This paper discusses what it means to be a good sport. It offers an account of sportsmanship rooted in the proper understanding of the limited role each participant plays during a specific sporting contest. It aims at showing that, from a fallibilist perspective, although it may perhaps be logically possible for a single play to win or lose a sporting event, it makes epistemologically no sense to single out a particular game action, moment or decision as the crucial one which (...) determined victory or defeat. Our view, we shall argue, is consistent with the empirical nature of sporting activities. Since there can be no such a thing as a perfect game, and because no single known human mind is in a position to know with any degree of certainty how each act of game-playing relates to the outcome of a whole game, it makes almost no sense to assign whole-game success or failure to single acts of brilliance or failure. (shrink)

This article criticizes the attempts by Bas van Fraassen and Michael Friedman to address the challenge to rationality posed by the Kuhnian analysis of scientific revolutions. In the paper, I argue that van Fraassen's solution, which invokes a Sartrean theory of emotions to account for radical change, does not amount to justifying rationally the advancement of science but, rather, despite his protestations to the contrary, is an explanation of how change is effected. Friedman's approach, which appeals to philosophical developments at (...) a meta-theoretical level, does not really address the problem of rationality as posed by Kuhn's work. Instead of showing how, despite revolutions, scientific development is, indeed, rational, he gives a transcendental account of rational scientific progress. (shrink)

Despite a prevalence of articles exploring links between sport and art in the 1970s and 1980s, philosophers in the new millennium pay relatively little explicit attention to issues related to aesthetics generally. After providing a synopsis of earlier debates over the questions ‘is sport art?’ and ‘are aesthetics implicit to sport?’, a pragmatically informed conception of aesthetic experience will be developed. Aesthetic experience, it will be argued, vitally informs sport ethics, game logic, and participant meaning. Finally, I will argue that (...) embodying pragmatic conceptions of art as its ideal metaphor re-opens space to best realize the deep potential of sport as a meaningful human practice. (shrink)