My essay incorporates Irigaray's notion of the sensible transcendental, a dynamic attempt to reconstitute the body/mind dualism which founds Western thought, into a reading of the practice of European concert dance. I contend that Irigaray's efforts toward articulating a language of the body as active agent have much to offer analyses of dance practice, and develop this claim through a reading which reflects philosophically on the changing nature of my own dance activity.

In lieu of an abstract, here is a brief excerpt of the content:The Girardian Theory and Feminism: Critique and Appropriation Susan Nowak Syracuse University The construction of theories of relationality, society, and religion supportive of women and women's experience is one of the major concerns of feminist scholarship today.1 This study examines the arguments put forth by feminist scholars who contend that the Girardian theory offers important contributions to their work.2 These scholars use the insights of the Girardian theory into (...) the intrinsic connection between ritual and violence, religion and modes ofrelationality, myth and societal formation, and victimage and social cohesion to critique the androcentric-patriarchal worldview that has shaped western civilization.3 Part One of this study will identify the elements of the 1 It is important to state the well known fact that there is no such thing as the feminist position, theory, or scholarship. It is of the very nature of feminist projects to be diverse, to acknowledge and honor the existence of difference and particularity. In the realms of religion and literature, projects by white Christian and Neo-pagan feminists have been criticized by both womanist and Jewish feminist scholars for their failure to uphold, in practice, this commitment to difference and particularity. 2 1 confine my attention to the ways in which the Girardian understanding of religion, societal formation, and modes of relationality informs the relation of violence and victimage to women. In order to explore the basic issues involved, I examine various writings of Martha Reineke, Luce Irigaray, Sarah Halford, Rebecca Adams, Carole Deering Paul, Cynthia Chase, Ann Demaitre, and Linda Alcoff. 3 It is important to clarify for this study the terms "androcentrism" and "patriarchy." "Androcentrism" refers to patterns of thinking that posit the humanity of dominant male human beings as normative for all human beings; all non-normative human beings are viewed, accordingly, as derivative of, and dependent upon, the normative male. "Patriarchy" is the structural expression of an androcentric worldview. "Patriarchy" as one identified reality does not exist; rather it is a diversified reality whose expressions are influenced by the sociopolitical, historico-religious context. Its structure is so shaped that the multiple forms ofpower within a society are possessed by the dominant males. Women and non-normative men do not 20Susan Nowak Girardian theory that feminist scholars judge to be most useful to their projects, elements that serve as vital theoretical underpinnings for feminist critiques of conceptual frameworks, modes of relationality, and social structures which perpetuate the victimage of women. Part Two examines elements within the Girardian theory which feminist scholars judge to be informed by an androcentric-patriarchal worldview. According to feminist theoreticians, those elements reinforce the oppressive dimensions of human relationships, of social institutions, and of religion. Because of this influence it is claimed that aspects of the Girardian theory cannot promote an authentic sense of selfhood and agency for women. It is, however, also the position of feminist scholars that a revisionary process could strip the theory of its androcentric elements and retool it in a manner supportive of women and women's experiences.4 In this section I will highlight their recommendations for such a revision. Part Three is my critique of the feminist critique. I will indicate what I find to be the major weakness in feminist projects to-date and discuss the ways in which the Girardian concept of difference may offer a possible corrective. Part One Methodologically, a hermeneutic of suspicion is central to feminist projects. Its usage supports two main tasks of feminist scholarship: the retrieval of women's experiences and history from the oppression of silence, as Martha Reineke observes ("Body" 246), and the exposure of androcentric thought frames and patriarchal structures which have relegated women's history and experiences to the crippling domain of silence. René Girard's employment of a hermeneutic of suspicion for the analysis of the myths and have access to power by their own right. Women have access to power only through the men to whom they belong. The "androcentric-patriarchal worldview" can be summarized, then, in terms of an ethos which functions to exclude, to marginalize, and to render invisible in language and public life all who are defined as non-normative human beings. The... (shrink)

This article argues that reading the life of Catherine of Siena can fall into passive models of feminine agency that stifle the potential such a life has to offer. By investigating the way passivity is imposed by both traditional and feminist writers on her life, this article argues that new ways of conceptualizing asceticism are possible through the affirmation of Catherine of Siena’s agency as active. This involves viewing the relation of the ascetic body to its explanatory texts as something (...) more than literal. Using recent interpretations of Paul, this article argues that Catherine of Siena can be read as a performative exposition of the hidden oppressiveness of the dualistic framework ascetics are often taken to be mere ‘victims’ of. (shrink)

Some feminist commentators ignore Luce Irigaray’s contributions to rethinking classical and neoclassical theories of the market when their aims and hers are often largely of a piece. Other feminist commentators celebrate Irigaray’s writings by privileging a certain conception of the gift her philosophy is said to evoke because it challenges the logic of the market economy and its masculinist biases. Instead of viewing the market and the gift in a binary way, I argue that Irigaray examines the conditions of possibility (...) for transvaluing value and exchange as such. By way of an internal critique of economic texts and discourses, Irigaray draws out the available conceptual resources for the possibility of a model of exchange between two positively valued – sexuate – subjects. In this article I focus on the texts where Irigaray explicitly engages with key components of political economy – ‘Commodities among Themselves’, ‘Women on the Market’ and ‘Women, the Sacred and Money’ – and also her conceptualisation of a nonmarket economy in Elemental Passions. These brilliant and complex essays yield an understanding of the forms and the flows (value and exchange) of all economies (whether symbolic, linguistic, cultural or political) necessary for cultivating a sexuate economy. (shrink)

This article explores the celebratory aspect of psychological theories. In particular, it examines the celebration of dialogue, argumentation, and negativity, which is contained within recent critical theories of psychology. This psychological approach is compared with cognitive psychology's celebration of monologue. The relations between dialogical/rhetorical psychology and feminist critiques are examined. Following Habermas, it is suggested that it is necessary to point to instances of unconstrained argumentation in order to show that the utopian elements in the celebration of argument are based (...) upon a realized psychology. It is suggested that one can look to the voices of women for such instances, in order to avoid incorporating patriarchal structures into the celebration. One such instance reveals the self-reflexivity of argumentation, and that the celebration of argument also involves preserving argumentation's ‘other’. Thus, the resulting argumentative psychology should not only be self-reflexive but should itself express and preserve its own sense of otherness. (shrink)