This article argues that Empedocles’ trust in Strife (DK31 B115.14 = LM22 D10.14) is not, as the prevailing interpretation has it, only a past misjudgement and failure. Rather, trust in Strife still, and to his own lament, infects Empedocles’ mind and informs his life. This detail then offers a fresh perspective on Empedocles’ self-conception and on how, through the daimōn’s cosmic peregrinations, Empedocles raises and pursues questions of agency and responsibility. Furthermore, it sheds light on Empedocles’ understanding of his own (...) ethical standing: common assumptions to the contrary notwithstanding, he does not see himself as an unqualifiedly successful embodiment of his own ideals. (shrink)

This paper surveys the meaning of aither in Empedocles. Since Aristotle, Empedoclean aither has been generally considered synonymous with air and understood anachronistically in terms of its Aristotelian conception as hot and wet. In critiquing this interpretation, the paper first examines the meaning of “air” in Empedocles, revealing scant and insignificant use of the term. Next, the ancient controversy of Empedocles’ “four roots” is recast from the perspective that aither, rather than air, designates the fourth root. Finally, the nineteen instances (...) of aither in Empedocles’ fragments are considered, revealing a bright and energetic root closely related to the force of life. (shrink)

In this paper I first address what I consider a central issue in the account of perception in Plato’s Timaeus, namely, how the pathemata pass through the body to reach the soul, and thus become aistheseis. My point in Section 1 is that in tackling this issue Plato aims to provide a firm physiological basis to the notion of perception that starts to emerge in the Theaetetus and the Philebus and is crucial to the late development of his theory of (...) cognition. In the ensuing section I try to put the account of perception in the Timaeus into a historical perspective, aiming to highlight two points: a) Plato’s description of the way in which sensible impressions “travel” inside the body and interact with its parts and other constituents is largely indebted to previous theories, such as those we find, for example, in Empedocles and a few Hippocratic writers; b) The leading role in this story (where internal air plays a significant supporting role) is played by blood flowing through the vascular system and thus performing a crucial cognitive function. Moreover, emphasizing the role of blood as well as analyzing the elaborate way in which perceptions are transmitted through the body to the soul proves vital to appreciate (in Section 3) the cognitive status of the lower parts of the soul (which are more involved in perception) and their relation to reason. Overall, the paper adds further elements to our understanding of Plato’s embodied approach to cognition. I had already written (and submitted) this article when Johansen (2021) was published. The latter’s approach to the role of blood in Plato’s physiology of knowledge in the Timaeus converges in part with mine (as I was pleased to find out), partly due to our overlapping sources and bibliography. (shrink)

The author deals with the lost works of Empedocles, an often neglected subject, in the frame of the discussion concerning the number of the poems and their main features. He reviews the traces of the Passage of Xerxes, of the Medical Discourse, and of the Proem to Apollo among the fragments and witnesses, taking his cue from textual aspects and dealing with the contents, the significance of each of these writings in Empedocles’ culture and thought and their multifarious relationships with (...) his times. As to the Passage, he tries to reconcile the contrasting interpretations so far proposed (historical or religious poem). Concerning B111, the only relic from the Medical Discourse, he explains why its contents are incompatible with the Physical Poem and the Purifications. He analyzes the Proem to Apollo in several perspectives (text, witnesses, contents also from the epistemological point of view, literary genre). He assigns fragments 131–134 and 142 to the Proem, drawing one of his arguments from the comparison with the third Homeric Hymn to Apollo, and also suggesting a relationship with an intellectual cult of the sun. Formal features help to ascribe each fragment to the relevant poem. Close similarities between fragments do not necessarily mean that they come from the same writing: Empedocles is wont to allude to one poem of his while composing another. The author concludes that the striving for a reductio ad unum of the Acragantine’s output, also evident in the attempt by a number of scholars to make only one poem out of the Περὶ φύσεως and the Καθαρμοί, has often led researchers to take for granted that none of the fragments preserved might belong to the lost works. (shrink)

It is no longer generally believed that Empedocles was the divided character portrayed by nineteenth-century scholars, a man whose scientific and religious views were incompatible but untouched by each other. Yet it is still widely held that, however unitary his thought, nevertheless he still wrote more than one poem, and that his poems can be clearly divided between those which do, and those which do not, concern ‘religious matters’.1 Once this assumption can be shown to be shaky or actually false, (...) the grounds for dividing the quotations of Empedocles into two poems by subject matter disappear; and without that division our interpretation of Empedocles stands in need of radical revision. This paper startswith the modest task of showing that Empedocles may have written only one philosophical poem and not two, and goes on to suggest some of the ways in which we have to rethink the whole story if he did. If all our material belongs to one poem we are bound to link the cycle of the daimones with that of the elements, and this has far-reaching consequences for our interpretation. (shrink)

The main aim of the article is to show how panpsychism, that is, the idea the everything in the world is endowed with a soul, was varied even during the periods in the history of philosophy when it flourished. In the Renaissance, I focus on Francesco Patrizi: he coined the term, which originally meant that everything is ensouled. The article starts by an investigation of Patrizi’s attempt to trace panpsychism back to the most ancient thinkers. His conclusions are, in general, (...) in agreement with current scholarly assessment of early Greek philosophers, whose views I attempt to reconstruct in a kind of survey. A closer comparison, however, shows significant differences between Patrizi’s and today’s account of the most ancient conception of panpsychism. While Patrizi uses the concept to state that the world as a whole is ensouled, early Greek philosophers understood it to mean that every thing in the world possesses a particular soul. From a broader perspective, it is clear that, while Patrizi builds on the notion of all-embracing ancient philosophy, modern scholarship assumes a more historical account of ancient thought characterised by a gradual progress from simple, more empirically based concepts, to more complex and metaphysical ones. (shrink)

This catalogue is divided into two parts. Part 1 presents basic bibliographical information on books and journal issues that consist exclusively or in large part in papers devoted to the Presocratics and the Sophists. Part 2 lists the papers on Presocratic and Sophistic topics found in the volumes, providing name of author, title, and page numbers, and in the case of reprinted papers, the year of original publication. In some cases Part 2 lists the complete contents of volumes, not only (...) the Presocratic and Sophistic-related papers. Annual updates are submitted as additional files below. (shrink)