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  1. Rooting Gilbert's Multi-Modal Argumentation in Jung, and Its Extension to Law.Marko Novak - 2020 - Informal Logic 40 (3):383-421.
    This paper discusses how an understanding of Jung's psychological types is important for the relevance of Gilbert's multi-modal argumentation theory. Moreover, it highlights how the types have been confirmed by contemporary neuroscience and cognitive psychology. Based on Gilbert's approach, I extend multi-modal argumentation to the area of legal argumentation. It seems that when we leave behind the traditional fortress of “logical” legal argumentation, we "discover" alternate modes that have always been present, concealed in the theoretically underestimated rhetorical skills of arguers.
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  • The Study of Visual and Multimodal Argumentation.Jens E. Kjeldsen - 2015 - Argumentation 29 (2):115-132.
    IntroductionIf we were to identify the beginning of the study of visual argumentation, we would have to choose 1996 as the starting point. This was the year that Leo Groarke published “Logic, art and argument” in Informal logic, and it was the year that he and David Birdsell co-edited a special double issue of Argumentation and Advocacy on visual argumentation . Among other papers, the issue included Anthony Blair’s “The possibility and actuality of visual arguments”. It was also the year (...)
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  • The Suddener World: Photography and Ineffable Rhetoric.Chris Ingraham - 2017 - Philosophy and Rhetoric 50 (2):129-152.
    Before photography went digital and camera phones accompanied people most everywhere, Pierre Bourdieu observed in 1965 that photography had become a "middle-brow art". "How and why," he asked, "is the practice of photography predisposed to a diffusion so wide that there are few households, at least in towns, which do not possess a camera?". Novel at the time, the question has been superseded today. Estimates indicate that 1.27 trillion new photographs will be taken in 2017. That amounts to an ambient (...)
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  • Images as Arguments: Progress and Problems, a Brief Commentary.David Godden - 2015 - Argumentation 29 (2):235-238.
    This brief editorial considers a special issue of Argumentation edited by Jens Kjeldsen on visual, multimodal argumentation. It provides a commentary on important advances on interpretative problems such as the propositionality of argument, the reducibility of images to words, whether argument products are primarily cognitive artifacts, and the nature of a modality of argument. Concerning the project of argument appraisal, it considers whether visual arguments call for a revision of our normative, evaluative apparatus.
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  • Visual rhetorical argumentation.Jens E. Kjeldsen - 2018 - Semiotica 2018 (220):69-94.
    Name der Zeitschrift: Semiotica Jahrgang: 2018 Heft: 220 Seiten: 69-94.
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  • Visual and Verbal color: chaos or cognitive and cultural fugue? ‎.Mony Almalech - 2019 - In Evangelos Kourdis, Maria Papadopoulou & Loukia Kostopoulou (eds.), The Fugue of the Five Senses and the Semiotics of the Shifting Sensorium: Selected ‎Proceedings from the 11th International Conference of the Hellenic Semiotics Society.
    Fugue and chaos are used in their contemporary meaning. Elements of the fugue, albeit a ‎small number of universals, will be demonstrated in the area of visual and verbal colors. ‎Chaos dominates the internet, fashion, and everyday life. The visual and verbal colors are ‎differentiated and their communicative potential is indicated alongside the diachronic changes. The prototypes of colors are the interface between visual and verbal colors.‎.
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  • Compassion, Authority and Baby Talk: Prosody and Objectivity.Groarke Leo & Kišiček Gabrijela - unknown
    Recent work on multimodal argumentation has explored facets of argumentation which have no obvious analogue in the written arguments which were emphasized in traditional accounts of argument. One of these facets is prosody: the structure and quality of the sound of spoken language. Prosodic features include pitch, temporal structure, pronunciation, loudness and voice quality, rhythm, emphasis and accent. In this paper, we explore the ways that prosodic features may be invoked in arguing.
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