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  1. Kultūros krizė ir fenomenologinė sedimentacijos samprata E. Husserlio filosofijoje.Dalius Jonkus - 2024 - Problemos 105:74-87.
    Kultūrinių objektyvacijų dinamiką Husserlis įvardija sedimentacijos terminu, kuris apima atrastos prasmės formulavimą materialiose juslinėse išraiškose ir šių pasyviai egzistuojančių reikšmių reaktyvavimą. Šiame straipsnyje analizuojama sedimentacijos samprata susiejant ją su Husserlio apmąstymais apie kultūros krizę. Skirtingai nuo įprastų Husserlio kultūros filosofijos interpretacijų, teigiančių, kad mokslų krizė kyla dėl jų moksliškumo neadekvatumo ir negebėjimo spręsti gyvenimo prasmės problemų, aš teigiu, kad krizė gali būti suprasta kaip sedimentacijos dvilypumo rezultatas. Sedimentacijos ne tik išsaugo žinias, bet ir sukuria iliuziją, kad žinios atkuria pačios save. (...)
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  • Heidegger and Husserl on the Technological-Scientific Worldview.Corijn van Mazijk - 2019 - Human Studies 42 (4):519-541.
    This paper discusses the relation between the later Husserl and the later Heidegger regarding their criticisms of modern science and technology. It is suggested that the overlap between both accounts is more significant than is standardly acknowledged. The paper first explores Heidegger’s ideas about the ‘essences’ of science and technology, how they allegedly determine the contemporary worldview, conceal our relation to being, and how Heidegger warrants his critical attitude toward this. It then discusses Husserl’s philosophical–historical assessment of the ‘idea’ of (...)
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  • What is the Crisis of Western Sciences?Emiliano Trizio - 2016 - Husserl Studies 32 (3):191-211.
    This article is an attempt to formulate a clear definition of the concept of crisis of Western sciences introduced by Husserl in his last work. The attempt will be based on a reading of the Krisis, which will stress its underlying continuity with Husserl’s life-long concerns about the theoretical insufficiency of positive sciences, and downplay the novelty of the idea of crisis itself within Husserl’s work. After insisting on the fact that, according to Husserl, only an account of the shortcomings (...)
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  • On Making Phenomenologies of Technology More Phenomenological.Robert C. Scharff - 2022 - Philosophy and Technology 35 (3):1-22.
    Phenomenologists usually insist that their approach involves going “back” to and “starting” with technoscientific experience—that is, returning to the actual existing or living through of technoscientific life—after centuries of privileging the analysis of how things are “objectively” known and denigrating accounts of how they are “subjectively” lived with. But then who says this and how is this understood? “Who” is really a phenomenologist, when so many diverse thinkers claim the title? This paper considers some of the reasons why this is (...)
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  • The Anglo-American Response to Edmund Husserl: A Bibliographic Essay. [REVIEW]FranÇois H. Lapointe - 1979 - Man and World 12 (2):205.
  • The Concept of Krisis in Husserl’s The Crisis of the European Sciences and Transcendental Phenomenology.George Heffernan - 2017 - Husserl Studies 33 (3):229-257.
    In The Crisis of the European Sciences and Transcendental Phenomenology, Husserl argues that the only way to respond to the scientific Krisis of which he speaks is with phenomenological reflections on the history, method, and task of philosophy. On the assumption that an accurate diagnosis of a malady is a necessary condition for an effective remedy, this paper aims to formulate a precise concept of the Krisis of the European sciences with which Husserl operates in this work. Thus it seeks (...)
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  • ‘Estrangement’ in aesthetics and beyond: Russian formalism and phenomenological method.Georgy Chernavin & Anna Yampolskaya - 2018 - Continental Philosophy Review 52 (1):91-113.
    We investigate the parallelism between aesthetic experience and the practice of phenomenology using Viktor Shklovsky’s theory of “estrangement”. In his letter to Hugo von Hofmannsthal, Husserl claims that aesthetic and phenomenological experiences are similar; in the perception of a work of art we change our attitude in order to concentrate on how the things appear to us instead of what they are. A work of art “forces us into” the aesthetic attitude in the same way as the phenomenological epoché drives (...)
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  • A Review of Dreyfus on Heidegger's Critique of Husserl's Intentionality.Napoleon M. Mabaquiao - 2009 - Philosophia: International Journal of Philosophy (Philippine e-journal) 38 (1):84-104.
    This essay primarily disputes Dreyfus’s account of Heidegger’s critique of Husserl’s theory of intentionality. Specifically, it raises objections to the three central claims of such an account; namely: (1) that Searle’s theory of intentional action can be used as a stand-in for Husserl’s; (2) that Heidegger rejects the primordiality of the intentionality of consciousness; and (3) that Heidegger distinguishes between conscious and unconscious types of intentional actions and he privileges the latter over the former. I show the first to be (...)
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  • Dreyfus on Heidegger's Critique of Husserl's Intentionality: A Review.Napoleon Mabaquiao Jr - 2010 - Philosophia 38 (1).
    This paper primarily disputes Dreyfus’s account of Heidegger’s critique of Husserl’s theory of intentionality. Specifically, it raises objections to the three central claims of such an account; namely: that Searle’s theory of intentional action can be used as a stand-in for Husserl’s; that Heidegger rejects the primordiality of the intentionality of consciousness; and that Heidegger distinguishes between conscious and unconscious types of intentional actions and he privileges the latter over the former. I show the first to be unwarranted owing to (...)
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  • Husserl's Theory of Intentionality.Napoleon M. Mabaquiao - 2006 - Philosophia 34 (1):24-49.
    This essay is a critical examination of how Edmund Husserl, in his appropriation of Franz Brentano’s concept of intentionality into his phenomenology, deals with the very issues that shaped Brentano’s theory of intentionality. These issues concern the proper criterion for distinguishing mental from physical phenomena and the right explanation for the independence of the intentionality of mental phenomena from the existence or non-existence of their objects. Husserl disagrees with Brentano’s views that intentionality is the distinguishing feature of all mental phenomena (...)
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