This article presents the development of the phenomenological movement in Poland in the period 1895–1945. It focuses on the early reactions to phenomenology and the later consolidation of the group of phenomenologists in Lvov. The article also explores the context of Polish phenomenology, its main figures, and their texts. The author suggests that early phenomenology in Poland was a pluralistic discipline that developed in polemical discussions, including discussions with members of the Lvov–Warsaw school. Finally, the article summarizes the major contributions (...) of phenomenologists to philosophy, psychology, and aesthetics in Poland. (shrink)

In her book Fiction and Metaphysics (1999) Amie Thomasson, influenced by the work of Roman Ingarden, develops a phenomenological approach to fictional entities in order to explain how non-fictional entities can be referred to intrafictionally and transfictionally, for example in the context of literary interpretation. As our starting point we take Thomasson’s realist theory of literary fictional objects, according to which such objects actually exist, albeit as abstract and artifactual entities. Thomasson’s approach relies heavily on the notion of ontological dependence, (...) but its precise semantics has not yet been developed. Moreover, the modal approach to the notion of ontological dependence underlying the Artifactual Theory has recently been contested by several scholars. The main aims of this paper are (i) to develop a semantic approach to the notion of ontological dependence in the context of the Artifactual Theory of fiction, and in so doing bridge a number of philosophical and logical gaps; (ii) to generalize Thomasson’s categorial theory of ontological dependence by reconstructing ontological categories of entities purely in terms of different structures of ontological dependence, rather than in terms of the basic kinds of entities the categorical entities depend on. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2015 Heft: 206 Seiten: 181-205.