The notion of the heart is one of the most basic notions in ordinary language. It is central to Heidegger’s notion of thought that he relates to the primordial word Gedanc as underlying attunement that issues forth in emotional phenomena. He plays with all the etymological cognates of that word to zero in on the phenomena involved. The key experience of Erstaunen that grounds the first beginning of philosophy is paralleled by Erschrecken that grounds Heidegger’s “second beginning” and plays counterpoint (...) with the first. Along with Befindlichkeit as one’s basic attunement, these are key phenomena that belong to the heart, not to ‘intellect’ or ‘will.’ Thinking in terms of the intellect is das rechnende Denken¸ thinking in terms of the heart, besinnliche Nachdenken. It is the latter that provides the “poetic-intellectual” experience for both the arts and philosophy in which such “world space” is created that even the ordinary appears extraordinary. (shrink)

Although the Parmenidean poem is in epic meter and teems with vivid imagery, it has been translated into the domain of philosophy since its earliest reception. Within this domain it has traditionally been interpreted as the first "explicit and self-conscious argumentation" of western philosophy. Yet, the poem aims at persuasion and affect rather than logical demonstration.Working primarily with a sense of translation as critical reception, this paper articulates the history of a translational protocol that excises conceptual matter from linguistic form, (...) reducing the semantic range of the Parmenidean poem. Beginning with Zeno and Melissus, a series of translations reduces the Parmenidean poem into a vehicle for a separable and fully translatable doctrine, stabilizing and homogenizing a thinking that otherwise persists as polyvalent and heterogeneous. (shrink)

Fragment B 1 of Parmenides describes a youth's journey to the house of a goddess who enlightens him as to the nature of all things. The task of translating Parmenides' Greek text is beset with many difficulties, most notably the phrase kata pant' atê at B 1.3. There, the neuter accusative plural panta ('all things') combines with the feminine nominative singular atê (heavenly sent blindness') to render translation impossible. Some have proposed emending the text to read a<s>tê ('down to all (...) cities'), understood in connection with the pathway of divine inspiration. Others reject the emendation in so far as the youth is said at B 1.27 to travel 'far from the beaten path of men.' I argue in defense of the reading kata pant' a<s>tê in so far as references to pathways of inspiration and poetic journeys to the cities of men occur frequently in the poetry of Parmenides' era. (shrink)

In my paper, I shall provide a reading of Diogenes of Apollonia such that his understanding of the metaphysics of differentiation and of individual ensoulment may constitute an ingenious answer to the problems of his time. To this extent, I will argue that Diogenes' worldview solves the difficulties of Anaxagoras' metaphysics and successfully integrates mentality in a causally closed conception of nature. Finally, I will suggest that a Diogenes-inspired approach might be relevant to treat some pressing concerns in the contemporary (...) philosophy of mind – thus demonstrating how his production might offer some interesting solutions for the problems of our time too. (shrink)

Resumen En 1795, un filólogo de origen kantiano, G.G. Fülleborn, agrupó en dos "partes" los fragmentos recuperados del Poema de Parménides: "la Verdad" y "la Doxa". Con pequeñas modificaciones, esta estructura se convirtió en clásica y se acepta hoy en forma unánime. Sin embargo, una lectura de cada fragmento en forma aislada no justifica dicha división, la cual se basa en una interpretación de Simplicio influida por Aristóteles, quien encuentra ya en Parménides un esbozo del dualismo platónico entre lo "sensible" (...) y lo "inteligible", inexistente en éste. Analizo aquí en forma crítica el criterio que emplea Fülleborn, anacrónico para el caso de un pensador preplatónico.In 1795 G.G. Fülleborn, a philologist of Kantian origin, grouped in two "parts" the recovered fragments of the Poem of Parmenides -"the Truth" and "the Doxa". With small modifications, this structure became classic and is accepted unanimously today. However, a reading of each fragment in an isolated way does not justify such division, which is based on an interpretation of Simplicius influenced by Aristotle, who finds already in Parmenides a sketch of the Platonic dualism between the "sensible" and the "intelligible", not actually present in the latter. This work analyzes critically the criterion used by Fülleborn, which is anachronistic in the case of a preplatonic thinker. (shrink)

Xenophanes famously noted that if horses could draw, they would draw their gods as horses. This connection between those who depict the gods and how the gods are depicted is posed as part of a critical theological program. What follows is an argumentative reconstruction of how these observations determine the extent and content of Xenophanes’ theological reforms. In light of the strength of the critical epistemic program, it is likely Xenophanes posed ambitious theological reforms.

Resumen: El presente trabajo esbozará ciertos elementos para una interpretación global del proemio de Parménides, a partir del análisis de uno de sus elementos centrales: las doncellas hijas del sol. Tras examinar las acciones que éstas realizan dentro de la narración, y con el objetivo de defender una interpretación alegórica, se definirá la actividad alegórica arcaica mediante algunos ejemplos. Finalmente, se trazarán los cimientos para una revalorización crítica de la interpretación de sexto Empírico y se argumentará que la alegoría platónica (...) del carro alado como símbolo de la se halla motivada por la ambigüedad intrínseca del relato, ambigüedad que tiene por objeto mostrar la unidad real de los contrarios aparentes a través del símbolo de las doncellas hijas del sol.: This paper will outline several guiding principles concerning a comprehensive interpretation of Parmenides' proem through the analysis of one of its essential elements: the daughters of the Sun. After examining the actions they perform throughout the narrative and in order to defend an allegorical interpretation of them, some features of the archaic allegorical activity will be defined by the analysis of some examples. Finally, we will trace the foundations for a critical reappraisal of Sextus Empiricus' interpretation and we will argue that Plato's allegory of the "winged chariot" as a symbol of the ψυχή in the Phaedrus could well be closely recreating and evoking the Parmenidean myth of the proem. The hermeneutic disjunction may be motivated by the intrinsic ambiguity of the narration, an ambiguity intended to show the real unity of apparent opposites by using the symbol of the daughters of the Sun. (shrink)