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O dziele literackim

Warszawa: [Państwowe Wydawn. Naukowe] (1960)

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  1. Propositions et états de choses chez Twardowski.Arianna Betti - 2005 - Dialogue 44 (3):469-492.
    Twardowski'sOn the Content and Object of Presentations(1894) is one of the most influential works that Austrian philosophy has left to posterity. The manuscriptLogik(1894–1895) supplements that work and allows us to reconstruct Twardowski's theory of judgement. These texts raise several issues, in particular whether Twardowski accepts propositions and states of affairs in his theory of judgement and whether his theory is acceptable. This article presents Twardowski's theory, shows that he accepts states of affairs, that he has a notion of proposition, and (...)
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  • The Self-Revelation and Cognition of VR-Facilitated Virtual Worlds: Towards a Phenomenology of Virtual Habitation.Matthew Gladden - 2020 - Avant: Trends in Interdisciplinary Studies 11 (2).
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  • Revisiting ingarden’s theoretical biological accountof the literary work of art: Is the computer game an “organism”?Matthew E. Gladden - 2020 - HORIZON. Studies in Phenomenology 9 (2):640-661.
    From his earliest published writings to his last, Roman Ingarden displayed an interest in theoretical biology and its efforts to clarify what distinguishes living organisms from other types of entities. However, many of his explorations of such issues are easily overlooked, because they don’t appear in works that are primarily ontological, metaphysical, or anthropological in nature but are “hidden” within his works on literary aesthetics, where Ingarden sought to define the nature of living organisms in order to compare literary works (...)
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  • THE TRANSCENDENTAL METAPHYSIC OF G.F. STOUT: HIS DEFENCE AND ELABORATION OF TROPE THEORY.Fraser Macbride - 2014 - In A. Reboul (ed.), Mind, Value and Metaphysics: Papers Dedicated to Kevin Mulligan. Springer. pp. 141-58.
    G. F. Stout is famous as an early twentieth century proselyte for abstract particulars, or tropes as they are now often called. He advanced his version of trope theory to avoid the excesses of nominalism on the one hand and realism on the other. But his arguments for tropes have been widely misconceived as metaphysical, e.g. by Armstrong. In this paper, I argue that Stout’s fundamental arguments for tropes were ideological and epistemological rather than metaphysical. He moulded his scheme to (...)
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