This article studies a new fantasy subgenre that emerged in contemporary China, xiuzhen xiaoshuo (immortality cultivation fiction), which builds imaginary worlds around the magical practice of Chinese alchemy and fuses it with science and technology. After the arrival of the modern, Western triad of science, religion, and magic/superstition, alchemical practices of the Daoist tradition were labeled as a “superstition” to be eradicated; however, they persisted and began to flourish within and beyond the realm of fantasy literature in the late twentieth (...) and early twenty‐first centuries. Immortality cultivation fiction has generated a magical form of transhumanism, which envisions human enhancement through techniques beyond the boundaries of “proper” science and “legitimate” religion. While transhumanism in the Euro‐American West is popular among white bourgeoisie males and dominated by tendencies to reaffirm the human subject constructed by excluding the various subhuman others, magical transhumanism in Chinese fantasy explores the possibility of transcending that antagonistic relationship and making a posthuman subject and a utopian world. (shrink)

The article considers the relation between Chinese philosophy as an academic discipline and Western philosophy. In the academy there are three ways Chinese philosophy can relate to Western philosophy: Chinese philosophy may see itself as the other of Western philosophy, Chinese philosophy may seek recognition from Western philosophy, and Chinese philosophy may refuse to see Western philosophy as the measure for what is philosophy. I consider scholars from each of these three positions as well as the debate between them. Through (...) this review it becomes clear that the relation between Chinese and Western philosophy is an uneasy one. In conclusion I suggest that the relation between Chinese and Western philosophy is not a relation between two separate entities; the rise of Chinese philosophy is rather a symptom of the decline of Western learning. (shrink)

A concern central to virtually all full-blooded instances of religious ethics is how persuasively to represent a world central to our fulfillment that far exceeds our normal understanding. The treatment of three kinds of language in an early Daoist text, the Zhuangzi (Chuang Tzu), contains an especially profound discussion and expression of such persuasive presentations in religious ethics. This study examines it and concludes by viewing Dante's Commedia through the perspectives Zhuangzi's ideas and practices present.

In this article, I argue that the Laozi offers a variety of cosmogenic accounts, including the one expressed by means of the artisan metaphors of “uncarved wood,” “vessels,” and “cutting.” These metaphors and the images related to them often appeared in the given context in ancient Chinese literature depicting the physical emergence of the world as a process of progressive differentiation out of the original state of “chaos.” Thus, this account ultimately served as a cosmic justification for the establishment of (...) distinctions and hierarchy within human society. However, as used in the Laozi, the artisan metaphors promulgate a type of social hierarchy that is characteristically informed by the values of ziran and wuwei. My argumentation goes against the common tendency of Western scholars to regard the notions of craft appearing in the Laozi as relating exclusively to human activities, connoting “artifice,” that is, as detrimental to the “natural” run of the Way. By referring to the most prominent traditional commentaries of the work, I argue that this view was supported only marginally, if at all, in early China and that its emergence appears to be a reaction to and a rejection of the initial Western interpretation of the same terms, one that was heavily influenced by the Christian worldview. (shrink)

This paper is aimed at facilitating the study of Daoism, a collection of Chinese philosophical beliefs and psychospiritual practices with a history of thousands of years and a living community that stretches throughout East Asia, from a transpersonal psychology perspective. Transpersonal psychologists who wish to embark upon a study of Daoist phenomena must first be cognizant of the often nebulous parameters of the Daoist field of inquiry. Therefore, an overview is offered of the two primary Daoist informational sources: the living (...) Daoist tradition as represented predominantly by the Quanzhen and Tianshi traditions, and textual sources in collections such as the Daozang and the Zangwai Daoshu. Some critical issues are highlighted, such as the fact that transpersonal psychologists need to be mindful of various inherent difficulties associated with the study of Daoism . Finally, a number of avenues for future research are put forward in the interest of facilitating the transpersonal study of Daoism. (shrink)

This paper examines the creation of Daoism in its earliest, pre-Eastern Han period. After an examination of the critical terms "scholar/master" and "author/ school", I argue that, given the paucity of evidence, Sima Tan and Liu Xin should be credited with creating this tradition. The body of this article considers the definitions of Daoism given by these two scholars and all of the extant texts that Liu Xin classified as "Daoist." Based on these texts, I then suggest an amended definition (...) of Daoism. In the conclusion, I address the recent claim that the daojia /daijiao dichotomy is false, speculating that disagreement over this claim arises from the context in which Daoism is considered: among the other pre-Qin "schools of thought" or among other world religion. (shrink)