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  1. The affinity between artistic creation in Heidegger and divine creation in Schelling.Yu Xia - 2022 - International Journal of Philosophy and Theology 83 (1):100-116.
    The majority of the contemporary literature on Schelling and Heidegger focuses on the direct connection between the two philosophers – Heidegger’s engagement with Schelling’s Freedom essay. This paper, however, explores an implicit link between them on the topic of creation by reading Schelling’s Ages of the World alongside Heidegger’s ‘The Origin of the Work of Art’. It brings God’s creation in Schelling together with artistic creation in Heidegger and argues that the two have similarities in their structures, sources, and aims: (...)
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  • Analysis of evil in Schelling’s Freiheitsschrift_ through Heidegger’s account of dissemblance and _Αλήθεια.Marina Marren - 2021 - International Journal of Philosophy and Theology 82 (2):97-115.
    In this paper, I offer an analysis of evil in Friedrich W. J. Schelling’s Philosophische Untersuchungen über das Wesen der menschlichen Freiheit (1809). Schelling develops an account of the sui-genesis of God out of the two principles. These principles are 1) the dark ground (dunkler Grund) that belongs to God and 2) the self-revelation of God, who actualizes the dark ground, which grounds God antecedently. These two principles also contain in themselves the possibility and the intelligibility of the human world. (...)
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  • Schelling as a Thinker of Immanence: contra Heidegger and Jaspers.Daniele Fulvi - 2020 - Sophia 60 (4):869-887.
    Among the different interpretations of the philosophy of Schelling, there is no doubt that the ones developed by Martin Heidegger and Karl Jaspers played a prominent role within the most recent Schelling scholarship. Both Heidegger and Jaspers focused on Schelling’s discourse on freedom, pointing out the fundamental incompatibility of its key elements, i.e. ‘ground’ and ‘existence’, as well as the fallacious conception of Seynsfuge that emerges from it. Moreover, Heidegger argues that Schelling’s ontology ultimately falls back into traditional metaphysical subjectivism, (...)
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