One of the most fundamental premises of feminist philosophy is the assumption of an invidious asymmetry between the genders that has to be overcome. Parallel to this negative account of asymmetry we also find a positive account, developed in particular within the context of so-called feminist philosophies of difference. I explore both notions of gender asymmetry. The goal is a clarification of the notion of asymmetry as it can presently be found in feminist philosophy. Drawing upon phenomenology as well as (...) feminist difference theory, I argue that a gender asymmetry does exist that cannot-as in the first assumption-be transformed into symmetry. (shrink)

Obwohl seit einiger Zeit ein verstärktes Forschungsinteresse an Emmanuel Levinas’ Denken des Politischen, verbunden mit einer genaueren Inblicknahme der zentralen Begriffe des Dritten und der Gerechtigkeit aufgekommen ist, blieb bislang unklar, inwiefern aus Levinas’ intrinsisch ‚ethischem‘ Denken in konkreterer Weise normative Konsequenzen zu ziehen sind. Diesem Desiderat versucht der vorliegende Beitrag nachzukommen. Das Levinas’sche Gerechtigkeitsdenken wird dabei so eingeführt, dass es zugleich als alternativer Entwurf und als produktive kritische Provokation für gegenwärtige Gerechtigkeitstheorien lesbar wird. Ausgehend von einer Rekonstruktion des alteritären (...) Verständnisses ethischer Subjektivität, wie es Levinas insbesondere in Jenseits des Seins erarbeitet, wird ausgelotet, wie tragfähig Levinas’ ethische Konzeption plural alteritär durchfurchter Subjektivität für normative Gerechtigkeitsfragen ist. Aus einer Reflexion auf den Begriff des ‚Dritten‘ werden einige konkrete Konsequenzen für das Denken gerechter Institutionen gezogen. (shrink)

The paper aims to give a phenomenological account of the way in which the experience of violence is modified in the aesthetic images. The phenomenological framework in which I place my analysis is primarily given by Edmund Husserl’s conception. The investigation starts from the curious fact that violence cannot be aesthetically experienced when it is presented in person, but it can be aesthetically experienced in images. I claim that the reason for this asymmetry lies in the structure of image-consciousness, that (...) is, in the differences between the physical thing, the depicting object and the depicted subject. Given that the image-consciousness presupposes the background of the physical thing, which is constantly and implicitly aimed by the consciousness, it is possible to focus only on the manner in which the depicted violence appears. In this way, we can aesthetically contemplate a violent scene without being disturbed by it. To show this, I bring forth a brief presentation of the a priori structure of (i) image-consciousness and (ii) aesthetic attitude, as they have been theorised by Husserl. After (iii) providing a minimal concept of violence and explaining some of the modifications that violence undergoes in image-consciousness, (iv) I show how violence is modified in aesthetic images. (shrink)