RESUMEN El artículo reconstruye la concepción metodológica de Leibniz de finales del periodo parisino, que subyace al tratado Sobre la cuadratura aritmética del círculo, la elipse y la hipérbola (1676). Se muestra que Leibniz concibió un procedimiento en el cual el hallazgo de nuevos conocimientos de alguna manera coincide con su demostración, y en el que los procesos de análisis y síntesis se emplean de diversas maneras. ABSTRACT The article reconstructs Leibniz's methodological conception of the late Parisian period underlying the (...) treatise On the Arithmetical Squaring of the Circle, the Ellipse, and the Hyperbola (1676). It is shown that Leibniz conceived of a procedure where the finding of new knowledge somehow coincided with its demonstration and in which the processes of analysis and synthesis were employed in various ways. (shrink)

In this paper, we endeavour to give a historically accurate presentation of how Leibniz understood his infinitesimals, and how he justified their use. Some authors claim that when Leibniz called them “fictions” in response to the criticisms of the calculus by Rolle and others at the turn of the century, he had in mind a different meaning of “fiction” than in his earlier work, involving a commitment to their existence as non-Archimedean elements of the continuum. Against this, we show that (...) by 1676 Leibniz had already developed an interpretation from which he never wavered, according to which infinitesimals, like infinite wholes, cannot be regarded as existing because their concepts entail contradictions, even though they may be used as if they exist under certain specified conditions—a conception he later characterized as “syncategorematic”. Thus, one cannot infer the existence of infinitesimals from their successful use. By a detailed analysis of Leibniz’s arguments in his De quadratura of 1675–1676, we show that Leibniz had already presented there two strategies for presenting infinitesimalist methods, one in which one uses finite quantities that can be made as small as necessary in order for the error to be smaller than can be assigned, and thus zero; and another “direct” method in which the infinite and infinitely small are introduced by a fiction analogous to imaginary roots in algebra, and to points at infinity in projective geometry. We then show how in his mature papers the latter strategy, now articulated as based on the Law of Continuity, is presented to critics of the calculus as being equally constitutive for the foundations of algebra and geometry and also as being provably rigorous according to the accepted standards in keeping with the Archimedean axiom. (shrink)

The article presents Leibniz's preoccupation (in 1675?6) with the difference between the notion of infinite number, which he regards as impossible, and that of the infinite being, which he regards as possible. I call this issue ?Leibniz's Problem? and examine Spinoza's solution to a similar problem that arises in the context of his philosophy. ?Spinoza's solution? is expounded in his letter on the infinite (Ep.12), which Leibniz read and annotated in April 1676. The gist of Spinoza's solution is to distinguish (...) between three kinds of infinity and, in particular, between one that applies to substance, and one that applies to numbers, seen as auxiliaries of the imagination. The rest of the paper examines the extent to which Spinoza's solution solves Leibniz's problem. The main thesis I advance is that, when Spinoza and Leibniz say that the divine substance is infinite, in most contexts it is to be understood in non-numerical and non-quantitative terms. Instead, for Spinoza and Leibniz, a substance is said to be infinite in a qualitative sense stressing that it is complete, perfect and indivisible. I argue that this approach solves one strand of Leibniz's problem and leaves another unsolved. (shrink)

Despite his commitment to freedom, Leibniz’ philosophy is also founded on pre-established harmony. Understanding the life of the individual as a spiritual automaton led Leibniz to refer to the puzzle of the way out of determinism as the Labyrinth of Freedom. Leibniz claimed that infinite complexity is the reason why it is impossible to prove a contingent truth. But by means of Leibniz’ calculus, it actually can be shown in a finite number of steps how to calculate a summation of (...) infinite parts. It appears that the analogy Leibniz drew between the mathematics of infinite series and the logic of contingent truths did more harm than good. A solution consistent with Leibniz’ perception of infinity is proposed. Alongside the existence of the aforementioned analogy, it is based on a disanalogy between the mathematics of infinite series and the logic of infinitely complex truths. This is a disanalogy that Leibniz had already used to solve the Labyrinth of Continuum which he declared more than once could, like the Labyrinth of Freedom, be solved by means of the nature of infinity. The solution of both labyrinths is based on the fictitiousness of the infinitesimal. (shrink)

Newton characterizes the reasoning of Principia Mathematica as geometrical. He emulates classical geometry by displaying, in diagrams, the objects of his reasoning and comparisons between them. Examination of Newton’s unpublished texts shows that Newton conceives geometry as the science of measurement. On this view, all measurement ultimately involves the literal juxtaposition—the putting-together in space—of the item to be measured with a measure, whose dimensions serve as the standard of reference, so that all quantity is ultimately related to spatial extension. I (...) use this conception of Newton’s project to explain the organization and proofs of the first theorems of mechanics to appear in the Principia. The placementof Kepler’s rule of areas as the first proposition, and the manner in which Newton proves it, appear natural on the supposition that Newton seeks a measure, in the sense of a moveable spatial quantity, of time. I argue that Newton proceeds in this way so that his reasoning can have the ostensive certainty of geometry. (shrink)

We apply Benacerraf’s distinction between mathematical ontology and mathematical practice to examine contrasting interpretations of infinitesimal mathematics of the seventeenth and eighteenth century, in the work of Bos, Ferraro, Laugwitz, and others. We detect Weierstrass’s ghost behind some of the received historiography on Euler’s infinitesimal mathematics, as when Ferraro proposes to understand Euler in terms of a Weierstrassian notion of limit and Fraser declares classical analysis to be a “primary point of reference for understanding the eighteenth-century theories.” Meanwhile, scholars like (...) Bos and Laugwitz seek to explore Eulerian methodology, practice, and procedures in a way more faithful to Euler’s own. Euler’s use of infinite integers and the associated infinite products are analyzed in the context of his infinite product decomposition for the sine function. Euler’s principle of cancellation is compared to the Leibnizian transcendental law of homogeneity. The Leibnizian law of continuity similarly finds echoes in Euler. We argue that Ferraro’s assumption that Euler worked with a classical notion of quantity is symptomatic of a post-Weierstrassian placement of Euler in the Archimedean track for the development of analysis, as well as a blurring of the distinction between the dual tracks noted by Bos. Interpreting Euler in an Archimedean conceptual framework obscures important aspects of Euler’s work. Such a framework is profitably replaced by a syntactically more versatile modern infinitesimal framework that provides better proxies for his inferential moves. (shrink)

In contrast with some recent theories of infinitesimals as non-Archimedean entities, Leibniz’s mature interpretation was fully in accord with the Archimedean Axiom: infinitesimals are fictions, whose treatment as entities incomparably smaller than finite quantities is justifiable wholly in terms of variable finite quantities that can be taken as small as desired, i.e. syncategorematically. In this paper I explain this syncategorematic interpretation, and how Leibniz used it to justify the calculus. I then compare it with the approach of Smooth Infinitesimal Analysis, (...) as propounded by John Bell. I find some salient differences, especially with regard to higher-order infinitesimals. I illustrate these differences by a consideration of how each approach might be applied to propositions of Newton’s Principia concerning the derivation of force laws for bodies orbiting in a circle and an ellipse. “If the Leibnizian calculus needs a rehabilitation because of too severe treatment by historians in the past half century, as Robinson suggests (1966, 250), I feel that the legitimate grounds for such a rehabilitation are to be found in the Leibnizian theory itself.”—(Bos 1974–1975, 82–83). (shrink)

This thesis starts with three challenges to the structuralist accounts of applied mathematics. Structuralism views applied mathematics as a matter of building mapping functions between mathematical and target-ended structures. The first challenge concerns how it is possible for a non-mathematical target to be represented mathematically when the mapping functions per se are mathematical objects. The second challenge arises out of inconsistent early calculus, which suggests that mathematical representation does not require rigorous mathematical structures. The third challenge comes from renormalisation group (...) (RG) explanations of universality. It is argued that the structural mapping between the world and a highly abstract minimal model adds little value to our understanding of how RG obtains its explanatory force. I will address the first and second challenges from the similarity perspective. The similarity account captures representations as similarity relations, providing a more flexible and broader conception of representation than structuralism. It is the specification of the respect and degree of similarity that forges mathematics into a context of representation and directs it to represent a specific system in reality. Structuralism is treatable as a tool for explicating similarity rela-tions set-theoretically. The similarity account, combined with other approaches (e.g., Nguyen and Frigg’s extensional abstraction account and van Fraassen’s pragmatic equivalence), can dissolve the first challenge. Additionally, I will make a structuralist response to the second challenge, and suggestions regarding the role of infinitesimals from the similarity perspective. In light of the similarity account, I will propose the “hotchpotch picture” as a method-ological reflection of our study of representation and explanation. Its central insight is to dissect a representation or an explanation into several aspects and use different theories (that are usually thought of competing) to appropriate each of them. Based on the hotchpotch picture, RG explanations can be dissected to the “indexing” and “inferential” conceptions of explanation, which are captured or characterised by structural mappings. Therefore, structuralism accommodates RG explanations, and the third challenge is resolved. (shrink)