Este artículo analiza dos proyectos de renovación programática de las Humanidades, los cuales se centran en la noción de información. Consideraremos, por una parte, la propuesta de Friedrich Kittler acerca de un materialismo teórico-informacional, y por otra, la axiomática de las ciencias humanas de Gilbert Simondon. La pregunta que guía nuestro examen crítico es la siguiente: ¿de qué manera, en cada uno de esos proyectos, la noción de información funge como centro para una propuesta renovadora de las Humanidades? Nuestra hipótesis (...) sostiene que hay un común denominador en ambas propuestas, el cual puede formularse en términos foucaultianos del siguiente modo: la información es entendida allí como el a priori histórico actual. (shrink)

El presente trabajo analiza el debate reciente sobre operatividad, técnica y cultura en la Teoría de los medios alemana, en el cual se enfrentan, por un lado, el enfoque tecnicista radical, y por el otro, el giro antropológico de los Estudios de las técnicas culturales. Asimismo, analiza la manera en que Simondon fue recientemente incorporado a la discusión y propone, en distancia crítica con ello, un nuevo modo de considerar los posibles aportes simondonianos al debate. Uno de los principales aportes (...) que el presente trabajo destaca es el siguiente: la noción simondoniana de operación técnica ofrece un enfoque no antropológico sobre la técnica y a la vez una consideración no tecno-céntrica de la dimensión técnica de la cultura. (shrink)

Since its establishment in 1979, the Video Archive for Holocaust Testimonies at Yale University has given rise to numerous studies on history, memory and trauma in the wake of the Holocaust. While acknowledging its audiovisual nature, previous accounts have nevertheless failed to consider the significance of this novel archival formation and how it shapes the production and reception of survivors’ testimonies. This article occasions an unlikely encounter between the trauma and testimony discourse as developed by Dori Laub, Shoshana Felman, Lawrence (...) Langer in the context of the Yale archive, and the theory of “technical media” as developed by German media theorist, Friedrich Kittler. It argues that the trauma and testimony discourse has a technological unconscious in the form of videotape technology, which crucially conditions the way trauma is conceived in this discourse. It is only with an audiovisual medium capable of capturing and reproducing evidence of the fleeting unconscious that a discourse concerned with the unarticulated past becomes intelligible. (shrink)

Media archaeological methods for extending the lifetime of new media into ‘old media’ have experienced a revival during the past years. In recent media theory, a new context for a debate surrounding media archaeology is emerging. So far media archaeology has been articulated together with such a heterogeneous bunch of theorists as Erkki Huhtamo, Siegfried Zielinski, Thomas Elsaesser and to a certain extent Friedrich Kittler. However, debates surrounding media archaeology as a method seem to be taking it forward not only (...) as a subdiscipline of (media) history, but increasingly into what will be introduced as materialist media diagrammatics. This article maps some recent media archaeological waves in German media theory. The text addresses Wolfgang Ernst’s mode of media archaeology and his provocative accounts on how to rethink media archaeology as a fresh way of looking into the use and remediation of media history as a material monument instead of a historical narrative and as a recent media theoretical wave from Germany that seems to not only replicate Kittler’s huge impact in the field of materialist media studies but develop that in novel directions. However, as will be argued towards the end, Ernst’s provocative take that hopes to distinguish itself as a Berlin brand of media theory in its hardware materiality and time-critical focus resonates strongly with some of the recent new directions coming from US media studies, namely in software and platform studies. (shrink)

This article considers the use of flag telegraphy by the US Signal Corps during the Civil War as it functioned as a proto-technical medium that preceded wire telegraphy as a military communications technology. Not only was flag telegraphy a historical step towards contemporary technical media, it was also an early iteration of the digitization of communication. Our treatment ties together three main theoretical threads as a way of seeing ‘the digital’ in material communication practices: (1) Friedrich Kittler’s concept of technical (...) media as a remediation between the 19th and 20th centuries, (2) Foucault’s docile bodies as means of reproducing culture, and (3) James Carey’s argument that the telegraph reconfigured communication. The Signal Corps is a rich historical moment in terms of media history and history of technology because it illustrates the convergence of historical exigencies at work in the war machine: mobility, secrecy, precision, and speed. Each contributes, we argue, to a digital telos that privileges digital ways of knowing and being. (shrink)

This paper offers a brief introduction and interpretation of recent research on cultural techniques in German media studies. The analysis considers three sites of conceptual dislocations that have shaped the development and legacy of media research often associated with theorist Friedrich Kittler: first, the displacement of 1980s and 1990s Kittlerian media theory towards a more praxeological style of analysis in the early 2000s; second, the philological background that allowed the antiquated German appellation for agricultural engineering, Kulturtechniken, to migrate into media (...) and cultural studies; and third, the role of these conceptual dislocations in enriching media-genealogical inquiries into topics such as life, biopolitics, and practice. (shrink)