This paper looks at the phenomenon of theopoetic art. The word theopoetic dates back to the Patristic authors—referring to the making divine of the human and the making human of the divine—and has been radically revived as part of the recent religious turn in continental phenomenology and hermeneutics. Looking at an example of religious art, Andrei Rublev’s Trinity, the author traces the development of the idea of “God making” from Jewish and Christian literature to contemporary debates on the relationship between (...) the secular and the sacred. (shrink)

This is a review essay by Richard Kearney celebrating the recent work of John D Caputo and responding to the companion review essay by Caputo on Kearney's work in this issue of PSC. The author critically considers five volumes by Caputo and two recent volumes and a reader devoted to his philosophy. The essay covers most of the key issues in Caputo's later published work including ‘weak theology’, ‘deconstruction’, ‘radical hermeneutics’, ‘hauntology’ and ‘the event of the impossible’.