Thomas Hobbes's condemnation of metaphor as one of the chief "abuses of speech" in Leviathan occupies a famous place in the history of thinking about metaphor. From the viewpoint of cognitive metaphor theory, George Lakoff and Mark Johnson have depicted Hobbes and John Locke as the founding fathers of a tradition in which "metaphor and other figurative devices [became] objects of scorn". Similar verdicts on Hobbes and on Locke as arch-detractors of metaphor can be found in many other accounts of (...) the history of semantics. However, these indictments stand in marked contrast to a considerable number of scholarly publications that have shown that Hobbes's assessment of rhetoric and metaphor is far from a 'straightforward' denunciation of anything non-'literal'. In this paper I shall use results of this research in an analysis of key-passages from Leviathan to re-assess Hobbes's views on metaphor. I shall demonstrate that some critics of Hobbes have overlooked crucial differentiations in his concept of metaphor as a key-issue of public communication. Furthermore, I shall argue that Hobbes's foregrounding of the 'dangers' of metaphor use in political theory and practice should be interpreted as an acknowledgement rather than as a denial of its conceptual and cognitive force. (shrink)

ABSTRACT Between the publication of Montaigne's Essais and Hobbes's Leviathan rhetors became increasingly anxious about arguing in utramque partem. Paradiastolic discourse, fundamental to Montaigne's early essays, is anxiously though expertly deployed in Leviathan. Paradiastole fuses the ability to see and speak about an issue from antithetical perspectives with the ambivalence such power arouses in. Beyond their skepticism, Montaigne and Hobbes share a concern for how phenomena can be interpreted and represented through language. Despite Hobbes's desire for a method that would (...) ensure constant and determinate linguistic acts that would render rhetoric supererogatory, Leviathan demonstrates his unremarkable affinities with mainline Renaissance humanists alongside his uneasy affinities with the Sophists. Both the humanist and the Sophist used the trope to probe and to persuade, though both were anxious about the reversibility of such rhetorical redescriptions. Paradiastolic discourses, we argue, integrate the cognitive procedures of philosophy with the judicative procedures of rhetoric. The trope operates through exploiting the reciprocity between similar qualities, as exemplified by the influential paradiastolic pairing of ferox and fortis. (shrink)