Normality, for Husserl, is said in many ways. While the most detailed treatments of this technical Husserlian concept are usually found in discussions concerning the constitutive dimension of the lived body and intersubjectivity, little attention has been paid to the notion of normality understood as the tacit regularity of nature. Indeed, the normal can also be understood as the causal background which is presupposed, tentatively, in the anticipation of uniform processes of change, as well as in poieticinstrumental experiences, that is, (...) in experiences involving the production and use of objects. The subject that elaborates, manipulates or uses objects is installed in nature. Hence, in our productive-instrumental confrontation with objects in the world, we operate under the assumption that the potentially mutable causal scene surrounding our acting life will retain its style. This assumption of normality is the world, in one of the many ways in which Husserl characterizes this concept. The world qua background of normality becomes thematic, retrospectively, precisely when it ceases to cooperate with the agent’s initiatives. This, on my view, is what lies behind Husserl’s assertion that the world is a “super-object” or “higher-level theme”. (shrink)

Is the phenomenological concept of “body” not, in general, an ideal? The purpose of this article is to defend this thesis within the scope of the French phenomenological tradition. The French phenomenological concept of “lived body” points to an ideal, rather than to our actual experience of the body; and this ideal is none other than that of the soul. The Cartesian ideal of the soul becomes, in the French phenomenological tradition, the ideal of the body—of a body that is (...) determined, in return, by the soul’s properties. The French concept of “lived body” results indeed from two forms of idealization that will be exposed successively: the epistemological idealization that consists in attributing, to the body, the soul’s mode of knowledge as a cogito; the practical idealization that consists in attributing, to the body, the soul’s mode of power and action as an unlimited will. This twofold gesture finds its paradigmatic expression in Michel Henry’s phenomenology of the body, but can also be seen at work in Sartre, Ricœur and Merleau-Ponty. (shrink)

This article examines medieval and early modern theologies of habit (those of Augustine, Aquinas and Luther), and traces a theme of appropriation through the discourse on habit and grace. It is argued that the question of habit is central to theological debates about human freedom, and about the nature of the God-relationship. Continuities are then highlighted with modern philosophical accounts of habit, in particular those of Ravaisson and Hegel. The article ends by considering some of the philosophical and political implications (...) of the preceding analysis of habit. (shrink)