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  1. Emotions, Me, Myself and I.Fabrice Teroni - 2016 - International Journal of Philosophical Studies 24 (4):433-451.
    We are prone to think that the emotions someone undergoes are somehow revelatory of the sort of person she is, and philosophers working in the field have frequently insisted upon the existence of an intimate relation between a subject and her emotions. But how intimate is the relation between emotions and the self? I first explain why interesting claims about this relation must locate it at the level of emotional intentionality. Given that emotions have a complex intentional structure – they (...)
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  • Are Emotions Embodied Evaluative Attitudes? Critical Review of Julien A. Deonna and Fabrice Teroni’s The Emotions: A Philosophical Introduction.Joel Smith - 2014 - Disputatio 6 (38):93-106.
    Deonna and Teroni’s The Emotions is both an excellent introduction to philosophical work on emotions and a novel defence of their own Attitudinal Theory. After summarising their discussion of the literature I describe and evaluate their positive view. I challenge their theory on three fronts: their claim that emotions are a form of bodily awareness, their account of what makes an emotion correct, and their account of what justifies an emotion.
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  • Reason and Happiness.Roger Scruton - 1974 - Royal Institute of Philosophy Lectures 8:139-161.
    Are moral judgements objective? This is a question of great complexity, and in what follows I shall try to cast some light on what it means, and on how it might be answered.
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  • What kind of evaluative states are emotions? The attitudinal theory vs. the perceptual theory of emotions.Mauro Rossi & Christine Tappolet - 2019 - Canadian Journal of Philosophy 49 (4):544-563.
    This paper argues that Deonna and Teroni's attitudinal theory of emotions faces two serious problems. The first is that their master argument fails to establish the central tenet of the theory, namely, that the formal objects of emotions do not feature in the content of emotions. The second is that the attitudinal theory itself is vulnerable to a dilemma. By pointing out these problems, our paper provides indirect support to the main competitor of the attitudinal theory, namely, the perceptual theory (...)
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  • IX—Perceptual Activity and Bodily Awareness.Louise Richardson - 2015 - Proceedings of the Aristotelian Society 115 (2pt2):147-165.
    Bodily awareness is a kind of perceptual awareness of the body that we do not usually count as a sense. I argue that that there is an overlooked agential difference between bodily awareness and perception in the five familiar senses: a difference in what is involved in perceptual activity in sight, hearing, touch taste and smell on the one hand, and bodily awareness on the other.
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  • Theoretical Wisdom.Paul O’Grady - 2019 - Journal of Value Inquiry 53 (3):415-431.
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  • Understanding Meta-Emotions: Prospects for a Perceptualist Account.Jonathan Mitchell - 2020 - Canadian Journal of Philosophy 50 (4):505-523.
    This article clarifies the nature of meta-emotions, and it surveys the prospects of applying a version of the perceptualist model of emotions to them. It first considers central aspects of their intentionality and phenomenal character. It then applies the perceptualist model to meta-emotions, addressing issues of evaluative content and the normative dimension of meta-emotional experience. Finally, in considering challenges and objections, it assesses the perceptualist model, concluding that its application to meta-emotions is an attractive extension of the theory, insofar as (...)
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  • Commentary on Heinaman.Alison Mcintyre - 1996 - Proceedings of the Boston Area Colloquium of Ancient Philosophy 12 (1):112-123.
  • Physiological changes and emotions.William Lyons - 1974 - Canadian Journal of Philosophy 3 (4):603-617.
    I want to attempt to analyze a forgotten area in the philosophy of emotions, the relations between physiological changes and the emotions. I want to do this: by first of all briefly setting out some distinctions necessary to the understanding of the position I will be arguing for, then by trying to elucidate what exactly is to be understood by the term ‘physiological change’ in the context of an emotion, by showing that particular physiological changes are not part of the (...)
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  • Education, Knowledge and Freedom.Geoffrey Hinchliffe - 2018 - Philosophy 93 (2):211-230.
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  • Locating and Representing Pain.Simone Gozzano - 2019 - Philosophical Investigations 42 (4):313-332.
    Two views on the nature and location of pain are usually contrasted. According to the first, experientialism, pain is essentially an experience, and its bodily location is illusory. According to the second, perceptualism or representationalism, pain is a perceptual or representational state, and its location is to be traced to the part of the body in which pain is felt. Against this second view, the cases of phantom, referred and chronic pain have been marshalled: all these cases apparently show that (...)
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  • Emotion, the bodily, and the cognitive.Rick Anthony Furtak - 2010 - Philosophical Explorations 13 (1):51 – 64.
    In both psychology and philosophy, cognitive theories of emotion have met with increasing opposition in recent years. However, this apparent controversy is not so much a gridlock between antithetical stances as a critical debate in which each side is being forced to qualify its position in order to accommodate the other side of the story. Here, I attempt to sort out some of the disagreements between cognitivism and its rivals, adjudicating some disputes while showing that others are merely superficial. Looking (...)
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  • Emotional Justification.Santiago Echeverri - 2019 - Philosophy and Phenomenological Research 98 (3):541-566.
    Theories of emotional justification investigate the conditions under which emotions are epistemically justified or unjustified. I make three contributions to this research program. First, I show that we can generalize some familiar epistemological concepts and distinctions to emotional experiences. Second, I use these concepts and distinctions to display the limits of the ‘simple view’ of emotional justification. On this approach, the justification of emotions stems only from the contents of the mental states they are based on, also known as their (...)
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  • Colloquium 1.Christopher A. Dustin - 1993 - Proceedings of the Boston Area Colloquium of Ancient Philosophy 9 (1):34-56.
  • Extended emotion.J. Adam Carter, Emma C. Gordon & S. Orestis Palermos - 2016 - Philosophical Psychology 29 (2):198-217.
    Recent thinking within philosophy of mind about the ways cognition can extend has yet to be integrated with philosophical theories of emotion, which give cognition a central role. We carve out new ground at the intersection of these areas and, in doing so, defend what we call the extended emotion thesis: the claim that some emotions can extend beyond skin and skull to parts of the external world.
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  • Processes as pleasures in EN vii 11-14.Joachim Aufderheide - 2013 - Ancient Philosophy 33 (1):135-157.
  • Aristotle Against Delos: Pleasure in Nicomachean Ethics X.Joachim Aufderheide - 2016 - Phronesis 61 (3):284-306.
    Two crucial questions, if unanswered, impede our understanding of Aristotle’s account of pleasure inenx.4-5: What are the activities that pleasure is said to complete? In virtue of what does pleasurealwaysaccompany these activities? The answers fall in place if we read Aristotle as responding to the Delian challenge that the finest, best and most pleasant are not united in one and the same thing. I propose an ‘ethical’ reading ofenx.4 according to which the best activities in question are those integral to (...)
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  • On Music’s Subtle Expressiveness.Myriam Albor - 2016 - Avant: Trends in Interdisciplinary Studies 7 (1):37-65.
    I suggest that emotions are not the primary affective attitude towards music. If we are to explain music’s expressiveness according to the Resemblance Theory, that theory should be extended to include feelings. Because of the lack of intentionality in music and the dearth of universal emotional gestures to explain the subtlety of music’s expressive power, explaining this expressiveness by making recourse to music’s relationships with emotions is bound to face challenges. I will argue that, even though the movements in music (...)
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