Paris vs. Prague: A “Suspicion of Fraud”: Ernst Mach Argues over Photographs and Epistemological Prerequisites.Christoph Hoffmann - 2016 - Science in Context 29 (4):409-427.
    ArgumentIn spring 1888, an anonymous critic raised severe doubts about Ernst Mach's and Peter Salcher's studies, published one year before, on the processes in the air caused by very rapid projectiles. Paraphrasing the experiments for the French popular science magazineLa Nature, the critic insinuated that the photographs upon which Mach and Salcher's argument were ostensibly based must have been of such low quality that they did not allow any well-founded conclusion. The critic did not deny the phenomena Mach and Salcher (...)
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  • Behavior takes form: Tracing the film image in scientific research.Scott Curtis - forthcoming - History of the Human Sciences.
    The use of motion pictures for research has a long history, of course, but beyond documenting a phenomenon and then projecting it for demonstration, scientists using this technology spent much energy figuring out how to extract information from a strip of film. Understanding film (or audiovisual) analysis is therefore necessary to grasping the relationship between an object of study, moving-image technology, and scientific evidence. This article explores one common technique within that history of film analysis: projecting a frame of the (...)
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  • Of lymphocytes and pixels: The techno-visual production of cell populations.Alberto Cambrosio & Peter Keating - 2000 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 31 (2):233-270.
  • Of lymphocytes and pixels: The techno-visual production of cell populations.Alberto Cambrosio & Peter Keating - 2000 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 31 (2):233-270.
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  • When physics and biology meet: The nanoscale case.Otávio Bueno - 2011 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 42 (2):180-189.
    As an illustration of the complexities involved in connecting physics and molecular biology at the nanoscale, in this paper I discuss two case studies from nanoscience. The first examines the use of a biological structure to build nanostructures in a controlled way. The second discusses the attempt to build a single molecular wire, and then decide whether such a wire is indeed conducting. After presenting the central features of each case study, I examine the role played in them by microscopic (...)
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  • The periodic tableau: Form and colours in the first 100 years.Bettina Bock von Wülfingen - 2019 - Centaurus 61 (4):379-404.
    While symbolic colour use has always played a conspicuous role in science research and education, the use of colour in historic diagrams remains a lacuna in the history of science. Investigating the colour use in diagrams often means uncovering a whole cosmology that is not otherwise explicit in the diagram itself. The periodic table is a salient and iconic example of non-mimetic colour use in science. Andreas von Antropoff's (1924) rectangular table of recurrent rainbow colours is famous, as are Alcindo (...)
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  • Index marks the spot? The photo-diagram's referential system.Jordan Bear - 2012 - Philosophy of Photography 2 (2):315-334.
    This article explores the genealogy of a paradox in the evidentiary logic of the press photograph. While such photographs are supposed to gain their special authority from their unmediated relationship to the events they represent, they are often illegible without supplementary graphical material. The picture press of the 1920s and 1930s, saturated with re-creations of brutal crimes and messy accidents, fashioned an elaborate system of arrows, daggers, circles and crosses added by hand in paint or ink to help guide the (...)
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  • Change in the graphics of journal articles in the life sciences field: analysis of figures and tables in the journal “Cell”.Kana Ariga & Manabu Tashiro - 2022 - History and Philosophy of the Life Sciences 44 (3):1-34.
    The purpose of this study is to examine how trends in the use of images in modern life science journals have changed since the spread of computer-based visual and imaging technology. To this end, a new classification system was constructed to analyze how the graphics of a scientific journal have changed over the years. The focus was on one international peer-reviewed journal in life sciences, Cell, which was founded in 1974, whereby 1725 figures and 160 tables from the research articles (...)
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  • Embodiment and Ontologies of Inequality in Medicine: Towards an Integrative Understanding of Disease and Health Disparities.M. Austin Argentieri - 2018 - Body and Society 24 (3):125-152.
    In this article, I draw on my fieldwork creating protein models of hepatitis B at a biotech laboratory to think through how to approach the body and disease from ontological and phenomenological perspectives. I subsequently draw on Mariella Pandolfi’s work on how bodies can be made to suffer history and Paul Farmer’s work on global tuberculosis disparities to explore ways of analysing embodied activity as a means of identifying and clinically addressing enactments of social inequality and disease. I also introduce (...)
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  • From theory to data: Representing neurons in the 1940s. [REVIEW]Tara H. Abraham - 2003 - Biology and Philosophy 18 (3):415-426.
    Recent literature on the role of pictorial representation in the life sciences has focused on the relationship between detailed representations of empirical data and more abstract, formal representations of theory. The standard argument is that in both a historical and epistemic sense, this relationship is a directional one: beginning with raw, unmediated images and moving towards diagrams that are more interpreted and more theoretically rich. Using the neural network diagrams of Warren McCulloch and Walter Pitts as a case study, I (...)
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