This essay updates Aaron Smuts', 2009 Philosophy Compass piece, “Art and Negative Affect” in light of recent work on the topic. The “paradox of painful art” is the general problem of how it is possible to enjoy or value experiences of art that involve painful emotions. It encompasses both the paradox of tragedy and the paradox of horror. Section 2 lays out a taxonomy of solutions to the paradox of painful art and argues that we should opt for a pluralistic (...) approach rather than seeking a unified solution. Section 3 surveys recent work on the topic, with an emphasis on views holding that it is possible for an experience of art to be pleasant partly in virtue of involving painful emotion. Section 4 suggests a range of phenomena that are not usually considered under the umbrella of the paradox of painful art but that offer promising directions for further research. (shrink)

A fair amount of the philosophical discussion about pain and unpleasantness has focused on providing a constitutive account of unpleasantness. These theories provide a more fundamental description of what unpleasantness is by appealing to other well-established notions in the architecture of the mind. In contrast, I address the nature of unpleasantness from a structural account. I will argue for how unpleasantness is built, rather than what unpleasantness is made of, as it were. I focus on the heterogeneity of experience, which (...) has been a somewhat neglected issue in the literature about unpleasantness: after careful introspection, there seems to be nothing phenomenal that all and only unpleasant experiences share. In order to address the heterogeneity of unpleasant experiences, I propose that the structure of the rich phenomenology of unpleasantness should be understood as a determinable property constituted by multiple essential dimensions. (shrink)

Recent work on pain focuses on the question ‘what makes pains unpleasant’. Second-order desire views claim that the unpleasantness of pain consists in a second-order intrinsic desire that the pain experience itself cease or stop. This paper considers a significant objection to second-order desire views by considering the case of the masochist. It is argued that various ways in which the second-order desire view might try to account for the case of the masochist encounter problems. The conclusion is that until (...) there is a convincing explanation of how second-order desire views can handle masochistic psychology, theorists should look elsewhere for an account of pains unpleasantness. (shrink)

In this paper I argue that bodily pain, as a phenomenal property, is an essentially and substantial dispositional property. To this end, I maintain that this property is individuated by its phenomenal roles, which can be internal -individuating the property per se- and external -determining further phenomenal or physical properties or states. I then argue that this individuation allows phenomenal roles to be organized in a necessarily asymmetrical net, thereby overcoming the circularity objection to dispositionalism. Finally, I provide reasons to (...) argue that these roles satisfy modal fixity, as posited by Bird, and are not fundamental properties, contra Chalmers’ panpsychism. Thus, bodily pain can be considered a substantial dispositional property entrenched in non-fundamental laws of nature. (shrink)

I am a person. But am I fundamentally and essentially a person? The animalist says no. So must the phenomenal continuity theorist, or so I will argue. Even if, contra animalism, we cannot survive zombification, being a subject of experience is not sufficient for being a person, and phenomenal continuity is not sufficient for our survival as the same person over time. These observations point the way to a positive account of personhood, and provide further insight into the conditions under (...) which literal survival preserves what matters. (shrink)

Pain is unpleasant. It is something that one avoids as much as possible. One might then claim that one wants to avoid pain because one cares about one's body. On this view, individuals who do not experience pain as unpleasant and to be avoided, like patients with pain asymbolia, do not care about their body. This conception of pain has been recently defended by Bain [2014] and Klein [forthcoming]. In their view, one needs to care about one's body for pain (...) to have motivational force. But does one need to care about one's body qua one's own? Or does one merely need to care about the body that happens to be one's own? In this paper, I will consider various interpretations of the notion of bodily care, in light of a series of pathological cases in which patients report pain in a body part that they do not experience as their own. These cases are problematic if one adopts a first-personal interpretation of bodily care, according to which pain requires one to care about what is represented as one's own body. Th.. (shrink)

Meursault, the protagonist of Camus' The Stranger, is unable to grieve, a fact that ultimately leads to his condemnation and execution. Given the emotional distresses involved in grief, should we envy Camus or pity him? I defend the latter conclusion. As St. Augustine seemed to dimly recognize, the pains of grief are integral to the process of bereavement, a process that both motivates and provides a distinctive opportunity to attain the good of self-knowledge.

Is suffering really bad? The late Derek Parfit argued that we all have reasons to want to avoid future agony and that suffering is in itself bad both for the one who suffers and impersonally. Nietzsche denied that suffering was intrinsically bad and that its value could even be impersonal. This paper has two aims. It argues against what I call ‘Realism about the Value of Suffering’ by drawing from a broadly Nietzschean debunking of our evaluative attitudes, showing that a (...) recently influential response to the debunking challenge (the appeal to phenomenal introspection) fails. It also argues that a Nietzschean approach is well suited to support the challenge and is bolstered by the empirical literature. As strangers to ourselves, we cannot know whether suffering is really intrinsically bad for us. (shrink)

Pain is unpleasant. Given that pain is the paradigmatic example of an unpleasant experience, I aim to shed light on what pain and unpleasantness are by trying to understand what it means for a pain to be unpleasant, what the structure of unpleasantness is, and by tackling several problematic aspects of the relation between pain and unpleasantness. By doing this, I will also provide a general account of what it means for an experience that might not be a pain to (...) be unpleasant. The thesis is organised into seven chapters and divided by three main themes: i) what the unpleasantness of pain consists in, ii) how we can account for the great phenomenal diversity among experiences of unpleasantness, and iii) which cases suggest that there could be pains that are not unpleasant. Broadly, the first two chapters deal with the first theme, the third and fourth chapter with the second theme, and the fifth and sixth chapter focus on the third theme. In the final chapter I offer a conclusion of the three main themes by providing my own view on the unpleasantness of pain. According to this account, an unpleasant experience is something felt, it is a phenomenal property of mental states, and this property should be understood using the determinable determinate distinction. By doing all of this, this thesis will provide a detailed understanding of the nature of pain and unpleasantness. (shrink)