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The Secret Museum: Pornography in Modern Culture

University of California Press (1987)

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  1. Pornography addiction: The fabrication of a transient sexual disease.Kris Taylor - 2019 - History of the Human Sciences 32 (5):56-83.
    While pornography addiction currently circulates as a comprehensible, diagnosable, and describable way to make sense of some people’s ostensibly problematic relationship with pornography, such a comprehensive description of this relationship has only recently been made possible. The current analysis makes visible pornography addiction as situated within a varied history of concerns about pornography, masturbation, fantasy, and technology in an effort to bring to bear a conceptual critique of the modern concept of pornography addiction. Such a critique in turn works to (...)
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  • Winckelmann and Casanova in Rome: A case study of religion and sexual politics in eighteenth-century Rome.Louis A. Ruprecht Jr - 2010 - Journal of Religious Ethics 38 (2):297-320.
    There are three “scandals” that appear in most discussions of Johann Joachim Winckelmann (1717–1768), the so-called father of modern Art History: his allegedly careerist conversion to Catholicism in 1754; his semi-secret homoerotic discourse while under Vatican employ in the early-to-mid 1760s; and his shocking murder in Trieste in 1768. Of the three, Winckelmann's sexuality has garnered the most attention in recent scholarship. A little-known story reported by Casanova during his second visit to Rome in 1761 has something to do with (...)
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  • Strange bedfellows: The interpenetration of philosophy and pornography.Andrew Aberdein - 2010 - In Dave Monroe (ed.), Porn: How to Think with Kink. Oxford, UK: Wiley-Blackwell. pp. 22-34.
    This paper explores some surprising historical connections between philosophy and pornography (including pornography written by or about philosophers, and works that are both philosophical and pornographic). Examples discussed include Diderot's Les Bijoux Indiscrets, Argens's Therésè Philosophe, Aretino's Ragionamenti, Andeli's Lai d'Aristote, and the Gor novels of John Norman. It observes that these works frequently dramatize a tension between reason and emotion, and argues that their existence poses a problem for philosophical arguments against pornography.
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