This essay seeks to develop and illustrate an approach to comparison based on "ad hoc" frames. A frame is defined by a question, to which dif- ferent thinkers can be seen as offering complementary and/or competing responses. Pursuing a middle ground between universalist conceptions of comparison and particularist rejections of comparison, this approach brings various positions into dialogue in a manner that is not inherently totalizing. The article draws extensively on Hegel's philosophy of religion to articulate this approach to comparison (...) and its presuppositions. The sec- ond section of the essay seeks to illustrate the value of this approach by using the question of how traditional practices are inherited to frame a comparison of Hegel on habit and the Confucian thinker Xunzi on ritual. This comparison functions principally to indicate the process of comparison and suggest the value of pursuing this comparison in greater depth. (shrink)

ABSTRACT: I relate the aesthetic mediation of reason and the identity of religion and mythology found in the Earliest System-Programme of German Idealism to Hegel’s account of the transition from the ancient Greek religion of art to the revealed religion (Christianity) in his theory ofabsolute spirit. While this transition turns on the idea that the revealed religion mediates reason more adequately in virtue of its form (i. e., representational thought), I argue that Hegel’s account of the limitations of religious representational (...) thought, when taken in conjunction with some of his ideas concerning Romantic art, suggests that he fails to demonstrate the necessity of the transition in question, thus undermining the triadic structure (i. e., art, religion, philosophy) of his theory of absolute spirit.RÉSUMÉ: Dans cet article, jelais un lien entre, d’une part, la médiation esthétique de la raison et l’identite de la religion et de la mythologie formulées dans le premier programme systématique de l’idéalisme allemand et, d’autre part, le récit que fait Hegel de la transition menant de la religion grecque antique de l’art à la religion révélée (la chrétienté) dans sa théorie de l’Esprit absolu. Bien que cette transition repose sur l’idée que la religion révélée médiatise la raison plus adéquatement grâce à sa forme (la pensée représentationnelle), je soutiens que, si on considère parallèlement à ses idées sur l’art romantique les explications que donne Hegel au sujet des limitations de la pensée représentationnelle religieuse, ces explications laissent apercevoir qu’il échoue à démontrer la nécessité de la transition en question, ce qui a pour effet de faire s’effondrer la structure ternaire art, religion, philosophie de sa théorie de l’Esprit absolu. (shrink)

ABSTRACT: I relate the aesthetic mediation of reason and the identity of religion and mythology found in the Earliest System-Programme of German Idealism to Hegel’s account of the transition from the ancient Greek religion of art to the revealed religion (Christianity) in his theory ofabsolute spirit. While this transition turns on the idea that the revealed religion mediates reason more adequately in virtue of its form (i. e., representational thought), I argue that Hegel’s account of the limitations of religious representational (...) thought, when taken in conjunction with some of his ideas concerning Romantic art, suggests that he fails to demonstrate the necessity of the transition in question, thus undermining the triadic structure (i. e., art, religion, philosophy) of his theory of absolute spirit.RÉSUMÉ: Dans cet article, jelais un lien entre, d’une part, la médiation esthétique de la raison et l’identite de la religion et de la mythologie formulées dans le premier programme systématique de l’idéalisme allemand et, d’autre part, le récit que fait Hegel de la transition menant de la religion grecque antique de l’art à la religion révélée (la chrétienté) dans sa théorie de l’Esprit absolu. Bien que cette transition repose sur l’idée que la religion révélée médiatise la raison plus adéquatement grâce à sa forme (la pensée représentationnelle), je soutiens que, si on considère parallèlement à ses idées sur l’art romantique les explications que donne Hegel au sujet des limitations de la pensée représentationnelle religieuse, ces explications laissent apercevoir qu’il échoue à démontrer la nécessité de la transition en question, ce qui a pour effet de faire s’effondrer la structure ternaire art, religion, philosophie de sa théorie de l’Esprit absolu. (shrink)

Hegel's philosophy of religion is characterized by what seems to be a deep tension. On the one hand, Hegel claims to be a Christian thinker, viewing religion, and in particular Christianity, as a manifestation of the absolute. On the other hand, however, he seems to view modernity as largely secular, devoid of authoritative claims to transcendence. Modernity is secular in the political sense of requiring the state to be neutral when it comes to matters of religion. However, it is also (...) secular in the sense of there being no recourse to authoritative representations of a transcendent God. Drawing on Charles Taylor's view of secularization, the article focuses on the second strand of his religious thinking, exploring how Hegel can be thought of as a theorist of secularization. It is claimed that his dialectic of religious development describes a process of secularization. Ultimately, Hegel's system offers a view of the absolute as immanent, suggesting that an adequate account of religion will necessarily have to accept secularization as the end-point of spirit's development. This is how the tension between religion and secularization can be resolved. (shrink)

The main goal of this paper is to argue the relevance of Hegel’s notion of the Trinity with respect to two aspects of Hegel’s idealism: the overcoming of subjectivism and his conception of the ‘I’. I contend that these two aspects are interconnected and that the Trinity is important to Hegel’s strategy for addressing these questions. I first address the problem of subjectivism by considering Hegel’s thought against the background of modern philosophy. I argue that the recognitive structure of Hegel’s (...) idealism led him to give the Trinity a decisive role in his philosophical account. Next, I discuss the Trinity by analysing the three divine persons. This analysis paves the way for the conclusion, where I argue that the Trinity represents a model for re-thinking the ‘I’ in a way that overcomes a ‘naïve realist’ and a ‘subjective’ account of the self. I suggest that Hegel’s absolute idealism can be conceived as an approach to the ‘I’ that considers the role of acts of mutual recognition for the genesis of self-conscious thought, and that the Trinity is the Darstellung of the relational and recognitive structure of the ‘I’. (shrink)