In Thus Spoke Zarathustra (2006), Nietzsche presents Zarathustra as a sage and parodic prophet, who acquires and offers insight over the narrated journey of his spiritual development. Nietzsche’s conception of Zarathustra as a gift (to “all and none”) endorses learning as the kind of emulation condensed into Zarathustra’s complex formulation: rather than “corpses that I carry with me wherever I want... I need living companions who follow me because they want to follow themselves—wherever I want.” Thus I aim, firstly, to (...) follow the text closely to see what is given. However, noting that Zarathustra is deeply imbued with figures of laughter, I also impose an interpretation. “Repeating differently,” as demanded by Zarathustra, I outline a practicable, spiral‐shaped “learning curve” of traversal and return to various “shades of laughter,” advancing from the worst laughters to “golden laughter,” which embraces complexity. This represents what it means to laugh well. In so doing, I hope to demonstrate that the complex ethos of affirmative laughter in Zarathustra remains strikingly pertinent for a contemporary era urgently tasked with embracing complexity. (shrink)

Nietzsche's writing style is designed to elicit affective responses in his readers. Humour is one of the most common means by which he attempts to engage his readers' affects. In this article, I explain how and why Nietzsche uses humour to achieve his philosophical ends. The article has three parts. In part 1, I reject interpretations of Nietzsche's humour on which he engages in self‐parody in order to mitigate the charge of decadence or dogmatism by undermining his own philosophical authority. (...) In part 2, I look at how Nietzsche uses humour and laughter as a critical tool in his polemic against traditional morality. I argue that one important way in which Nietzsche uses humour is as a vehicle for enhancing the effectiveness of his ad hominem arguments. In part 3, I show how Nietzsche exploits humour's social dimension in order to find and cultivate what he sees as the right kinds of readers for his works. (shrink)

Could having a sense of humor be a virtue? In this paper, we argue for an affirmative answer to this question. Like other virtues, a sense of humor enhances and inhibits the expression of various emotions, especially amusement, contempt, trust, and hope. Someone possesses a virtuous sense of humor to the extent that they are well-disposed to appropriately enhance or inhibit these emotions in themselves and others through both embodied reactions (e.g., smiling, laughter, eyerolls) and language (e.g., telling jokes, understanding (...) others’ jokes, etc.). Regarding the aims or purposes of a sense of humor, we argue that a sense of humor aids both its bearer and other people who are socially connected to the bearer with coping, connection, capability, and criticism. If this is on the right track, then the value of a sense of humor is pluralistic: a sense of humor doesn’t do just one thing, but several things simultaneously. We then explore four contexts in which a sense of humor is especially needed, namely hardship, social relationships, social and political cooperation, and existential reflection. (shrink)

The first essay of Nietzsche’s On the Genealogy of Morals seeks to uncover the roots of Judeo-Christian morality, and to expose it as born from a resentful and feeble peasant class intent on taking revenge upon their aristocratic oppressors. There is a broad consensus in the secondary literature that the ‘slave revolt’ which gives birth to this morality occurs in the 1st century AD, and is propogated by the inhabitants of Roman occupied Judea. Nietzsche himself strongly suggests such a view. (...) However, in a telling later passage from Ecce Homo, Nietzsche claims that the hsitorical Zarathustra—a Bronze age iranian religious thinker—was the first to consider the opposite of Good vs. Evil; that “Zarathustra created this most fateful of errors, morality” (EH, 'Destiny', §3). However, Nietzsche does not discuss Zarathustra or Zoroastrianism in his critique of moral values and their origin. This creates a prima facie tension. If at least part of what essentially characterises 'morality' preceded Judeo-Christianity, are moral values only contingently related to the feelings of ressentiment essential to Nietzsche’s story of the slave revolt? If the answer is 'yes', then the scope of Nietzsche's critique of morality may be somewhat limited. If the answer is 'no', then we require an answer as to why Nietzsche's genealogy—if it is an exercise in ascertaining the “real history of morality” (GM, Pref: §7)—does not extend further back in history. In this paper, I explore how the extent of Nietzsche's knowledge of Zoroastrianism informs his critique of slave morality in On the Genealogy of Morals. I argue that Nietzsche views the historical Zarathustra—like Socrates and Plato—as a forerunner of ‘morality’ in his creative conception of good and evil in metaphysical terms. From here, it is argued that the proposed tension can be dissolved by viewing Judeo-Christian morality merely as the latest and paradigmatic expression of slave morality. (shrink)