The subject of this paper is Malebranche’s relation to Descartes on the question of method. Using recent commentary as a springboard, it examines whether Malebranche advances a nonpsychologistic account of method, in contrast to the psychologism typically thought to characterize the Cartesian view. I explore this question with respect to two issues of central importance to method generally: doubt and free will. My argument is that, despite superficial differences of emphasis, Descartes and Malebranche adopt positions on doubt and free will (...) that effectively ensure that their respective accounts of method aresubstantially the same. (shrink)

I sketch a new interpretation of Malebranche's conception of ideas, thus shedding new light on various of his key doctrines, such as the efficacy of ideas, involuntarism concerning the eternal truths, indirect perception, and vision in God. Briefly, I argue that Malebranche's ideas may be construed as "possible divine volitions," where these are conceptually distinguishable aspects of God, primitively possessed of representational content, by whose exercise God manifests His efficacy. I also defend the claim that Malebranche, in fact, does not (...) subscribe to a "veil of ideas" representationalism, and give two alternative accounts of what he means by saying that we perceive bodies only "indirectly.". (shrink)

Of Malebranche's many famous doctrines, his “Vision in God” (VIG) surely ranks among the most interesting. Inspired by Augustine and Descartes, he argues for it vigorously and gives it a prominent place in his system of thought. And although it won no converts it did win many critics, who, in criticizing, were compelled to clarify their own theories of cognition. Thus VIG is of interest for its own sake, for its role in Malebranche's philosophy, and for its general influence in (...) the early modern period. (shrink)

Like their contemporary counterparts, early modern philosophers find themselves in a predicament. On one hand, there are strong reasons to deny that sensations are representations. For there seems to be nothing in the world for them to represent. On the other hand, some sensory representations seem to be required for us to experience bodies. How else could one perceive the boundaries of a body, except by means of different shadings of color? I argue that Nicolas Malebranche offers an extreme -- (...) and ultimately unworkable -- attempt to solve this riddle. Most commentators claim that Malebranche defends an adverbial theory of sensation, according to which a sensation is merely a way in which an act of sensing happens. The adverbial reading is wrong, or so I argue. Once we arrive at a more accurate reading, we shall see that his position is much more strange than is currently thought. Nevertheless, Malebranche’s view is similar to the adverbial theory in one respect, albeit it at a very high level of generality. His view thus inherits two of the main problems that afflict adverbial theories. Although Malebranche fails to solve them, his ingenious attempts to do so are instructive. (shrink)