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  1. The nature of relative subjectivity: A reflexive mode of thought.Brian Taylor Slingsby - 2005 - Journal of Medicine and Philosophy 30 (1):9 – 25.
    Ethical principles including autonomy, justice and equality function in the same paradigm of thought, that is, logocentrism - an epistemological predilection that relies on the analytic power of deciphering between binary oppositions. By studying observable behavior with an analytical approach, however, one immediately limits any recognition and possible understanding of modes of thought based on separate epistemologies. This article seeks to reveal an epistemological predilection that diverges from logocentrism yet continues to function as a fundamental component of ethical behavior. The (...)
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  • The Art of Aidagara : Ethics, Aesthetics, and the Quest for an Ontology of Social Existence in Watsuji Tetsurō's Rinrigaku.James M. Shields - 2009 - Asian Philosophy 19 (3):265-283.
    This paper provides an analysis of the key term aidagara ('betweenness') in the philosophical ethics of Watsuji Tetsurō (1889-1960), in response to and in light of the recent movement in Japanese Buddhist studies known as 'Critical Buddhism'. The Critical Buddhist call for a turn away from 'topical' or intuitionist thinking and towards (properly Buddhist) 'critical' thinking, while problematic in its bipolarity, raises the important issue of the place of 'reason' vs 'intuition' in Japanese Buddhist ethics. In this paper, a comparison (...)
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  • Ordinary Aesthetics and Ethics in the Haiku Poetry of Matsuo Bashō: A Wittgensteinian Perspective.Tomaso Pignocchi - 2023 - Open Philosophy 6 (1):17-33.
    This article explores how the notion ofordinary aestheticscan stem, as well as the one ofordinary ethics, from thatrevolution of the ordinarystarted by Wittgenstein and further developed by philosophers like Cavell and Diamond. The idea ofordinary ethicsemphasizes the importance of everyday life and the particular details of our experiences. This concept can be extended to aesthetics, forming the basis of a modality of aesthetic appreciation that recognize values and importance in the details and nuances of everyday experience. One example of suchordinary (...)
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  • Beauty (Mei_, 美) in the _Zhuangzi and Contemporary Theories of Beauty.Peng Feng - 2020 - Journal of Aesthetic Education 54 (2):21-38.
    Mei in Chinese is normally translated into English as "beauty" or "the beautiful." The nature of mei is not a central theme in Zhuangzi's philosophy; neither is it a concept of particular importance in traditional Chinese aesthetics. The core concepts of Chinese aesthetics, according to historians of Chinese aesthetics, are dao, qi, and xiang, but mei is not one of them.1 In Chinese aesthetic history, we see different points of emphasis in contrast to the prevailing concern with beauty in Western (...)
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