What makes us the same person across time? The different solutions to this problem known as personal identity can be divided into two camps: A numerical and a practical approach. While the former asks for the conditions of identity based on the question “what is a person?,” the latter is concerned with what we identify with in everyday life as essential in order to form a narrative of one’s life as a whole based on the question “who am I?” However, (...) by emphasizing the cognitive and/or experiential capacities as the sole condition for self or personhood, both approaches fail to offer an adequate account of birth and death. The one being born is not yet someone with such cognitive capacities and the one who dies is unable to experience his or her own death. By invoking conceptual frameworks of Kierkegaard and Romano, I argue that birth and death must be considered both as events and conditions constitutive of personal identity rather than a set of derivative problems arising from an already established definition of self or person. (shrink)

This article poses a question for Object-Oriented Ontology (OOO) in general and Harman’s position in particular. It is Heidegger’s question: “How do matters stand with nothingness?” First, I present the basic outline of Harman’s OOO which is presented as a theory of everything. In order to pin down the question of nothing, I begin by asking about “something”: what is an object? And what does it mean that objects exist? Then I pursue by identifying two notions of nothing in OOO: (...) the withdrawal of objects and the in-between of two objects. The first, I call infrastructural nothing. The second, I call interrelational nothing. The latter is derived from the former. I argue that OOO is very close to Kierkegaard’s account of nothing as the space of possibility of possibilities, since an object is defined as its own interior space which must hold something in reserve in order to allow for change and emergence. Nothing is not merely nothing but something – a bounded openness. (shrink)

ABSTRACTThe paper addresses the ways in which the cultural, the affective and the political intersect, counter and/or feed upon one another in the context of contemporary terror. Initially, buildin...

How can the medium be addressed when it is always already saturated in religious over-determinations and ever marked by theological concerns (such as revelation and incarnation) while, at the same time, religion would not be practiced and theology not be done without using some such medium? We encourage methodological and conceptual shifts, first, from medium to mediality; second, from religion to its partial negation (or, perhaps, partial permeation); third, from theology to doing the theological differently. With these shifts we desire (...) to initiate, continue, and intensify debates, specifically between theologians and scholars of religious studies and media theory. (shrink)

Although Disney films are sometimes denigrated as popular or “low” art forms, this article argues that they often engage deeply with, and thereby communicate, significant moral truths. The capitalistic enterprise of contemporary modern cinema demands that cinematic moral pedagogy be sublimated into non-partisan forms, often by substituting secular proxies for otherwise divine or spiritual components. By adapting Søren Kierkegaard’s tripartite existential anthropology of the self, I analyze the subjective experiences of the protagonists in three recent animated fairy tales—Disney’s Frozen, Moana, (...) and Tangled—to demonstrate how these princess movies bridge the imaginative gap between the mundane and the divine. (shrink)