Postmodernism was, as Jonathan Friedman (1994) remarked, the contemporary version of the age-old tendency of intellectuals to turn against the very means of their own knowledge (Lovejoy & Boas, 193...

In the present Western cultural and political context, the concept of nature plays a central role in the debate about new technologies. However, the concept of nature is complex and reflects more than one frame of reference stemming from a long historical tradition. ‘Nature’ is referred to: a) as the object (phenomenon) toward which the debate is directed, and b) as the normative frame of reference that either justifies or rejects the technological method in specific situations. This paper argues, that (...) this double character of ‘nature’ is not particular for the debate on ethical concern for the non-human nature, rather it constitutes the complexity of the concept itself. This, in turn, leads to a more fundamental question, namely: What is ‘nature’?—Or rather: Is ‘nature’ to be defined? (shrink)

This article argues that the implications of the recent eclipse of the construct of the `primitive' for the practice of the human sciences have not been adequately pondered. It asks, therefore, why and how the myth of primitiveness has been sustained by the human sciences, and what purposes it has served for the modern West's self-understanding. To attempt to answer such a query, the article pursues two principal lines of inquiry. In order to appreciate what is potentially being lost, the (...) space that may be closing up as a result of the death of the `primitive', the first part of the article strives to demonstrate the latter's significance for the self-critique of modern ways of thinking and acting by historiographically reconstructing its changing roles within and representations by the human sciences. In the second section, it is contended that the eclipse of primitiveness has created a potentially problematic situation for the human sciences, since the cross-cultural mode of critique cultivated through this myth risks being neglected in a post-`primitive' age. All in all, then, the article claims that continued engagement with cultural alterity is essential for the human sciences after primitiveness, and that such an engagement can be sustained by an understanding of the different ways in which the `primitive' has been defined and has functioned over the course of the modern era. (shrink)

The concepts of nature and nation are both rooted in the notion of birth. Thus both can be conceived anew if the underlying vision of natality is conceptualized, following Hannah Arendt, not as a set of inexorable biological processes, but as the fundamental human capacity for political action. This reconceptualization of natality allows proposing an alternative to the prevalent commonsensical ethno-nationalist definitions of nation-hood, and also allows a view of the realm of nature itself as inherently political. Arendt's theory finds (...) an interesting referential point in modern developments in biotechnology that threaten to undermine the `naturalness' of existing notions of ethnically conceived nations. Similarly, nature might be revealed to have a polis working at the very heart of what seemed to be a set of inexorable processes, independent from human beings. (shrink)

The article seeks to consider the relationship between hope and utopianism by looking at the ancient Greek myth of Pandora's Box, with its enigmatic figure of hope. It begins by considering Hesiod's influential formulation of the myth, before examining a range of modern interpretations in which diverse conceptions of hope are to be found. Using the work of Spinoza, Hume and Day an alternative conception of hope is proposed that conjoins hope with fear. This is followed by an exploration of (...) the utopian, using this time another figure associated with the myth, Prometheus. An attempt is then made to differentiate the frequently conflated concepts of hope and the utopian. Finally, in the spirit of recent post-secularism, the two concepts are brought to bear on the nature of religion. (shrink)

The study deals with a phenomenon of primitivism in fine art of the first three decades of 20th century in Europe and Slovakia. The Slovak after-war fine art stylistically stemmed from two remarkable centres - from Budapest academic environment and from Prague cultural environment. On the basis of examining contemporary documents, the paper therefore proves Hungarian and Czech intellectual environment served the ideas of primitivism into Slovak fine art practice and science. The paper is based on the knowledge, that primitivism (...) is a dynamic phenomenon and artistic expressions of primitivism come into Slovakia only it is second development stage – in 1920’s. This fact significantly influenced character of fine art modernity in Kosice and folk-oriented modernity of Prague school. (shrink)

The paper is the outcome of search for various forms of primitivism tendency in 20th century fine art in Slovakia. The development period of art called postmodernity is at the same time strong actualisation of the culture primitivism. It occurs not only as a type of “new wildness” painting in style level, but also as a sign or sign group which refers to “pre-cultural” or “counter-civilisation” ways of life in semantic sphere. Specific feature of Slovak postmodern primitivism is an artistic (...) evocation of the Paradise and utopia images. From the primitivism point of view, there are presented contextually connected motifs of Arcadia, utopic lands, “lost Paradise” and “lost childhood”. (shrink)