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  1. Comment: Advances in Studying the Vocal Expression of Emotion: Current Contributions and Further Options.Klaus R. Scherer - 2021 - Emotion Review 13 (1):57-59.
    I consider the five contributions in this special section as evidence that the research area dealing with the vocal expression of emotion is advancing rapidly, both in terms of the number of pertinent empirical studies and with respect to an ever increasing sophistication of methodology. I provide some suggestions on promising areas for future interdisciplinary research, including work on emotion expression in singing and the potential of vocal symptoms of emotional disorder. As to the popular discussion of the respective role (...)
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  • Comment: The Next Frontier: Prosody Research Gets Interpersonal.Marc D. Pell & Sonja A. Kotz - 2021 - Emotion Review 13 (1):51-56.
    Neurocognitive models (e.g., Schirmer & Kotz, 2006) have helped to characterize how listeners incrementally derive meaning from vocal expressions of emotion in spoken language, what neural mechanisms are involved at different processing stages, and their relative time course. But how can these insights be applied to communicative situations in which prosody serves a predominantly interpersonal function? This comment examines recent data highlighting the dynamic interplay of prosody and language, when vocal attributes serve the sociopragmatic goals of the speaker or reveal (...)
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  • Vocal emotion adaptation aftereffects within and across speaker genders: Roles of timbre and fundamental frequency.Christine Nussbaum, Celina I. von Eiff, Verena G. Skuk & Stefan R. Schweinberger - 2022 - Cognition 219 (C):104967.
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  • Emotivity in the Voice: Prosodic, Lexical, and Cultural Appraisal of Complaining Speech.Maël Mauchand & Marc D. Pell - 2021 - Frontiers in Psychology 11.
    Emotive speech is a social act in which a speaker displays emotional signals with a specific intention; in the case of third-party complaints, this intention is to elicit empathy in the listener. The present study assessed how the emotivity of complaints was perceived in various conditions. Participants listened to short statements describing painful or neutral situations, spoken with a complaining or neutral prosody, and evaluated how complaining the speaker sounded. In addition to manipulating features of the message, social-affiliative factors which (...)
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  • Does Music Training Improve Emotion Recognition Abilities? A Critical Review.Marta Martins, Ana P. Pinheiro & César F. Lima - 2021 - Emotion Review 13 (3):199-210.
    There is widespread interest in the possibility that music training enhances nonmusical abilities. This possibility has been examined primarily for speech perception and domain-general abilities su...
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  • Detecting emotion in speech expressing incongruent emotional cues through voice and content: investigation on dominant modality and language.Mariko Kikutani & Machiko Ikemoto - 2022 - Cognition and Emotion 36 (3):492-511.
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