Abstract In this paper I criticise a recent account of fictional discourse proposed by Nathan Salmon. Salmon invokes abstract artifacts as the referents of fictional names in both object- and meta-fictional discourse alike. He then invokes a theory of pretence to forge the requisite connection between object-fictional sentences and meta-fictional sentences, in virtue of which the latter can be assigned appropriate truth-values. I argue that Salmon's account of pretence renders his appeal to abstract artifacts as the referents of fictional names (...) in object-fictional discourse explanatorily redundant. I further argue that his account is therefore no improvement over those he criticises, thus leaving his own account unmotivated. (shrink)

A correct observation to the effect that a does not exist, where ‘a’ is a singular term, could be true on any of a variety of grounds. Typically, a true, singular negative existential is true on the unproblematic ground that the subject term ‘a’ designates something that does not presently exist. More interesting philosophically is a singular, negative existential statement in which the subject term ‘a’ designates nothing at all. Both of these contrast sharply with a singular, negative existential in (...) which the subject term is a name from fiction. I argue that such singular, negative existential statements are false. My account of fictional characters differs significantly from Kripke’s. It is shown that an objection to my account rests on a serious misunderstanding. Finally, a crucial aspect of the account is emphasized. (shrink)

Thanks to the Inlaks Foundation in India, I was able to do my doctoral research on Our Talk About Nonexistents at Oxford in the early eighties. The two greatest philosophers of that heaven of analytical philosophy - Peter Strawson and Michael Dummett - supervised my work, reading and criticising all the fledgling philosophy that I wrote during those three years. At Sir Peter's request, Gareth Evans, shortly before his death, lent me an unpublished transcript of Kripke's John Locke Lectures. Work (...) on the Appendix about Indian Philosophy was supervised by the late Professor Bimal Krishna Matilal with whom informal but intense philosophical conversations used to spill over into dinner at his place almost every other day. It was Professor Matilal who sent me, over a summer, to study a tough Navya-Nyaya text under his own Nyaya teacher Pandit Visvabandhu Tarkatirtha at Calcutta. All four of these teachers were as kind to me as my life-long mentor in philosophy Professor Pranab Kumar Sen, whose clarity and depth remain the unreachable regu lative ideal of my intellect. When I came back to India, my life became blissfully free of the agonising anxiety to publish, until, after a conference at Jadavpur University where I gave an impromptu paper, ironically enough, on Non-doings, I met Derek Parfit. He had a six-hour conversation with me, explicitly planning my life. Five years had already elapsed since I had finished my D. Phil, but Derek read my thesis and liked it. (shrink)

This monograph examines truth in fiction by applying the techniques of a naturalized logic of human cognitive practices. The author structures his project around two focal questions. What would it take to write a book about truth in literary discourse with reasonable promise of getting it right? What would it take to write a book about truth in fiction as true to the facts of lived literary experience as objectivity allows? It is argued that the most semantically distinctive feature of (...) the sentences of fiction is that they are unambiguously true and false together. It is true that Sherlock Holmes lived at 221B Baker Street and also concurrently false that he did. A second distinctive feature of fiction is that the reader at large knows of this inconsistency and isn't in the least cognitively molested by it. Why, it is asked, would this be so? What would explain it? Two answers are developed. According to the no-contradiction thesis, the semantically tangled sentences of fiction are indeed logically inconsistent but not logically contradictory. According to the no-bother thesis, if the inconsistencies of fiction were contradictory, a properly contrived logic for the rational management of inconsistency would explain why readers at large are not thrown off cognitive stride by their embrace of those contradictions. As developed here, the account of fiction suggests the presence of an underlying three - or four-valued dialethic logic. The author shows this to be a mistaken impression. There are only two truth-values in his logic of fiction. The naturalized logic of Truth in Fiction jettisons some of the standard assumptions and analytical tools of contemporary philosophy, chiefly because the neurotypical linguistic and cognitive behaviour of humanity at large is at variance with them. Using the resources of a causal response epistemology in tandem with the naturalized logic, the theory produced here is data-driven, empirically sensitive, and open to a circumspect collaboration with the empirical sciences of language and cognition. (shrink)

Approximately thirty years ago, Barbara H. Partee tried to think of counterexamples to David Lewis’s observation that no intransitive verbs appeared to have intensional subject positions. She came up with such verbs as ‘rise,’ ‘change,’ and ‘increase.’ Lewis agreed that they were indeed counterexamples to his observation. He mentioned it to Richard Montague, who incorporated these verbs into his now famous grammatical theory for English.

It may appear that in order to be any way at all, a thing must exist. A possible – worlds version of this claim goes as follows: (E) For every x, for every possible world w, Fx at w only if x exists at w. Here and later in (R), the letter ‘F’ is used as a schematic letter to be replaced with a one – place predicate. There are two arguments against (E). The first is by analogy. Socrates is (...) widely admired now but he does not exist now. So, it is not the case that for every x, for every time t, Fx at t only if x exists at t. Possible worlds are analogous to times. Therefore, (E) is false (cf., Kaplan 1973: 503 – 05 and Salmon 1981: 36 – 40). For the second argument, replace ‘F’ with ‘does not exist’. (E) then says that for every x, for every possible world w, x does not exist at w only if x exists at w. This is obviously false. Therefore (E) is false (cf., Kaplan 1977: 498). Despite their considerable appeal, these arguments are not unassailable. The first argument suffers from the weakness inherent in any argument from analogy; the analogy it rests on may not.. (shrink)

When we engage with a work of fiction we gain knowledge about what is fictionally true in that work. Our grasp of what is true in a fiction is central to our engagement with representational works of art, and to our assessments of their merits. Of course, it is sometimes difficult to determine what is fictional – it is a good question whether the main character of American Psycho is genuinely psychotic or merely delusional, for instance. (And even in this (...) case, our ignorance itself is crucial to how we engage with the story and assess its qualities.) But in the vast majority of cases, we have no difficulty distinguishing what is fictionally true from what is not. Every attentive reader of Bleak House knows that it is fictional that Esther is Lady Dedlock’s daughter, but not fictional that Ada is the daughter of John Jarndyce. Moreover, we do not think that our judgements about what is fictional are based on guesswork. We have a folk theory of fictional truth, in the sense that we have a relatively stable framework upon which we rely when we engage with fiction, and we face the challenge of characterizing that theory systematically. (shrink)

What I have attempted to show in the foregoing is that: (1) For any frequency adjective f, there is an element of meaning common to both the adverbial and the generic usage of f; this is a function f′ from propositions to truth-values such that f′(Φ)′ is true at an interval i iff Φ′ is true at subintervals of i distributed through i in a certain way. (2) In an adverbial use of f, f′ functions like the corresponding frequency adverb. (...) (3) In a generic use of f, f′ quantifies the times intervals which a specified object is realized by some stage. (4) In their adverbial usage, frequency adjectives are not regular attributive adjectives at the level at which interpretation takes place, but are perhaps determiners. And (5) in their generic usage, frequency adjectives are adjectives at the level at which interpretation takes place.More generally, I hope to have suggested something of the range of uses to which frequency is put in natural language. That we effortlessly grasp what is meants by Monday, the Columbus Dispatch, autumn, the Today Show, and so on, demonstrates our fluency in interpreting certain sequences of objects, events, or states of affairs as sequences of values of some function cycling on a time-axis. Much more must ultimately be told about the psychological and anthropological significance of frequency. (shrink)

This paper defends a version of the realist view that fictional characters exist. It argues for an instance of abstract realist views, according to which fictional characters are roles, constituted by sets of properties. It is argued that fictional names denote individual concepts, functions from worlds to individuals. It is shown that a dynamic framework for understanding the evolution of discourse information can be used to understand how roles are created and develop along with story content. Taking fictional names to (...) denote individual concepts provides accounts of a number of uses of fictional names. These include non-fictional uses, fictional uses, metafictional uses, interfictional uses, counterfictional uses, and negative existentials. It is argued that this account is not open to objections that have been raised in the literature. (shrink)

This paper provides an account of co-identification with fictional names, the way in which a fictional name can be used to talk about the same fictional character on disparate occasions. I develop a version of the view that fictional characters are roles constituted by sets of properties that is couched within a dynamic understanding of fictional discourse. I argue that this view captures what is right about both so-called name-centric and information-centric approaches to co-identification with fictional names. I show how (...) the dynamic view in addition accounts for a number of uses of fictional names, including fictional uses, assertoric uses, metafictional uses. (shrink)

When axiomatizing a body of truths, one first concentrates on obtaining a set of axioms that entail all and only those truths. The theorist expects that this complete system will have some...

Realists about fictional entities often distinguish the properties that a fictional character has and the properties a character holds. Roughly, this is the distinction between the properties that a character really possesses and the properties it fictionally possess. But despite the popularity of this distinction in realist circles, it gives rise to a number of subtle issues about which fictional realists can and do disagree. In this paper, we aim to clarify these issues and defend three related theses. One: that (...) to say that Hermione holds the property of being female is just to say that the singular proposition ⟨Hermione, being female⟩ is true according to Harry Potter. Two: that ordinary objects can hold properties insofar as propositions like ⟨Napoleon, being French⟩ can be true according to fictions like War and Peace. Three: that the distinction between having and holding should not be thought to play any semantic role within the context of fictional realism. (shrink)

This inquiry is motivated by the question: if atheism is true, is it nevertheless the case that holiness or sacredness is exemplified? I believe the answer to this question is affirmative, and that the path to its affirmation lies in the rejection of the traditional assumption that holiness is a single and simple property of a divinity that eludes analysis. The opposite view, that there are several complex properties comprising holiness, makes it manifest that there are holy beings, even a (...) holy ‘supreme being’, even if there is no God and no gods. (shrink)

Some philosophers believe that everyday objects are 4-dimensional spacetime worms, that a person (for example) persists through time by having temporal parts, or stages, at each moment of her existence. None of these stages is identical to the person herself; rather, she is the aggregate of all her temporal parts.1 Others accept “three dimensionalism”, rejecting stages in favor of the notion that persons “endure”, or are “wholly present” throughout their lives.2 I aim to defend an apparently radical third view: not (...) only do I accept person stages; I claim that we are stages.3 Likewise for other objects of our everyday ontology: statues are statue-stages, coins are coin-stages, etc. At one level, I accept the ontology of the worm view. I believe in spacetime worms, since I believe in temporal parts and aggregates of things I believe in. I.. (shrink)

A distinction is drawn among predicates, open sentences (or open formulas), and general terms, including general-term phrases. Attaching a copula, perhaps together with an article, to a general term yields a predicate. Predicates can also be obtained through lambda-abstraction on an open sentence. The issue of designation and semantic content for each type of general expression is investigated. It is argued that the designatum of a general term is a universal, e.g., a kind, whereas the designatum of a predicate is (...) a class (or its characteristic function) and the designatum of an open sentence is a truth-value. Predicates and open sentences are therefore typically non-rigid designators. It is argued further that certain general terms, including phrases, are invariably rigid designators, whereas certain others (general definite descriptions) are typically non-rigid. Suitable semantic contents for predicates, open sentences, and general terms are proposed. Consequences for the thesis of compositionality are drawn. (shrink)

Against standard descriptivist and referentialist semantics for fictional reports, I will defend a view according to which fictional names do not refer yet they can be distinguished from one another in virtue of their different name-using practices. The logical structures of sentences containing fictional names inherit these distinctions. Different interpretations follow.

In this paper, I will show that typical formal semantic reconstructions of the rigidity of proper names neglect the important aspect that the rigidity of names is determined by our ordinary use of a name relative to the actual world. This fact was clearly pointed out by Kripke, but overlooked by the subsequent discussion concerning this topic. Based on this diagnosis, I will distinguish three different actualized notions of rigidity. Firstly, I will introduce two different new varieties of known versions (...) of rigidity; namely, actualized persistent and actualized obstinate rigidity. Secondly, I will make use of the tools provided by free logic and introduce a new and overlooked version of rigidity, which I will call actually restricted rigidity. Against this background, I will argue that we have different options to formally model the rigidity of proper names in natural languages. Which option we choose, mainly depends on our philosophical background assumptions. For someone who believes in non-existent objects and the possibility of naming such objects, it is the best choice to hold that proper names are actually obstinately rigid designators. For someone who rejects non-existent objects and the possibility of naming such objects, actually restricted rigidity is a better choice than actualized persistent rigidity. (shrink)

Zatímco v případě otázek rigidity singulárních termínů panuje obecná shoda, v případě rigidity predikátů tomu tak překvapivě není. Záměrem této statě je opřít distinkci rigidní / nerigidní o jasné pojmy, jmenovitě o pojem reference v určité sémantické teorii. V důsledku toho lze podat rigorózní definici pojmu rigidního designátoru individua. Tato definice je pak přímočaře adaptovatelná pro případ pojmu rigidního designátoru třídy individuí (apod.). Tímto je dosaženo nejen obecnosti, ale i vnitřní jednoty teorie rigidity.

According to Richard Routley, a comprehensive theory of fiction is impossible, since almost anything is in principle imaginable. In my view, Routley is right: for any purported logic of fiction, there will be actual or imaginable fictions that successfully counterexample the logic. Using the example of ‘impossible’ fictions, I test this claim against theories proposed by Routley’s Meinongian contemporaries and also by Routley himself and his 21st century heirs. I argue that the phenomenon of impossible fictions challenges even today’s modal (...) Meinongians. (shrink)

The canonical version of possible worlds semantics for story prefixes is due to David Lewis. This paper reassesses Lewis's theory and draws attention to some novel problems for his account.

Some hold that proper names and indexicals are “Kaplan rigid”: they designate their designata even in worlds where the designata don’t exist. An argument they give for this is based on the analogy between time and modality. It is shown how this argument gains forcefulness at the expense of carefulness. Then the argument is criticized as forming a part of an inconsistent philosophical framework, the one with which David Kaplan and others operate. An alternative account of a certain class of (...) negative existentials is developed, one which eliminates both the inconsistency and the need for Kaplan rigidity. After all, mustn’t whatever is referred to exist? (shrink)

The nonexistence of fictional entities does not seem incompatible with their possible existence. The aim of this paper is to give an account of the intuitive truth of statements of possible existence involving fictional proper names in an actualist framework. After having clarified the opposition between a possibilist and an actualist approach of possible wolds, I distinguish fictional individuals from fictional characters and the fictional use of fictional proper names from their metafictional use. On that basis, statements of possible existence (...) involving fictional proper names literally say of fictional characters conceived as abstract objects that they might have been exemplified. (shrink)

In this paper, I argue that sentences that contain ‘omission’ tokens that appear to function as singular terms are meaningful while maintaining the view that omissions are nothing at all or mere absences. I take omissions to be fictional entities and claim that the way in which sentences about fictional characters are true parallels the way in which sentences about omissions are true. I develop a pragmatic account of fictional reference and argue that my fictionalist account of omissions implies a (...) plausible account of the metaphysics of omissions. (shrink)

Names are rigid designators, but what kind of rigidity do they exhibit? Both “obstinately” and “persistently” rigid designators pick out O at every world at which they pick out anything at all. They differ in that obstinately rigid designators also pick out O at worlds at which O fails to exist; persistently rigid designators have no extension whatsoever at worlds at which O fails to exist. The question whether names are obstinate or persistent arises in two contexts: in arguments against (...) rigidified descriptivism (on the grounds that names and rigidified descriptions exhibit different kinds of rigidity) and in considerations about what it means for an expression to be “directly referential.” This paper contends that names are persistent, not obstinate. The position thus clarifies the relationship between Millian theories of names and rigid designation, in addition to undermining attempts to rehabilitate the modal argument against rigidified descriptivism. (shrink)

Kripke holds the thesis that identity statements containing natural kind terms are if true, necessarily true; these statements can be denominated theoretical identities. Kripke alleges that the necessity of theoretical identities grounds on the linguistic feature that natural kind terms are rigid designators. Nevertheless, I argue that the conception of natural kind terms as rigid designators, in one of their most natural views, hinders the establishment of the truth of theoretical identities and thus of their necessity. However, in Kripke’s works (...) another proposal, not linguistic but metaphysical, is found to justify the presumed necessity of theoretical identities; it grounds on essentialism concerning natural kinds. In this regard, I question some of Kripke’s main claims, focusing on one of the main examples of theoretical identities put forward by Kripke, i.e., “Water is H2\documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document}$$_2$$\end{document}O”. I challenge his a priori claims concerning what should be the essence of a natural kind like water. Furthermore, I adduce that the character of that theoretical identity is not that claimed by Kripke, since in the term flanking the right side of the identity sign it has to be resorted to the notion of similarity or it should have the form of a disjunction of a cluster of substances. (shrink)

This paper defends Musical Stage Theory as a novel account of the ontology of musical works. Its main claim is that a musical work is a performance. The significance of this argument is twofold. First, it demonstrates the availability of an alternative, and ontologically tenable, view to well-established positions in the current debate on musical metaphysics. Second, it shows how the revisionary approach of Musical Stage Theory actually provides a better account of the ontological status of musical works.

In this paper I provide novel arguments for the predicative approach to proper names, which claims that argument proper names are definite descriptions containing a naming predicate . I first argue that modified proper names, such as the incomparable Maria Callas or the other Francis Bacon cannot be handled on the hypothesis that argument proper names have no internal structure and uniformly denote entities. I then discuss cases like every Adolf, which would normally be interpreted as every individual named Adolf (...) and show that the predicative approach to proper names can straightforwardly account for the distribution of a detectable naming component in proper names. Finally, I address the issue of proper names used as common nouns and plural proper names and demonstrate that they do not form a homogenous group yet can be clearly distinguished on both syntactic and semantic grounds from proper names involving a detectable naming component. (shrink)

In uttering negative existential sentences, we do not mention but use an empty singular term. A pretense account explains the use in terms of pretense. I argue that our understanding of negative existential statements can be successfully explained by Crimmins’ theory of shallow pretense if it is supplemented and reconstructed properly. First, I explain the notion of shallow pretense and supplement Crimmin’s theory with an Evansian account that we immediately grasp the phenomenology of what is pretended without a conscious effort (...) to imagine the condition under which what is pretended can be true. Thus, shallow pretense does not consist in the counterintuitive meta-representation of the fact of pretense. Second, against the objection to Crimmins’ distinction between utterance truth-condition and modal content that it is ad hoc, I argue that there is good reason to hold the distinction for the semantics of belief reports. Finally, I argue that the distinction has a merit of explaining our intuition about the epistemic possibility associated with our use of an empty singular term. (shrink)

We grant that anthropic reasoning yields the result that we should not expect to be in a small civilization. However, regardless of what civilization one finds oneself in, one can use anthropic reasoning to get the result that one should not expect to be in that sort of civilization. Hence, contra Ken Olum, anthropic reasoning does not conflict with observation.

Non-actualist theories promise straightforward accounts of meaning, truth and reference of fictional discourse but are ostensibly saddled with a Selection Problem, that multiple possible candidates satisfy the role-descriptions associated with names used in fictions and no principled way to distinguish between them; yet if names are referential, there can only be one referent. The problem is often taken to be a serious—even decisive—obstacle for non-actualism, and the aim of this article is to show that the challenge can be met. I (...) suggest that storytellers and authors fix the referents of referential terms they use by arbitrary selecting referents through simple acts of stipulation, and then determine which of the worlds containing the relevant individuals serve as truth-makers for the story by adding properties to the characters. The resulting view of reference is consistent with reasonable, foundational requirements on reference, such as a causal-historical theory, and can moreover be used to support plausible theories of truth in fiction and facilitate elegant models of fiction as a type of discourse. (shrink)

Certain realists about properties and relations identify them with universals. Furthermore, some hold that for a wide range of meaningful predicates, the semantic contribution to the propositions expressed by the sentences in which those predicates figure is the universal expressed by the predicate. I here address ontological issues raised by predicates first introduced to us via works of fiction and whether the universal realist should accept that any such predicates express universals. After assessing arguments by Braun, D. and Sawyer, S. (...) for fictional universal anti-realism, I propose a novel, Kripke-inspired argument for the same conclusion. I ultimately defend the claim that while this argument presents the strongest case for fictional universal anti-realism, it is nonetheless unsound. I conclude that nothing stands in the way of accepting that some fictional predicates express fictional universals. (shrink)

Within a literary ontology, YHWH in the Hebrew Bible is technically also a fictional entity or object. In Hebrew Bible scholarship, a variety of philosophical issues surrounding fiction have received sustained and in-depth attention. However, the mainstream research on these matters tends to focus on the philosophical foundations of or backgrounds to a particular literary theory, rather than on metaphysical puzzles as encountered in the philosophy of fiction proper. To fill this gap, the present article seeks to provide a meta-theoretical (...) overview of the main contemporary philosophical perspectives on the metaphysics of fictional objects. Three views are discussed, namely possibilism, Meinongianism and creationism. Each view's theory is introduced and critically appropriated with reference to what is implied to be an answer to the question of what exactly the biblical character YHWH can meaningfully be said to be in the context of the metaphysics of fictional objects. In this way, the present study also goes beyond the traditional concern with the nature of God in Old Testament theology. (shrink)

The paper surveys recent appraisals of David Lewis’s seminal paper on truth in fiction. It examines variations on standard criticisms of Lewis’s account, aiming to show that, if developed as Lewis suggests in his 1983 Postscript A, his proposals on the topic are—as Hanley puts it—‘as good as it gets’. Thus elaborated, Lewis’s account can resist the objections, and it offers a better picture of fictional discourse than recent resurrections of other classic works of the 1970s by Kripke, van Inwagen (...) and Searle. The turn that Lewis suggests and the paper recommends draws on the remaining outstanding contribution from that time: Walton’s. (shrink)

Statements about fictional characters, such as “Gregor Samsa has been changed into a beetle,” pose the problem of how we can say something true (or false) using empty names. I propose an original solution to this problem that construes such utterances as reports of the “prescriptions to imagine” generated by works of fiction. In particular, I argue that we should construe these utterances as specifying, not what we are supposed to imagine—the propositional object of the imagining—but how we are supposed (...) to imagine. Most other theories of thought and discourse about fictional characters either fail to capture the intentionality of our imaginings, or else obscure the differences between imaginings directed toward fictional characters and those directed toward real individuals. I argue that once we have an account of prescriptions to imagine about real individuals, we can adapt the same framework to specify the contents of prescriptions to imagine about fictional characters, and thereby to account for the truth (or falsity) of statements about fictional characters. (shrink)

I defend a cluster of views about names from fiction and myth. The views are based on two claims: first, proper names refer directly totheir bearers; and second, names from fiction and myth are genuinely empty, they simply do not refer. I argue that when such names are used in direct discourse, utterances containing them have truth values but do not express propositions. I also argue that it is a mistake to think that if an utterance of, for example, “Vulcan (...) is a planet” fails to express a proposition, then an utterance of “Le Verrier believed that Vulcan is a planet” cannot express a proposition. The argument applies to claims about fiction, such as “Sherlock Holmes is strong,” and claims about the attitudes of authors and auditors. The upshot is a semantics for fictional statements that provides a satisfying way for direct reference theorists to avoid taking fictional entities to be abstract objects and to accept the commonsense view that what is true in a fiction is ultimately a matter of what is pretended to be the case. (shrink)

This paper considers Kripke's (1972, 1980) modal arguments against descriptivism about proper names, the descriptivist reply that the meaning of a name is given by a description involving the modifier ‘actually’, and Kit Fine's (1994) distinction between necessary and essential attributes. It explains how Kripke's modal arguments can be recast in essentialist terms by appealing to Fine's distinction, and it argues that the resulting essentialist arguments are immune to the abovementioned descriptivist reply to the original modal arguments.