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  1. When Homer quotes callimachus: Allusive poetics in the proem of the postHomerica.Emma Greensmith - 2018 - Classical Quarterly 68 (1):257-274.
    In Book 12 of Quintus Smyrnaeus’Posthomerica, the epic poet prepares to list the heroes who entered the Wooden Horse before the sack of Troy. Before he begins, he breaks off to ask for help :τούς μοι νῦν καθ᾽ ἕκαστον ἀνειρομένῳ σάφα Μοῦσαιἔσπεθ᾽, ὅσοι κατέβησαν ἔσω πολυχανδέος ἵππου·ὑμεῖς γὰρ πᾶσάν μοι ἐνὶ φρεσὶ θήκατ᾽ ἀοιδήν,πρίν μοι ἀμφὶ παρειὰ κατασκίδνασθαι ἴουλον,Σμύρνης ἐν δαπέδοισι περικλυτὰ μῆλα νέμοντι 310τρὶς τόσον Ἑρμοῦ ἄπωθεν, ὅσον βοόωντος ἀκοῦσαι,Ἀρτέμιδος περὶ νηὸν Ἐλευθερίῳ ἐνὶ κήπῳ,οὔρεΐ τ’ οὔτε λίην χθαμαλῷ οὔθ᾽ (...)
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  • POxy 2509 and Callimachus' Lavacrum Palladis: αγιόχοιο Διòς κορη μεγλοιο.Mary Depew - 1994 - Classical Quarterly 44 (02):410-.
    In his excellent commentary on Callimachus' fifth Hymn, A. W. Bulloch has discussed the many allusions to earlier literature out of which this poem is made. He has, however, missed one: an allusion to Hesiod's Catalogue, which, as I shall show here, not only sheds light on one of the poem's most puzzling scenes – Athena's consolatio to the nymph Chariclo – but also helps to explain the articulation and function of the poem's first, so-called ‘mimetic,’ section.
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  • POxy_ 2509 and Callimachus' _Lavacrum Palladis: αἰγιόχοιο Διòς κορη μεγάλοιο.Mary Depew - 1994 - Classical Quarterly 44 (2):410-426.
    In his excellent commentary on Callimachus' fifth Hymn, A. W. Bulloch has discussed the many allusions to earlier literature out of which this poem is made. He has, however, missed one: an allusion to Hesiod's Catalogue, which, as I shall show here, not only sheds light on one of the poem's most puzzling scenes – Athena's consolatio to the nymph Chariclo – but also helps to explain the articulation and function of the poem's first, so-called ‘mimetic,’ section.
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