At the core of Heidegger's philosophy, there lies this nagging question: what is the link between language and being? Using a famous formulation by Heidegger as a guide (‘When we go to the well, when we go through the woods, we are always already going through the word “well”, through the word “woods”’), the analysis focuses on the connection Heidegger establishes between being (what woods and well ‘are’), understanding (something is understood ‘as’ woods or well), and temporality (human understanding of (...) woods and well has changed since ancient Greek times, for example). Language is both what grants things their way to matter to us and thus to ‘be’ for us to the extent that we understand them, but language is also linked to a ‘happening’ (Geschehen) or an event so that things are not bound to their Geek being or current being: things ‘become being’ (seiend werden). Language is both the means for things to materialize in historical times: ‘being woods’ or ‘being a well,’ as well as a testimony to their entry into being. This is why language in its poetic use can make beings ‘more being’ (seiender). (shrink)

With what right and with what meaning does Heidegger use the term 'truth' to characterize Dasein's disclosedness? This is the question at the focal point of Ernst Tugendhat's long-standing critique of Heidegger's understanding of truth, one to which he finds no answer in Heidegger's treatment of truth in §44 of Being and Time or his later work. To put the question differently: insofar as unconcealment or disclosedness is normally understood as the condition for the possibility of propositional truth rather than (...) truth itself, what does it mean to say - as Heidegger does - that disclosedness is the "primordial phenomenon of truth" and what justifies that claim? The central aim of this paper is to show that Tugendhat's critique remains unanswered. Recent Heidegger scholarship, though it confronts Tugendhat, has not produced a viable answer to his criticism, in part because it overlooks his basic question and therefore misconstrues the thrust of his objections. Ultimately, the paper suggests that what is needed is a re-evaluation of Heidegger's analysis of truth in light of a more accurate understanding of Tugendhat's critique. The paper concludes by sketching the profile of a more satisfactory reply to Tugendhat's critical question, advocating a return to Heidegger's 'existential' analyses in Being and Time in order to locate the normative resources Tugendhat finds lacking in Heidegger's concept of truth. (shrink)

This paper argues that Tugendhat's critique of Heidegger's existential conception of truth as disclosedness is usually misunderstood. The main claim of this paper is that Tugendhat insists against Heidegger on certain conventional features of truth such as conformity of the law of non-contradiction, not because he adheres to an ideal of truth as correctness; rather, he proposes an alternative existential conception of truth in terms of an active, critical or self-critical, engagement with untruth. Various recent objections to Tugendhat's critique of (...) Heidegger are discussed against the background of his alternative and are rejected. The paper concludes by outlining several challenges to Tugendhat's alternative existential conception of truth. (shrink)

Against the background of a recent exchange between Cristina Lafont and Hubert Dreyfus, I argue that Heidegger's method of ?formal indication? is at the heart of his attempt in Sein und Zeit to answer ?the ontological question of the being of the ?sum?? (SZ, p. 46). This method works reflexively, by picking out certain essential features of one's first-person singular being at the outset of its investigation that are implicit in the question ?what is it to be the entity I (...) am?? On the basis of these features, various further a priori, ontological structures (care and temporality) that constitute one as a first-person singular entity then become accessible. Formal indication is thus formal in two senses: it officially designates or signals certain first-person singular phenomena as the topic of investigation, and it picks out features which define the ontological form of the entity in question. It is thereby the method by which a legitimately transcendental account of our being may be begun to be generated by each of us from out of our factical, immanent existence. (shrink)

Cristina Lafont's recent reading of Heidegger offers a powerful formulation of the widespread view that once one recognizes our `facticity' and the role of language in shaping it, there is no room left to talk about transcendental structures of meaning or experience. In this article I challenge this view. I argue that Lafont inaccurately conflates what Heidegger calls our `understanding of being' with that which language discloses. In order to show that the philosophical motivation for this conflation is unsound, I (...) also argue that Lafont's own positive theory of meaning itself tacitly assumes a distinction between factical and transcendental, and so rests on exactly what she finds problematic in Heidegger. This still leaves a puzzle as to how factical individuals are actually able to grasp anything transcendental, so I conclude by sketching Heidegger's method of `formal indication', which is meant to show precisely how this can be done. (shrink)

Early Heidegger argues that a “homogenous space of nature” can be revealed by stripping away the intelligibility of Dasein's everyday world, a process he calls “deworlding.” Given this, some interpreters have suggested that Heidegger, despite not having worked out the details himself, is also committed to a notion of deworlded time. Such a “natural time” would amount to an endogenous sequentiality in which events are ordered independently of Dasein and the stand it takes on its being. I show that Heidegger (...) was indeed committed to such a temporal realism even though his treatment of these issues is somewhat scattered and pulled in different directions. In the course of my reconstruction, I renew an interpretation of Heidegger that stresses Dasein's thrownness into nature and I answer William Blattner's powerful interpretation of Heidegger as a failed temporal idealist who was unable to derive the sequentiality of ordinary time from Dasein's non-sequential originary temporality. Heidegger did not attempt to derive sequentiality; instead, he understood it as a built-in feature of the natural universe by which Dasein's activities are constrained. World-time turns out to be a co-production of Dasein's non-sequential originary temporality and the endogenous sequentiality of events in nature. (shrink)

This paper is about the interconnectedness of the realm of language with that of social interactions, constitutive of all human communities. Arguing against the traditional and still present primacy of the rationally based understanding of language, I wish to stress the possibility of another approach to language, strongly related to the question of the Other. Relying on the idea that the Other is a constitutive part of any linguistic situation, I wish to inspect how it is possible for the voice (...) of the Other to be suppressed or silenced, and if that is the case, how we should understand the silence of the Other. The main result of my findings is that the silence of the Other is not only meaningful, but that it can have positive social and political effects, including the enhancement of the sensitivity for the various modalities of the voice of the Other. (shrink)

Christina Lafont has argued that the early Heidegger's reflections on truth and understanding are incompatible with ‘the supposition of a single objective world’. This paper presents her argument, reviews some responses that the existing Heidegger literature suggests, and offers what I argue is a superior response. Building on a deeper exploration of just what the above ‘supposition’ demands, I argue that a crucial assumption that Lafont and Haugeland both accept must be rejected, namely, that different ‘understandings of Being’ can be (...) viewed as offering ‘rival perspectives’ on a common subject-matter. I develop this case by drawing on an alternative account of what a Heideggerian ‘understanding of Being’ might be like. (shrink)

To address the question posed in the title, I focus on Heidegger's conception of linguistic communication developed in the sections on Rede and Gerede of Being and Time. On the basis of a detailed analysis of these sections I argue that Heidegger was a social externalist but semantic internalist. To make this claim, however, I first need to clarify some key points that have led critics to assume Heidegger's commitment to social externalism automatically commits him to semantic externalism regarding concept (...) use. I begin by explaining the independence of those positions, arguing that social externalism answers the question of whose concepts in a linguistic community are properly individuated, whereas semantic externalism makes a claim about what it takes for concepts to be properly individuated. Once these issues are distinguished, it is possible to see that Heidegger's intersubjectivist conception of language commits him to social externalism, while his conception of the ontological difference commits him to semantic internalism. (shrink)

This essay engages ways in which the manifestation of ‘world’ occurs in poetry specifically through images, and how we can conceive of the imagination in this regard without reducing the imagination to a mimetic faculty of consciousness subordinate to cognition. Continental thought in the last century offers rich resources for this study. The notion of a ‘world’ is related to the poetic image in ways fundamental to the Heidegger’s theory of language, and may be seen in Continental poetics following Heidegger, (...) including Blanchot’s examination of poetry in his account of the space of literature. By means of images, I shall demonstrate, poetic language is exemplary in relation to ‘world’ in two ways. (1) Images, poetically arranged, generate and open up a sense or experience of a world, specific to that poem, for its reader. Poetic images then, exhibit a generative evocation of world. (2) Through images, a poem may evoke the way in which space and time are inhabited as a world of human dwelling in an ontologically or existentially meaningful way. The relation of images to world is, then, an illumination or a disclosure of world. The first of these relations remains, to a large extent, immanent to the poem, but may be seen as an analogue of the essentially human experience of inhabiting a world. The second relation transcends the poem and relates the poem immediately to the existential framework of human dwelling. (shrink)

I argue that the reflections on language in Adorno and Heidegger have their common root in a modernist problematic that dissected experience into ordinary experience, and transfiguring experiences that are beyond the capacity for expression of our language. I argue that Adorno’s solution to this problem is the more resolutely “modernist” one, in that Adorno is more rigorous about preserving the distinction between what can be said, and what strives for expression in language. After outlining the definitive statement of this (...) problematic in Nietzsche’s early epistemological writings, I outline Heidegger’s solution and subsequently Adorno’s critique of Heidegger. Finally, I argue that situating Adorno within the modernist problem of language and expression is crucial for making sense of his philosophy as a form of critical theory. (shrink)

Contemporary philosophy of technology after the empirical turn has surprisingly little to say on the relation between language and technology. This essay describes this gap, offers a preliminary discussion of how language and technology may be related to show that there is a rich conceptual space to be gained, and begins to explore some ways in which the gap could be bridged by starting from within specific philosophical subfields and traditions. One route starts from philosophy of language (both ‘‘analytic’’ and (...) ‘‘continental’’: Searle and Heidegger) and discusses some potential implications for thinking about technology; another starts from artefact-oriented approaches in philosophy of technology and STS and shows that these approaches might helpfully be extended by theorizing relationships between language and techno- logical artefacts. The essay concludes by suggesting a research agenda, which invites more work on the relation between language and technology. (shrink)

This paper examines how Heidegger's view that language is poetry might provide a helpful way of understanding the nature of religious language. Poetry, according to Heidegger, is language in its purest form, in that it both reveals Being, whilst also showing the difference between word and thing. In poetry, Heidegger suggests, we come closest to the essence of language itself and encounter its strangeness and impermeability, and its revelatory character. What would be the implications for viewing religious language in this (...) way? Through examining Heidegger's view that poetry is the purest form of language, I suggest that it would also be possible to view religious language as poetry in this way, in that it also shows the transcendence of what cannot be brought to presence in language, except as concealed. Such a view of religious language does not regard it as a problematic type of language, deserving special treatment, but rather suggests that in religious language the inarticulable relationship between word and world is revealed. (shrink)

This thesis seeks to provide a novel interpretation of Heidegger’s project in the late twenties and of its breakdown and transformation around the turn of the decade. I argue that Heidegger develops a unified project in the late Marburg period that is constructed around the question of the unity of the concept of being in light of its regional multiplicity. Furthermore, I argue that Heidegger’s conception of the framework of this project is highly influenced by his reception of Kant in (...) this same period. Specifically, I identify the elements of the Kantian framework that Heidegger retains and appropriates for his project, as well as those elements that he rejects. In the former case, Heidegger takes up primarily Kant’s framework of a priori transcendental conditions that are to make empirical experience possible, which Heidegger reformulates in terms of the pre-understanding of being that makes possible the apprehension of entities. In the latter case, I isolate two primary criticisms that will serve as desiderata for the execution of Heidegger’s project, namely: that the categories have an excessively subjectivistic status, and that they are based solely on logical functions of judgement. The former constitutes a problem because the location of the categories on the subject side make s difficult their applicability to the objective realm, and lead Heidegger to reject both the quid juris form of posing the question as well as the results of the transcendental deduction in general. The latter, though closely connected, points to a different set of problems, and targets not the applicability claim but the exhaustiveness claim of the metaphysical deduction. In articulating a theory of categories based on logical functions of judgments, Kant’s resulting theory of possible objects of experience is limited merely to objects of explicit judgement, roughly the objects of the natural sciences, at the expense of other kinds of objects. Paradigmatic of these ‘other kinds of objects’, for Heidegger, are ready-to-hand entities, which are neither spatio-temporally individuated, nor fit into the Kantian conditions for what it would be to count as an object of possible experience. I argue that Heidegger develops his late Marburg project as a development of the Kantian-inspired framework of pre-understanding of being in a manner that responds to the two above problems. Specifically, Heidegger seeks to ground the understanding of being in temporal schemata rather than in logical functions of judgement, which is intended to provide both a wider range of possible objects and to provide a unified backdrop against which the subject can apprehend objects. I end with an assessment of Heidegger’s project, arguing that while it is ultimately unsuccessful in its aims, it nonetheless represents a philosophically interesting and innovative post-Kantian project that sheds exegetical light both on Heidegger’s middle period as well as on his later works. (shrink)

The structure of this article is very simple. In the first half, I will introduce a sophisticated way of reading Heidegger as a relativist; I draw here on the work of Kusch and Lafont. In the second half, I present the counter-argument. As I see it, Heidegger is not a relativist; but understanding the relations between his approach and a relativistic one is crucial for an evaluation of both his own work and the broader trajectory of post-Kantian thought.