Emmanuel Levinas’s work seemingly places a great emphasis on language leading some commentators towards a Kantian reading of him where moral consideration would be based on the moral patient’s capacity for reason with language functioning as a proxy for this. Although this reading is possible, a closer look at Levinas’s descriptions of language reveal that its defining characteristic is not reason but the capacity to express beyond any thematized contents we would give to the Other. This expressivity (which Levinas calls (...) face) would confront me with their singularity, infinity, and interiority tying me to them in a relation of responsibility. And the “content” of such an expression is a vulnerability and exposure tied to their mortality which continually entreats me though I cannot take it away. It is by means of this bare expression of an exposure to death as the core of language that it will become possible for non-human mortal beings to have what Levinas calls language. This possibility, although not explicitly addressed by Levinas, is at least left open by his account of Bobby the dog as well as his agnosticism over a snake’s face. (shrink)

Adopting Kantor’s Masochean turn within Levinas, this article challenges the anthropocentrically limited purview of Levinas’s ethical relation. Incorporating Kantor’s legalistic reading of Levinas, informed through his literary analysis of Sacher-Masoch’s ‘Venus in Furs’, the article details the inescapable, legalistic plight that is to be the Levinasian ethical subject. Extending upon Kantor’s introductory conceptualisation of the Levinasian subject through Masoch, reveals a subject for whom suffering and sacrifice must be embraced; necessary acts of penitence before an irrepressible Other who they adore. (...) The Other is presented through Masoch’s text as an insatiable, inescapable deity of Law who cannot be refused and demands subservience. A god manifest in Exteriority whose influence upon the subject extends beyond the frame of the interhuman relation and is a necessary component of the subject’s existence and, more broadly, their world. The Levinasian subject’s relation with alterity poetically portraying all the potency, affirmation and urgency of dear Severin’s with his Venus, a relation which destroys, haunts and affirms the subject completely as only Law can. (shrink)