The conceptual and methodological contributions of Marxist aesthetics from Eastern European countries like Hungary, Yugoslavia, Poland, Czechoslovakia, Bulgaria, Romania, and East Germany were productive and significant despite various hurdles faced concerning institutionalization, legitimization and differing theoretical abuses. In its mode of inquiry and discursive practices, Eastern European Marxist aesthetics is both similar and dissimilar to its Western, Soviet, Russian and Chinese counterparts. The specificity here is the function of a unique geographical and socio-historical context, as well as interaction with other (...) contemporary paradigms of thought. The innovative impulses of Eastern European Marxist aesthetics affected six scholarly domains: aesthetics of praxis, theory of realism, critique of modernity, semiotics, theory of genre and cultural theory. This paper provides a general survey of the intellectual achievements of Eastern European Marxist aesthetics across these six domains and will show how this theoretical tradition has influenced the modern history of ideas. (shrink)

Heidegger, Lukacs and Heller confronted the “crisis” of modernity already at the beginning of their own paths of thinking and asked how to address it. Lukacs did never completely lose faith in politics, whereas Heidegger and Heller only briefly leant on a party to direct the course of history. Heidegger and Lukacs described modem life as an “unowned” existence occasioned by the metaphysics’ “forgetfulness of Being” and the “reification of consciousness” in the late capitalism respectively. Whilst Heidegger entrusted the task (...) of preparing a “turning” to the thinking of the truth of Being and Lukacs assigned materialistic dialectic to undertake a revolution, Heller worked out an ethics of responsibility that can both keep under control the modernity’s “dark side” and make again fruitful in today’s multicultural society the main achievement of the modem age, that is, freedom. (shrink)

Contributions to the philosophical genre of popular culture and philosophy aim to popularize philosophical ideas with the help of references to the products of popular culture with TV series like The Simpsons, Hollywood blockbusters like The Matrix and Jurassic Park, or popular music groups like Metallica. While being commercially successful, books in this comparatively new genre are often criticized for lacking scientific rigor, providing a shallow cultural commentary, and having little didactic value to foster philosophical understanding. This paper discusses some (...) of these methodological and didactic objections and seeks to encourage a constructive discussion of concerns with the genre. It shows how the genre similar to previous attempts to foster public understanding of philosophy and that it is a methodologically viable approach to reach a broad range of readers with diverse informational preferences and educational backgrounds. Considering what makes this approach to the popularization of philosophical thinking successful will shed light on some of the criteria for popularization of philosophy in general. (shrink)