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Kristeva: Thresholds

Malden, Mass.: Polity (2011)

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  1. Transformations of the Monstrous Feminine in the New Asian Female Ghost Films.Hunju Lee - 2015 - Diogenes 62 (1):100-114.
    Since the financial success of the American remake of a Japanese horror film called Ringu, remaking a well-accepted Asian scary film in its domestic or pan-Asian market has been...
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  • To hear—to say: the mediating presence of the healing witness. [REVIEW]Sheryl Brahnam - 2012 - AI and Society 27 (1):53-90.
    Illness and trauma challenge self-narratives. Traumatized individuals, unable to speak about their experiences, suffer in isolation. In this paper, I explore Kristeva’s theories of the speaking subject and signification, with its symbolic and semiotic modalities, to understand how a person comes to speak the unspeakable. In discussing the origin of the speaking subject, Kristeva employs Plato’s chora (related to choreo , “to make room for”). The chora reflects the mother’s preparation of the child’s entry into language and forms an interior (...)
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