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  1. Prototypes in emotion concepts.Paul Wilson & Barbara Lewandowska-Tomaszczyk - 2023 - Lodz Papers in Pragmatics 19 (1):125-143.
    Although we have gained great insight into the variety of cultural influences on emotion concept prototypes from a plethora of studies examining such cross-cultural effects, there has been relatively little academic focus on the nature of emotion concept prototypes within a cultural perspective. Our discussion of the nature of emotion concept prototypes centres on essentialist versus non-essentialist principles. We argue that at a general, decontextualised level, essentialist and non-essentialist principles predict similarity in the structure of emotion concept prototypes. We further (...)
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  • Emotion Experience, Rational Action, and Self-Knowledge.John A. Lambie - 2009 - Emotion Review 1 (3):272-280.
    This article examines the role of emotion experience in both rational action and self-knowledge. A key distinction is made between emotion experiences of which we are unaware, and those of which we are aware. The former motivate action and color our view of the world, but they do not do so in a rational way, and their nonreflective nature obscures self-understanding. The article provides arguments and evidence to support the view that emotion experiences contribute to rational action only if one (...)
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  • Defining Emotion Concepts.Anna Wierzbicka - 1992 - Cognitive Science 16 (4):539-581.
    This article demonstrates that emotion concepts—including the so‐called basic ones, such as anger or sadness—can be defined in terms of universal semantic primitives such as “good”, “bad”, “do”, “happen”, “know”, and “want”, in terms of which all areas of meaning, in all languages, can be rigorously and revealingly portrayed.The definitions proposed here take the form of certain prototypical scripts or scenarios, formulated in terms of thoughts, wants, and feelings. These scripts, however, can be seen as formulas providing rigorous specifications of (...)
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  • Natural Code of Subjective Experience.Ilya A. Surov - 2022 - Biosemiotics 15 (1):109-139.
    The paper introduces mathematical encoding for subjective experience and meaning in natural cognition. The code is based on a quantum-theoretic qubit structure supplementing classical bit with circular dimension, functioning as a process-causal template for representation of contexts relative to the basis decision. The qubit state space is demarcated in categories of emotional experience of animals and humans. Features of the resulting spherical map align with major theoreties in cognitive and emotion science, modeling of natural language, and semiotics, suggesting several generalizations (...)
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  • Advancing the rationality debate.Keith E. Stanovich & Richard F. West - 2000 - Behavioral and Brain Sciences 23 (5):701-717.
    In this response, we clarify several misunderstandings of the understanding/acceptance principle and defend our specific operationalization of that principle. We reiterate the importance of addressing the problem of rational task construal and we elaborate the notion of computational limitations contained in our target article. Our concept of thinking dispositions as variable intentional-level styles of epistemic and behavioral regulation is explained, as is its relation to the rationality debate. Many of the suggestions of the commentators for elaborating two-process models are easily (...)
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  • Music evoked emotions are different–more often aesthetic than utilitarian.Klaus Scherer & Marcel Zentner - 2008 - Behavioral and Brain Sciences 31 (5):595-596.
    We disagree with Juslin & Vll's (J&V's) thesis that music-evoked emotions are indistinguishable from other emotions in both their nature and underlying mechanisms and that music just induces some emotions more frequently than others. Empirical evidence suggests that frequency differences reflect the specific nature of music-evoked emotions: aesthetic and reactive rather than utilitarian and proactive. Additional mechanisms and determinants are suggested as predictors of emotions triggered by music.
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  • Cognitive Control: Social Evolution and Emotional Regulation.Matt J. Rossano - 2011 - Topics in Cognitive Science 3 (2):238-241.
    This commentary argues that theories of cognitive control risk being incomplete unless they incorporate social/emotional factors. Social factors very likely played a critical role in the evolution of human cognitive control abilities, and emotional states are the primary regulatory mechanisms of cognitive control.
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  • Emotions at the Service of Cultural Construction.Bernard Rimé - 2019 - Emotion Review 12 (2):65-78.
    Emotions signal flaws in the person’s anticipation systems, or in other words, in aspects of models of how the world works. As these models are essentially shared in society, emotional challenges e...
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  • On oatley and johnson-laird's theory of emotion and hierarchical structures in the affective lexicon.Rainer Reisenzein - 1995 - Cognition and Emotion 9 (4):383-416.
  • William James on emotion and intentionality.Matthew Ratcliffe - 2005 - International Journal of Philosophical Studies 13 (2):179-202.
    William James's theory of emotion is often criticized for placing too much emphasis on bodily feelings and neglecting the cognitive aspects of emotion. This paper suggests that such criticisms are misplaced. Interpreting James's account of emotion in the light of his later philosophical writings, I argue that James does not emphasize bodily feelings at the expense of cognition. Rather, his view is that bodily feelings are part of the structure of intentionality. In reconceptualizing the relationship between cognition and affect, James (...)
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  • Heidegger's attunement and the neuropsychology of emotion.Matthew Ratcliffe - 2002 - Phenomenology and the Cognitive Sciences 1 (3):287-312.
    I outline the early Heidegger's views on mood and emotion, and then relate his central claims to some recent finding in neuropsychology. These findings complement Heidegger in a number of important ways. More specifically, I suggest that, in order to make sense of certain neurological conditions that traditional assumptions concerning the mind are constitutionally incapable of accommodating, something very like Heidegger's account of mood and emotion needs to be adopted as an interpretive framework. I conclude by supporting Heidegger's insistence that (...)
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  • Cognitive systems for revenge and forgiveness.Michael E. McCullough, Robert Kurzban & Benjamin A. Tabak - 2013 - Behavioral and Brain Sciences 36 (1):1-15.
    Minimizing the costs that others impose upon oneself and upon those in whom one has a fitness stake, such as kin and allies, is a key adaptive problem for many organisms. Our ancestors regularly faced such adaptive problems. One solution to this problem is to impose retaliatory costs on an aggressor so that the aggressor and other observers will lower their estimates of the net benefits to be gained from exploiting the retaliator in the future. We posit that humans have (...)
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  • The implicit processing of categorical and dimensional strategies: an fMRI study of facial emotion perception.Yoshi-Taka Matsuda, Tomomi Fujimura, Kentaro Katahira, Masato Okada, Kenichi Ueno, Kang Cheng & Kazuo Okanoya - 2013 - Frontiers in Human Neuroscience 7.
  • Operationalizing the Relation Between Affect and Cognition With the Somatic Transform.Neil J. MacKinnon & Jesse Hoey - 2021 - Emotion Review 13 (3):245-256.
    This article introduces the somatic transform that operationalizes the relation between affect and cognition at the psychological level of analysis by capitalizing on the relation between the cogni...
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  • Rationality and emotion.Paisley Nathan Livingston - 2002 - SATS 3 (2):7-24.
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  • Beyond valence: Toward a model of emotion-specific influences on judgement and choice.Jennifer S. Lerner & Dacher Keltner - 2000 - Cognition and Emotion 14 (4):473-493.
    Most theories of affective influences on judgement and choice take a valence-based approach, contrasting the effects of positive versus negative feeling states. These approaches have not specified if and when distinct emotions of the same valence have different effects on judgement. In this article, we propose a model of emotion-specific influences on judgement and choice. We posit that each emotion is defined by a tendency to perceive new events and objects in ways that are consistent with the original cognitive-appraisal dimensions (...)
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  • Social Functions of Emotions at Four Levels of Analysis.Dacher Keltner & Jonathan Haidt - 1999 - Cognition and Emotion 13 (5):505-521.
    In this paper we integrate claims and findings concerning the social functions of emotions at the individual, dyadic, group, and cultural levels of analysis. Across levels of analysis theorists assume that emotions solve problems important to social relationships in the context of ongoing interactions. Theorists diverge, however, in their assumptions about the origins, defining characteristics, and consequences of emotions, and in their preferred forms of data. We illustrate the differences and compatibilities among these levels of analysis for the specific case (...)
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  • Functional Accounts of Emotions.Dacher Keltner & James J. Gross - 1999 - Cognition and Emotion 13 (5):467-480.
    In this article we outline the history, elements, and variations of functional accounts of emotions. Summarising diverse theories and observations, we propose that functional accounts of emotions: (1) address why humans have emotions; (2) define emotions as solutions to problems and opportunities related to physical and social survival; (3) treat emotions as systems of interrelated components; and (4) focus on the beneficial consequences of emotions. This conceptual approach to emotion is complemented by several empirical strategies, including the study of emotion (...)
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  • Emotional responses to music: The need to consider underlying mechanisms.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):559-575.
    Research indicates that people value music primarily because of the emotions it evokes. Yet, the notion of musical emotions remains controversial, and researchers have so far been unable to offer a satisfactory account of such emotions. We argue that the study of musical emotions has suffered from a neglect of underlying mechanisms. Specifically, researchers have studied musical emotions without regard to how they were evoked, or have assumed that the emotions must be based on the mechanism for emotion induction, a (...)
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  • On the irrationality of emotion and the rationality of awareness☆.John A. Lambie - 2008 - Consciousness and Cognition 17 (3):946-971.
    It is argued that one answer to the question of the rationality of emotion hinges on the different roles in action selection played by emotions when one is aware of them versus when one is not aware of them . When unaware of one’s emotions, they are: not able to enter into one’s deliberations about what to do, and more likely to be automatically acted out. This is a problem for rationality because emotional action urges are often “false positives”. In (...)
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  • What's social about social emotions?Shlomo Hareli & Brian Parkinson - 2008 - Journal for the Theory of Social Behaviour 38 (2):131–156.
    This paper presents a new approach to the demarcation of social emotions, based on their dependence on social appraisals that are designed to assess events bearing on social concerns. Previous theoretical attempts to characterize social emotions are compared, and their inconsistencies highlighted. Evidence for the present formulation is derived from theory and research into links between appraisals and emotions. Emotions identified as social using our criteria are also shown to bring more consistent consequences for social behavior than nonsocial emotions. We (...)
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  • The representation of characters' emotional responses: Do readers infer specific emotions?Pascal Gygax, Jane Oakhill & Alan Garnham - 2003 - Cognition and Emotion 17 (3):413-428.
    This paper argues that emotional inferences about characters in a text are not as specific as previously assumed.
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  • The effect of emotions, promotion vs. prevention focus, and feedback on cognitive engagement.Anna Gabińska & Agata Wytykowska - 2015 - Polish Psychological Bulletin 46 (3):350-361.
    The purpose of the study was to explore the role of emotions, promotion-prevention orientation and feedback on cognitive engagement. In the experiment participants had the possibility to engage in a categorization task thrice. After the first categorization all participants were informed that around 75% of their answers were correct. After the second categorization, depending on the experimental condition, participants received feedback either about success or failure. Involvement in the third categorization was depended on participants’ decision whether to take part in (...)
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  • Categorical and dimensional perceptions in decoding emotional facial expressions.Tomomi Fujimura, Yoshi-Taka Matsuda, Kentaro Katahira, Masato Okada & Kazuo Okanoya - 2012 - Cognition and Emotion 26 (4):587-601.
  • The affective consequences of artistic and scientific problem solving.Gregory J. Feist - 1994 - Cognition and Emotion 8 (6):489-502.
    Although the influence of affect on creativity has received some theoretical and empirical attention, the role of affect as a consequence of creative problem solving has been neglected. This study is the one of the first to examine empirically the affect that results from creative problem solving. In a 2 (group) × 3 (time period) × 2 (task) factorial design, 122 art and science students were randomly assigned to complete an art or science task and to report on the kind (...)
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  • The affective consequences of artistic and scientific problem solving.Gregory J. Feist - 1994 - Cognition and Emotion 8 (6):489-502.
    Although the influence of affect on creativity has received some theoretical and empirical attention, the role of affect as a consequence of creative problem solving has been neglected. This study is the one of the first to examine empirically the affect that results from creative problem solving. In a 2 (group) × 3 (time period) × 2 (task) factorial design, 122 art and science students were randomly assigned to complete an art or science task and to report on the kind (...)
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  • Language and Organisation of Filipino Emotion Concepts: Comparing Emotion Concepts and Dimensions across Cultures.Timothy Church, Marcia S. Katigbak, Jose Alberto S. Reyes & Stacia M. Jensen - 1998 - Cognition and Emotion 12 (1):63-92.
  • Reconciling cognitive and perceptual theories of emotion: A representational proposal.Louis C. Charland - 1997 - Philosophy of Science 64 (4):555-579.
    The distinction between cognitive and perceptual theories of emotion is entrenched in the literature on emotion and is openly used by individual emotion theorists when classifying their own theories and those of others. In this paper, I argue that the distinction between cognitive and perceptual theories of emotion is more pernicious than it is helpful, while at the same time insisting that there are nonetheless important perceptual and cognitive factors in emotion that need to be distinguished. A general representational metatheoretical (...)
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  • In defence of emotion: Critical notice of Paul E. Griffiths's what emotions really are: The problem of psychological categories.Louis C. Charland - 2001 - Canadian Journal of Philosophy 31 (1):133-154.
  • In Defence of “Emotion”. [REVIEW]Louis C. Charland - 2001 - Canadian Journal of Philosophy 31 (1):133-154.
  • Thinking sadly: In favor of an adverbial theory of emotions.Anja Berninger - 2016 - Philosophical Psychology 29 (6):799-812.
    Introspective as well as empirical evidence indicates that emotions shape our thinking in numerous ways. Yet, this modificatory aspect of emotions has received relatively little interest in the philosophy of emotion. I give a detailed account of this aspect. Drawing both on the work of William James and adverbialist conceptions of perception, I sketch a theory of emotions that takes these aspects into consideration and suggest that we should understand emotions as manners of thinking.
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  • The Intentional and Social Nature of Human Emotions: Reconsideration of the Distinction Between Basic and Non‐basic Emotions.Aaron Ben-ze'ev & Keith Oatley - 1996 - Journal for the Theory of Social Behaviour 26 (1):81-94.
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  • Why so complex? Emotional mediation of revenge, forgiveness, and reconciliation.Filippo Aureli & Colleen M. Schaffner - 2013 - Behavioral and Brain Sciences 36 (1):15-16.
  • Refining the sexual selection explanation within an ethological framework.John Archer - 2009 - Behavioral and Brain Sciences 32 (3-4):292-311.
    My response is organized into three sections. The first revisits the theme of the target article, the explanatory power of sexual selection versus social role theory. The second considers the range and scope of sexual selection, and its application to human sex differences. Two topics are examined in more detail: (1) the paternity uncertainty theory of partner violence; (2) evolution of inter-group aggression. Section 4 covers ultimate and proximal explanations and their integration within an ethological approach. I consider the development (...)
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  • Does sexual selection explain human sex differences in aggression?John Archer - 2009 - Behavioral and Brain Sciences 32 (3-4):249-266.
    I argue that the magnitude and nature of sex differences in aggression, their development, causation, and variability, can be better explained by sexual selection than by the alternative biosocial version of social role theory. Thus, sex differences in physical aggression increase with the degree of risk, occur early in life, peak in young adulthood, and are likely to be mediated by greater male impulsiveness, and greater female fear of physical danger. Male variability in physical aggression is consistent with an alternative (...)
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  • The influence of discrete emotions on judgement and decision-making: A meta-analytic review.Amanda D. Angie, Shane Connelly, Ethan P. Waples & Vykinta Kligyte - 2011 - Cognition and Emotion 25 (8):1393-1422.
  • Motivating Emotional Content.Benjamin Sheredos - unknown
    Among philosophers of the emotions, it is common to view emotional content as purely descriptive – that is, belief-like or perception-like. I argue that this is a mistake. The intentionality of the emotions cannot be understood in isolation from their motivational character, and emotional content is also inherently directive – that is, desire-like. This view’s strength is its ability to explain a class of emotional behaviors that I argue, the common view fails to explain adequately. I claim that it is (...)
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  • The heat of emotion: Valence and the demarcation problem.Louis Charland - 2005 - Journal of Consciousness Studies 12 (8-10):82-102.
    Philosophical discussions regarding the status of emotion as a scientific domain usually get framed in terms of the question whether emotion is a natural kind. That approach to the issues is wrongheaded for two reasons. First, it has led to an intractable philosophical impasse that ultimately misconstrues the character of the relevant debate in emotion science. Second, and most important, it entirely ignores valence, a central feature of emotion experience, and probably the most promising criterion for demarcating emotion from cognition (...)
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  • Affect without object: moods and objectless emotions.Carolyn Price - 2006 - European Journal of Analytic Philosophy 2 (1):49-68.
    Should moods be regarded as intentional states, and, if so, what kind of intentional content do they have? I focus on irritability and apprehension, which I examine from the perspective of a teleosemantic theory of content. Eric Lormand has argued that moods are non-intentional states, distinct from emotions; Robert Solomon and Peter Goldie argue that moods are generalised emotions and that they have intentional content of a correspondingly general kind. I present a third model, on which moods are regarded, not (...)
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