Nietzsche consistently valorizes artistic falsehoods. On standard interpretations, this is because art provides deceptive yet salutary fictions that help us affirm life. This reading conflicts, however, with Nietzsche’s insistence that life-affirmation requires untrammeled honesty. I present an alternative interpretation which navigates the interpretive impasse. With special attention to the influence of Friedrich Schiller, the paper argues for three claims: (1) Nietzsche does not hold that art is false because it “beautifies,” but because it produces mere semblances of, its objects; (2) (...) these semblances are essentially non-deceptive; (3) he values artistic illusions because they dispose us positively to illusion more generally. Such ‘evaluative reorientation,’ I argue, is not merely consistent with, but integral to, achieving Nietzsche’s ideal of honesty. (shrink)

Moral Psychology with Nietzsche, by Brian Leiter. Oxford: OUP, 2019. Pp. x + 198.

The Exchange of Words, by MoranRichard. Oxford: OUP, 2018. Pp. 254.

It’s been argued with some justice by commentators from Walter Kaufmann to Thomas Hurka that Nietzsche’s positive ethical position is best understood as a variety of virtue theory – in particular, as a brand of perfectionism. For Nietzsche, value flows from character. Less attention has been paid, however, to the details of the virtues he identifies for himself and his type. This neglect, along with Nietzsche’s frequent irony and non-standard usage, has obscured the fact that almost all the virtues he (...) praises are intellectual rather than moral. The vices he most despises include dogmatism, intellectual partisanship, faith, boredom, the need for certainty, and pity. The virtues he most appreciates include curiosity, honesty, skepticism, creativity, the historical sense, intellectual courage, and intellectual fastidiousness. These tables of values place Nietzsche squarely among so-called responsibilist virtue epistemologists, such as Lorraine Code and Linda Zagzebski, who emphasize that knowledge is infused with desire and affect. I argue that curiosity construed as the specification of the will to power in the domain of epistemology is a cardinal Nietzschean virtue, and that the others – especially intellectual courage and honesty – are presupposed by curiosity. Thus, Nietzsche turns out to accept his own peculiar brand of the thesis of the unity of virtue. (shrink)

Exposing the tension between Nietzsche's supposed naturalism and his inclusion of the will as a spiritual force behind every activity, it is argued that Nietzsche's prime concern was to enhance the height and power of humanity's spirituality.