Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened (...) scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty’s aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher’s writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining. (shrink)

Perhaps no other novel has received as much attention from moral philosophers as South African writer J. M. Coetzee’s Disgrace . The novel is ethically compelling and yet no moral theory explains its force. Despite clear Kantian moments, neither rationalism nor self-respect can account for the strange ethical task that the protagonist sets for himself. Calling himself the dog man, like the ancient Cynics, this shamelessly cynical protagonist takes his cues for ethics not from humans but from animals. He does (...) not however claim much in the way of empathy or understanding of animals, and his own odd motives remain a puzzle throughout the stages of his ethical transformation. Many scholars approach Coetzee’s text through an ethics of alterity, and even argue that Disgrace is exemplary in this regard. Kristeva’s rendition of alterity ethics brings us close to the novel’s vision, and yet the novel points towards a more primordial basis for ethics in the search for meaning through the human encounter with other animal species. (shrink)

This review article examines Kelly Oliver’s recent book, Animal Lessons: How They Teach Us to Be Human. It has two particular points of focus: Oliver's development of Jacques Derrida’s writing on the ‘animal question’ in light of the expansion of critical animal studies more generally, and Oliver’s specific development of the relations between sexual differences and animal differences.

While unicellular microbes such as phytoplankton (marine algae) have long been considered immortal unless eaten by predators, recent research suggests that under specific conditions entire populations of phytoplankton actively kill themselves; their assumed atemporality is being revised as marine ecologists recognize phytoplankton’s important role in the global carbon cycle. Drawing on empirical research into programmed cell death in marine microbes, this article explores how, in their study of microbial death, scientists change not only our understanding of microbial temporality, but also (...) reconstruct the relationship between life and death, biological individuality and assumptions about a natural teleology associated with bounded biological systems and genetic programmes. Reading this research together with a Derridean deconstruction of the limit between human and other animals with respect to death, this article explores how the deconstruction of individuality from within biology may suggest alternatives to our anthropocentric notion of time and embodiment. (shrink)

Rapid urbanization has meant that cities around the world must deal with problems like traffic congestion, aging infrastructure, affordable housing, and climate change. Increasingly, policymakers are turning to investments in technology and digital infrastructure to address these problems. Yet the move towards so-called smart cities is not simply responsive, and policymakers increasingly advocate for smart city initiatives as a necessary step towards objective, efficient, and rational governance. This understanding of technological interventions as inherently progressive, however, causes many to overlook the (...) erasures, biases, and limitations that emerge from trying to leave the past behind. As the problems associated with this enthusiasm become more apparent, the smart city movement must therefore recalibrate its relationship to not just technology but time itself. Building on deconstructive temporalities emerging out of quantum physics, I argue that cities must begin drawing from alternative temporalities more open to the intersections between past, present, and future. As such, I suggest that the time has come to replace the ideal of the smart city with that of the spectral city – an incomplete city haunted by the ghosts of the past. (shrink)

The international protest surrounding the Copenhagen Zoo’s recent decision to kill a healthy giraffe in the name of population management reveals a deep moral tension between contemporary zoological display practices—which induce zoo-goers to view certain animals as individuals, quasi-persons, or friends—and the traditional objectives of zoos, which ask us only to view animals as specimens. I argue that these zoological display practices give rise to moral obligations on the part of zoos to their visitors, and thus ground indirect duties on (...) behalf of zoos to their animals. I conclude that zoos might take on interspecies friendship as a new zoological objective. (shrink)

This article is a review of Tom Tyler’s CIFERAE: A Bestiary in Five Fingers, a timely and crucial contribution to critical animal studies scholarship. CIFERAE is a remarkable and careful analysis of epistemological anthropocentrism – in particular, what Tyler calls a “first-and-foremost anthropocentrism” - and the ways in which animals ‘figure’ in the history of Western thought. Moreover, the text prompts a critique of ‘the human’ and the formation of the ‘we.’ As such, Tyler’s philosophical investigation or bestiary pertains not (...) only to theories of knowledge, but holds significant ethical and political implications. (shrink)

The characterisation of Derrida’s politics as a seeking for the “lesser violence” has become an almost paradigmatic interpretation. Yet the phrase _la moindre violence_ appears only in the early essay “Violence and Metaphysics” and its meaning is not as straightforward as might initially seem. I will argue that it is a mistake to take this expression to summarise the political import of this essay let alone of deconstruction more generally. What Derrida repeatedly concerns himself on that occasion is not “the (...) lesser violence” but “worse violence” and “the worst violence,” terms that appears several times. This will be seen to be as a prefiguring of how, from the early 1980s on, following engagements with Plato and Lyotard, Derrida repeatedly names and elaborates “the worst” as that which we should seek to avoid. In order to uncover the politics of deconstruction, I will examine what Derrida has to say about “the worst” as well as what is said in the secondary literature, for it is also a term around which a number of unfortunate misinterpretations have arisen. In conclusion, it will be remarked that with the late coinage of the term _aimance_ Derrida makes clear his close proximity to the ethics of Levinas and his affirmation of an aspiration to nonviolence in the relationship with the other. (shrink)

This article seeks to lay out an analysis of Giorgio Agamben’s central claims with regard to the formation of a theory of citationality. By juxtaposing Walter Benjamin’s theory of citations alongside his more recent, critical engagements with the Western theological tradition, Agamben sets himself the goal of redefining ethics along Levinasian lines in order to arrive at a respect for the face of ‘whatever’ being before us, the true source towards which all citations point.

This article focuses on Michel Foucault’s concepts of authorship and power. Jacques Derrida has often been accused of being more of a literary author than a philosopher or political theorist. Richard Rorty complains that Derrida’s views on politics are not pragmatic enough; he sees Derrida’s later work, including his political work, more as a “private self-fashioning” than concrete political thinking aimed at devising short-term solutions to problems here and now. Employing Foucault’s work around authorship and the origins of power, I (...) show that Derrida is indeed fashioning himself. This self-fashioning is not merely private or fanciful. Rather, I argue that Derrida can be read as employing what Foucault would call “technologies of the self” to not only show the play of possibility and impossibility at work in all politics and thought, but also to use his savoir to create two important and potentially constructive power structures. First, there is the power of deconstruction itself as a “militant critique” that calls for a forceful and irreducible justice. Second, there is the power of Derrida himself, understood as leaving behind a legacy of himself as the “originator” of deconstruction and as a public intellectual. (shrink)

Jacques Derrida's The Animal That Therefore I Am (2008) presents a sustained reflection on a concept of ‘the animal’ that has underpinned the work of much of the philosophical tradition. Based on a series of lectures originally presented in 1997 Derrida's speculation on the question of the animal was thus written at a time when Derrida's thought was often turned to the motif of ‘to-come’ (see Derrida 1992; 1994) such that one may wonder at the apparent evasion, both in Derrida's (...) text and in its subsequent review, of the chance to think the two themes together, in the guise of ‘the animal-to-come’. Picking up on Derrida's asides on the verb ‘to follow’, this discussion considers what it might mean to follow, ‘methodically’ perhaps, the thought of ‘the animal-to-come’? What problems might it help to bring into focus and what forces and lineages may yet bear upon its very thought? And where in our thinking goes the animal if it is to remain always to come? (shrink)

En el contexto del debate contemporáneo en torno a la cuestión animal, las filosofías deconstructivas de la subjetividad ofrecen un camino para pensar conceptos que inauguren un pensamiento ético y político de la animalidad. Dado que señalan un camino abierto y diseminado, permiten pensar la cuestión animal desde una perspectiva crítica e históricamente situada. El presente artículo comienza con algunas consideraciones en torno a las relaciones de poder/saber entre humanos y animales, para así proponer ciertas notas que indaguen, a partir (...) de una lectura crítica del régimen carnofalogocéntrico, las posibilidades ético-políticas derivadas de la deconstrucción de la dicotomía humano/animal. (shrink)

Although much has been written about the so-called political, ethical and religious turns in the thinking of Jacques Derrida, few have noticed that his late writings were marked by what we could tentatively call a “zoological turn.” This is surprising given that in The Animal That Therefore I Am Derrida clearly stated that the question as to what distinguishes the human from the animal has for him always been the most important question of philosophy. This essay will attempt to offer (...) a preliminary exploration of this still largely uncharted aspect of Derrida’s thought. Starting from a brief overview of Derrida’s most important writings on the question of the animal, it will be argued that his decision to write an entire book on this issue was largely motivated by his eagerness to settle a discussion with one of his pupils, the French theorist of technology Bernard Stiegler. (shrink)