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  1. Playing God: The Rock Opera That Endeavors to Become a Bioethics Education Tool.Tuija Takala, Matti Häyry & Laurence Laing - 2014 - Cambridge Quarterly of Healthcare Ethics 23 (2):188-199.
    This article describes and introduces a new innovative tool for bioethics education: a rock opera on the ethics of genetics written by two academics and a drummer legend. The origin of the idea, the characters and their development, and the themes and approaches as well as initial responses to the music and the show are described, and the various educational usages are explored.
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  • Editorial: Examining the Links.Tuija Takala & Matti Häyry - 2020 - Cambridge Quarterly of Healthcare Ethics 29 (2):167-173.
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  • Overcritical, overfriendly? : A dialogue between a sociologist and a philosopher on genetic technology and its applications.Mairi Levitt & Matti Häyry - 2005 - Medicine, Health Care and Philosophy 8 (3):377-383.
    Are sociologists always critical about genetics? Are philosophers always more supportive? This is the impression of many sociologists in the United Kingdom who argue that contemporary British philosophers criticise genetic technologies and applications in ways that scientists and medical doctors can deal with. They emphasise matters like informed consent, but pay less or no attention to the wider social consequences of technologies, practices and policies. Philosophers in their turn may see sociologists as irrationally hostile to science and medical practice. Some (...)
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  • Justice and the Possibility of Good Moralism in Bioethics.Matti Häyry - 2019 - Cambridge Quarterly of Healthcare Ethics 28 (2):236-263.
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