Atypical among Heidegger’s numerous discussions of poets is the condemnation of Rilke in the 1942-43 lecture course Parmenides. At stake is the definition of “the open” (das Offene): Rilke reserves the open for animals as freedom from conceptual determinacy, whereas Heidegger reserves it for human beings as the place of Being in which things first appear as what they are. The open, for Heidegger, names the existential conception of place (as distinct from a geographical point) and features in his life-long (...) attempts to articulate the relations between language, human existence, poetry and the everyday. By denying that human beings have access to the open, Rilke runs athwart this project and by denying it in a poem he confounds the expectations that Heidegger harbours with respect to the work of art as a site of the opening up of aesthetic experience, within the everyday, to ontological questioning. (shrink)

This book is a new interpretation of Schelling's path-breaking 1809 treatise on freedom, the last major work published during his lifetime. The treatise is at the heart of the current Schelling renaissance—indeed, Heidegger calls it "one of the most profound works of German, thus of Western, philosophy." It is also one of the most demanding and complex texts in German Idealism. By tracing the problem of ground through Schelling's treatise, this book provides a unified reading of the text, while unlocking (...) the meaning of its most challenging passages through clear, detailed analysis. This analysis shows how Schelling's implicit distinction between senses of ground is the key to his project of constructing a system that can satisfy reason while accommodating objects that seem to defy rational explanation—including evil, the origins of nature, and absolute freedom. This allows Schelling to unite reason and mystery, providing a rich model for philosophizing about freedom and evil today. (shrink)

Phenomenology is considered a philosophy of experience. But in the wake of French post-structuralism beginning in the 1970s, the concept of experience within phenomenology has fallen under heavy critique. Even today, in the context of feminist philosophy the phenomenological concept of experience has yet to recover from the poststructuralist critique. In this article, I will closely examine the poststructuralist critique of the concept of experience within the context of feminist theory. I will thereby refer first and foremost to the poststructuralist (...) theorist Joan Scott, and her influential text “'Experience'”. In my examination of the poststructuralist critique of experience, the leading question will be whether or not this critique, down to its details, can in fact be applied to phenomenology. My thesis is that phenomenology is able to withstand the poststructuralist critique of experience. Further, I will argue that post-structuralism and phenomenology have more in common as regards the concept of experience than is usually admitted. For several reasons, it seems - as I will maintain - that both poststructuralist feminism and phenomenology are equally interested in a strong concept of experience and thus do not promote doing away with the concept. (shrink)

My effort to address the comments made by the two distinguished scholars, consists of three steps. I will start with a brief resume of Hegel’s dialectical logic, to provide a scaffold for the debate. Subsequently, I will address the comments made. In the case of Hans-Jörg Rheinberger, I will focus on his reference to Althusser. In the case of Bart Gremmen, I will focus on the dialectics of biology, notably on his reference to Mendel. Finally, I will address the tension (...) between the conceptual and the empirical dimension of philosophical scholarship. (shrink)

Looking at Dickinson and Hölderlin, this essay begins by exploring the idea of the poetic dimension of existence and its relation to the image, or more precisely, to the capability to disclose into images. For Dickinson the relentless “poverty” of a non-poetic existence indicates that what is missing from such existence are not just images but the capacity for their “disclosing” - the poetic gift or aptitude. With the help of Heidegger’s essays on poetry and poverty, I invert this relation (...) between image and poverty to show that, even though the inceptive character of the poetic word and the element of poetic dwelling it allows to emerge appear poor in comparison to images or concepts, it is the poetic word that for the very first time lets humans dwell. Although it can neither boast the richness of “pictures” nor the strength and precision of conceptual comprehension, the poetic is what opens up the world for humans and simultaneously opens their being to its characteristic manner of inhabiting this world. (shrink)

This paper presents a foundation of the intellectual artefact “hermeneutic concept” based on an interpretation of the “Deduction of pure aesthetic judgment” of the third Kantian Critique. Since the denomination for this artefact and the first characterization is found in a Heidegger course, I will proceed by offering the context of discussion in which it arises, namely, the Heideggerian interpretation of the Kantian transcendental schematism. Then, I will give the interpretation of the Deduction that allows us the foundation of the (...) “hermeneutic concept” and, once the route of that foundation is completed, two reading hypothesis will be outlined, one for the place of the third Kantian Critique in Heidegger’s work and another for the aesthetics in general and the Kantian aesthetic in particular. (shrink)

Marc Van den Bosche suggests that Heidegger’s conceptions of Gestell and Gelassenheit, taken together with his analysis of Nietzschean Nihilism, depicts our era in a way that “supplements” Andrew Feenberg and Don Ihde’s work. Weaving these sources together, he sees the possibility of our becoming “technicians” that “live, in a released way, within the groundless.” Here, I raise some questions about whether the author has really fitted all these sources together and argue that his idea of becoming post-modern “technicians” appears (...) to require that we first practice a very un-Heideggerian kind of “renunciation.”. (shrink)

Based on Aristotelianism, philosophies in Islam, Christianity, Judaism, and traditional phenomenology, Martin Heidegger and late Max Scheler, shared a conceptual understanding of the soul. The plant’s soul – a worldly stage of the individualization of universal creativity - unfolds via the animal towards the human and beyond. The Phenomenology of Life philosophy (Anna-Teresa Tymieniecka) enmeshed the ontopoiesis of the vegetative beingness into the unity-of-everything-there-is-alive, thereby overcoming the discommunicative hierarchization of the soul. An eco-cosmological following of „the plant’s“ ontopoiesis will have (...) to base its understanding not only on the communicative creativity of „the plant“ but on its inseparable interwovenness into the web of life, thereby also taking into consideration newest botanical studies which brought to light insights into so far unknown „intelligence“ of plants. (shrink)

The history of philosophy would not have needed to wait for Heidegger if Hegel had taught us that the transformation from hypokeimenon to subiectum introduced by Descartes is due to the transformation from truth to certainty, which he introduces too. So, taking for subject this certainty, which makes the certainty of subject, we aim to understand that before the truth of man was distorted, the truth itself? the ontological and antepredicative truth, i.e. aletheia? was with him.

The author discusses the evolution of Heidegger’s conception of science and brings out its limits as well as its possible developments. An eminent representative of contemporary thinking in the theory of knowledge, Paolo Parrini stands in a line of critical realism in the Kantian neopositivist tradition. This paper returns to and develops the lectio delivered at the award of the ‘Giulio Preti’ Prize in November 2008.

The aim of this paper is to provide an analysis of Gilles Deleuze’s interpreta- tion of the Critique of Pure Reason such as it appears in his 1963 monographic work La Philosophie critique de Kant. We will show that the originality of Deleuze’s reading lies in reading the critical project in retrospect, taking the sensus communis problem from the Critique of the Power of Judgment and applying it to the first Critique. In so doing, he points out the survival of (...) a pre-established harmony, now interiorized, both between heterogeneous faculties and between the matter of phenomena and the Ideas of reason. This implies a reinterpretation of the critical project that has passed unnoticed within Kantian studies and that places the Third Critique as the ground of the previous ones, unveiling common sense as a condition of possibility of knowledge. (shrink)

Heidegger’s accounts of Dasein’s dual nature as both individual and social in Being and Time have been a longstanding source of confusion and controversy in the literature. Many critics have been keen to identify contradictions between Heidegger’s positive account of the social nature of everyday Dasein and the putatively solipsistic account of authentic Dasein which comes later. This paper focuses on Heidegger’s brief attempts to sketch the outlines for the notion of something like authentic intersubjectivity. In doing so we will (...) see where the temptation arises to read Heidegger as having failed to remain consistent but also how Heidegger himself is responsible for some of the confusion here. (shrink)

Heidegger’s 1938–1939 seminar on Nietzsche ’s On the Utility and Liability of History for Life continues Heidegger’s grand interpretation of Nietzsche as a metaphysical thinker of presence. Nietzsche ’s conceptions forgetting, memory, and even life itself, according to Heidegger, are all complicit in the privileging of presence. Simultaneous with his seminar, Heidegger is also compiling the notebook, Die Geschichte des Seyns, 1938–1940, wherein he sketches his own conception of history. Examining Heidegger’s criticisms of Nietzsche in the light of his contemporaneous (...) notebook allows us to articulate Heidegger’s concern for history and for “what has-been” as a thinking of the “coming” of being. For Heidegger, to exist historically is to exist as something sent, something arriving, as something that “comes” to us. This coming of history is an ontological determination of all that is, no longer construed as present-at-hand objects, but as always arriving, relational beings. After presenting Heidegger’s view of the coming of history, I return to Nietzsche ’s Utility and Liability of History to draw attention to an aspect of his text that is neglected by Heidegger, that of the political. The concluding sections of Nietzsche ’s text confront the politics of the present, in both senses of the genitive, in order to rally against the closure of society. In the conclusion to the paper, I turn to the political dimension of Nietzsche ’s thinking of history with an eye to how it might elude Heidegger’s interpretation. (shrink)

The most important sources of contemporary American literary theory are neither the linguistics-based movement of French structuralism, as the term 'poststructuralism' implies, nor a 'modernity' that has been superseded, as the term 'postmodernism' implies, but rather a modernist tradition of aesthetics shaped by eighteenth- and early nineteenth-century German romanticism and idealism, movements that culminated in the work of Heidegger during the Weimar period between the World Wars and afterward, exercising an increasingly dominant influence on French theorists after World War II, (...) from Sartre through Derrida, and subsequently on the development of poststructuralism and postmodernism during the 1970s and 1980s in the United States. This essay strives to put well-accepted facts and issues within what Wittgenstein called a 'perspicuous' perspective. Although it is common to observe that deconstruction shares with Romanticism certain very general features, the same judgment is not often applied to deconstruction's semiotic account of language as a system of arbitrary signs without positive values. The essay's claim, by contrast, is that romanticist, especially German influences, operating in complementary relation with influences from the English and French Enlightenments, provided the cultural and conceptual milieu in which literary theory's distinctively modern, characteristically ontological, and anti-metaphysical view of language developed. (shrink)

(2011). ‘What Is, Is More than It Is’: Adorno and Heidegger on the Priority of Possibility. International Journal of Philosophical Studies: Vol. 19, No. 1, pp. 31-57. doi: 10.1080/09672559.2011.539357.

The Early Heidegger’s Philosophy of Life: Facticity, Being and Language offers an interpretation of Heidegger’s concept of facticity as it is articulated in connection with the ideas of life and language in the lecture courses from 1919225. The book argues that facticity is both the source of vitality for theory and a source of deception and falsehood and therefore cannot be viewed in either positive or negative terms exclusively, but must instead be viewed as ambiguous. This essay argues that this (...) basic thesis is correct and is supported by drawing a distinction between everydayness and inauthenticity. It is also argued that the analysis of language the book offers can be useful in clearing up misunderstandings of Heidegger’s concept of discourse in Being and Time. (shrink)

This paper aims at reconciling direct realism on the one hand, that is, the thesis according to which perceptual experiences disclose perceptible facts, with intentionalism, the view that sensory e...

This paper carries out an intensive study of Heidegger's famous reflection on the word dao and of his citations from the Daodejing, with the purpose of elucidating his complex relation with Daoist thinking. First I examine whether dao could be said to be a guideword for Heidegger's path of thinking. Then I discuss Heidegger's citations, in six places of his writings, from five chapters of the Daodejing, by situating them in the immediate textual context as well as against the broad (...) background of the fundamental presuppositions and orientations of Heidegger and Laozi's thinking. My examination of Heidegger's citations from the Daodejing has for the first time gathered together all the relevant materials discovered so far. (shrink)

Phenomenology gives rise to certain ontological considerations that have far-reaching implications for standard conceptions of patient autonomy in medical ethics, and, as a result, the obligations of and to patients in clinical decision-making contexts. One such consideration is the phenomenological reduction in classical phenomenology, a core feature of which is the characterisation of our primary experiences as immediately and inherently meaningful. This paper builds on and extends the analyses of the phenomenological reduction in the works of Husserl, Heidegger, and Merleau-Ponty (...) in order to identify and explain its implications for our current understanding of the principle of respect for patient autonomy and the norms of clinical decision making. (shrink)

If genuine political activity can only be undertaken by citizens in the public sphere in a nation-state, what of stateless people today – asylum seekers and refugees cut adrift on the high seas? This is what is at stake in Hannah Arendt’s political theory of necessity. This article reconsiders Arendt’s notion of the Greek oikos as the sphere of necessity with the aim of challenging the idea that there is a condition of necessity or mere subsistence, where life is reduced (...) to satisfying basic biological needs. For Arendt, the Greek oikos is the model that provides the inspiration for her theory because necessity activities were kept quite separate from action in the polis. The ordinary and the undistinguished happen in the oikos and its equivalent, with the polis being reserved for extraordinary acts done for glory without any regard for life. The exclusionary nature of this theory of the polis as action has, at best, been treated with kid gloves by Arendt’s commentators. With reference to Heidegger on the polis and Agamben’s notion of oikonomia, I endeavour to show that the so-called ordinary is embedded in a way of life that is extraordinary and the key to grasping humanness. (shrink)

The issue of the use of the Nachlass material has been much debated in Nietzsche scholarship in recent decades. Some insist on the absolute interpretative priority of his published writings over those unpublished and suggest that an extensive engagement with the Nachlass is harmful because it is something Nietzsche rejected. To verify this claim, they appeal to the story of Nietzsche asking his landlord in Sils-Maria to burn some of his notes. Since the notes that were ultimately retrieved are purportedly (...) incorporated into the compilation The Will to Power, the story also leads some to conclude that Nietzsche rejected his project on the will to power. However, the reliability of this story has been questioned. In this manuscript I first present the decisive piece of evidence that will settle the controversy over the story’s authenticity. After showing that it is true that in 1888 Nietzsche wanted some of his notes burned, I address the question of what we can conclude from this story. I argue that it neither suggests the abandonment of the will to power project, nor warrants a devaluation of the Nachlass. Finally, I will discuss the methodological problem of the use of Nietzsche’s Nachlass in general. (shrink)

What is time? Neither the numbering of the motion of things nor their schema, but their way of being. In language, time shows itself as tense. But every verb has both tense and aspect. So what is aspect? Irreducible to tense, it is the way in which anything is at any time whatsoever. Thus the way things are, their being, is not merely temporal – for it is just as aspectual.

In his works Chora [Derrida, Jacques. 1993. Khôra. Paris: Galilée] and “Comment ne pas parler? Denegations” Derrida used the metaphor chora from Plato’s Timaeus (49a and following) to continue his struggle with the metaphysics of presence. In 1926 Nishida, the founder of the Japanese Kyōto School, used the same metaphor to create a new foundation of philosophy. Nishitani, a disciple of Nishida, developed the work of Nishida in close connection to Zen Buddhist experiences. Derrida tries to show the limits of (...) language within the game of language, whereas Nishitani starts from an experience beyond language, but tries to make it clear in the game of language. Derrida tries to destroy the limits of Western thinking within the dimension of language, whereas Nishitani tries to open up the Zen Buddhist tradition for philosophy. Both try to open up a new dimension of thinking which is not bound to substantialized truth. (shrink)

RÉSUMÉ: Dans cet article, j’entreprends de clarifier le projet (frégéen) d’une logique de l’arithmétique -- tel qu’il a été discuté par Natorp et Rickert -- en distinguant trois questions directrices. Le nombre est-il un objet logique? L’arithmétique est-elle réductible à la logique? Est-il possible de déduire les opérations arithmétiques de lois purement logiques? Ma thèse est que la distinction rigoureuse de ces trois questions permet de lever une grande partie des obscurités qui affectent en généralle programme d’une logique de l’arithmétique. (...) La contribution néo-kantienne à ce programme se trouve du même coup éclairée d’une lumière nouvelle.ABSTRACT: In this article, I try to shed light on the (Fregean) project of a logic of arithmelic-as discussed by Natorp and Rickert-by outlining three main questions. Is the number a logical object? Is arithmetic reducible to logic? Is it possible to deduce the arithmetical operations from purely logical laws? I argue that rigorous distinction between these three questions makes it possible to elucidate many problems affecting the program of a logic of arithmetic. The Neo-Kantian contribution to this program is at the same time considered in a new light. (shrink)

How, asks Françoise Dastur, can philosophy account for the sudden happening and the factuality of the event? Dastur asks how phenomenology, in particular the work of Heidegger, Husserl, and Merleau-Ponty, may be interpreted as offering such an account. She argues that the “paradoxical capacity of expecting surprise is always in question in phenomenology,” and for this reason, she concludes, “We should not oppose phenomenology and the thinking of the event. We should connect them; openness to phenomena must be identified with (...) openness to unpredictability.” The article offers reflections in these terms on a phenomenology of birth. (shrink)

How, asks Françoise Dastur, can philosophy account for the sudden happening and the factuality of the event? Dastur asks how phenomenology, in particular the work of Heidegger, Husserl, and Merleau-Ponty, may be interpreted as offering such an account. She argues that the "paradoxical capacity of expecting surprise is always in question in phenomenology," and for this reason, she concludes, "We should not oppose phenomenology and the thinking of the event. We should connect them; openness to phenomena must be identified with (...) openness to unpredictability." The article offers reflections in these terms on a phenomenology of birth. (shrink)

The confusion surrounding Heidegger's account of death in Being and Time has led to severe criticisms, some of which dismiss his analysis as incoherent and obtuse. I argue that Heidegger's critics err by equating Heidegger's concept of death with our ordinary concept. As I show, Heidegger's concept of death is not the same as the ordinary meaning of the term, namely, the event that ends life. But nor does this concept merely denote the finitude of Dasein's possibilities or the groundlessness (...) of existence, as William Blattner and Hubert Dreyfus have suggested. Rather, I argue, the concept of death has to be understood both as temporal finitude and as finitude of possibility. I show how this reading addresses the criticisms directed at Heidegger's death analysis as well as solving textual problems generated by more limited interpretations of the concept. (shrink)

One is occasionally reminded of Foucault's proclamation in a 1970 interview that "perhaps, one day this century will be known as Deleuzian." Less often is one compelled to update and restart with a supplementary counter-proclamation of the mathematician, David Lindley: "the twenty-first century would be a Bayesian era..." The verb tenses of both are conspicuous. // To critically attend to what is today often feared and demonized, but also revered, deployed, and commonly referred to as algorithm(s), one cannot avoid the (...) mathematical and philosophical legacies of probability. // But attending to these probabilistic or Bayesian legacies must include an undeniable theological legacy in which they remain entangled. // We are not, today, discovering quirky theological metaphors in contemporary technics. It's the other way around. The technologies are mere metaphors of past theologies. (shrink)

The paper works out an account of the piety proper to philosophical thought. The investigation proceeds as a critical interpretation of three enigmatic claims made by Martin Heidegger about ‘the piety of thinking,’ but the paper is not simply exegetical; the interpretive work is constantly in service of an attempt to think through the phenomenon independently. Plato’s Euthyphro and Nietzsche’s critique of scientific piety both hover in the background of Heidegger’s pronouncements, and they are given special attention here. Through the (...) investigation, philosophical piety is shown to be a virtuous capacity to respond with fitting submission to the truth as what is insurmountably prior to us. To respond fittingly is, at least, to deal well with sameness and difference, which in the case of piety means to recognize two features of our situation: that philosophical questioning necessarily arises out of a fundamental listening, or affirmation, and that we always belong to being but only ever across a gap. (shrink)

One of the starting points of Derrida’s deconstruction is the idea that metaphysics is dominated by an ontological primacy of the present. It is well known that Derrida took up this thesis of the ‘...

This essay interprets and responds to Richard Kearney's metaphysics of possibility and hermeneutics of religion against the background of Nietzsche's proclamation of the death of God and the theodicy problem. Kearney's work is thus read as an interesting but ultimately problematic attempt to preserve or perhaps reinstate religious thought after the modern critique of idols. In addition, his positions are compared and contrasted with some of authors with whom he seems to be in limited agreement (for example, Plotinus, Hillesum) as (...) well as some with whom he clearly breaks (for example, Girard, Sölle). (shrink)

Towards the end of The Coming Community (1993) [La comunità che viene, 1990], Giorgio Agamben writes something that may be interpreted as a paraphrase of Franz Kafka's famous statement that while t...

In the introduction to the volume, the editors explain the overarching aim of the volume and contextualize the main themes of its chapters. Even if the notions of biopolitics and biopower have played a crucial role in philosophy, the humanities, and the social sciences over the last decades, they have been used in various and at times diverging senses, which has also produced different narratives about the history of biopolitics. The main aim of the volume is to clarify whether and (...) to what extent the concept of biopolitics is applicable to antiquity. To answer such questions, the chapters collected in the volume address three main topics, namely the possible presence of biopolitical discourse in ancient thought, the extent to which the application of a biopolitical approach to ancient thought requires qualifications, and some influential contemporary interpretations of the relation between biopolitics and antiquity. (shrink)

The following paper argues that J.G. Fichte, despite his apparent philosophical neglect of art and aesthetics, does develop a strong, original, and coherent account of art, which not only allows the theorization of modern, non-representative art forms, but indeed anticipates Nietzsche and Heidegger in conceiving of truth in terms of art rather than scientific rationality. While the basis of Fichte’s philosophy of art is presented in the essay “On Spirit and Letter in Philosophy,” it is not developed systematically either in (...) this text or anywhere else in his writings, but must be reconstructed through a broad consideration of all his works, including, above all, his political and economic writings. For Fichte, the art-work does not exist as an object possessing “aesthetic value” and which can, in turn, be possessed, consumed, and enjoyed through the subjective act of aesthetic experience. Rather, it involves a mode of praxis which, grounded in a radical and original power of imagination, creatively discloses possibilities for future forms of existence, experience, and political community that cannot be theoretically anticipated. While Fichte cannot himself theorize specific forms of art, since the art that concerns him belongs to the future, we can, however, retrospectively try to understand non-representational painting and non-mimetic dance as concrete realizations of Fichte’s art-work of the future. In this way, Fichte’s philosophy of art ultimately suggests an alternative to Heidegger’s understanding of the work of art as a projective institution of truth. Fichte suggests that the human body, rather than human language, is the fundamental medium of art. (shrink)

This paper is an exegetical study of Heidegger’s concept of Sinn (meaning). Heidegger’s comments regarding the notion is analysed from three different perspective: In the first section, the relationship between Sinn and worldhood is analysed. The conclusion is that an entity can have Sinn for Dasein, only insofar it can enter into the network of functional relations constituting the world. Since the world is constituted by social practices and customs, Sinn is also derivately thus constituted. In the second section, the (...) relationship between Sinn and understanding is analysed. The conclusion is that Sinn is a specific conceptuality that functions as the background of understanding. In the third section, the relationship between Sinn and language is analysed, with the result that Sinn is a conceptual scheme. It is concluded that Sinn is a socially and historically constituted conceptual scheme, which functions as the background of all understanding. (shrink)

Affinities have been noted between radical behaviorism and phenomenology, hermeneutics, and poststructuralism, but this paper claims the most promising one has been neglected. Skinner's behaviorism is best seen as elucidating that time-sense characteristic of ordinary, habitual life which Heidegger calls a "temporalizing of everydayness." We usually live 'from moment to moment' as if we were just as predictable as the things around us, but Heidegger and Skinner agree there are moments when noticing this makes 'more of the same' seem unacceptable. (...) Yet in Skinner's deterministic ontology such occasions are only envisioned via the anomaly of "self-management." With Heidegger, behaviorism can be the science of ordinary life, yet leave room for that real but ill-conceived 'volition' which Skinner rightly criticizes but wrongly rejects. (shrink)

In general, the following article attempts to showcase how literature reflects and interprets philosophical concepts using a rich arsenal of inherent expressive means. The personality and ideas of Martin Heidegger, one of the most influential thinkers of the 20th century, often became the subject of literary reflection. The focus of this article is the second phase of the philosopher’s life – from 1933, when he assumed the post of rector of the University of Freiburg, and until his death. The poets (...) and writers involved here create a multidimensional and complex image of Heidegger in their works. The biographical and imaginative twists and turns of the legendary philosopher come to life under the magnifying glass of writer’s reflection, for which the boundary between reality and fiction remains suspended. This allows us to understand the nature and motives of the philosopher better than any documentary evidence or even the direct speech. The language of literature – derisive, caustic, grotesque – creates necessary counterbalance to philosophy, which, according to laws of genre, gravitates to mortal seriousness and thereby loses its critical attitude towards itself. Such a combination of literary imagination and metaphysical speculation turns out to be productive both for philosophy, which tests its ethical relevance in the poetic dimension, and for literature, which turns into a space of authentic existential questions. The fiction not only reveals inconsistencies in Heidegger’s train of thought but offers its own unconventional arguments to cope with those inconsistencies. (shrink)

In his early writings, Heidegger argues that existence fluctuates between an authentic and an inauthentic mode of being. One of the differences of these modes of existence is the way in which time is experienced in each other. This paper aims to propose a link between these notions of temporality and, in the light of that link, to determine the main features of the authentic mode of being in the age of technique. To achieve this goal, I analyze a quote (...) from Borges in order to sketch out how we can think a relationship between the two notions of temporality. Once the relationship has been sketched, I will review some of Heidegger’s theses on the epoch of technique that offer us the tools to reflect on the nuances that authentic existence adopts in our epoch. This article aims to think on how a relationship between the two notions of temporality could be considered and, considering this link, the features that the authentic existence could acquire in the age of technique. In that sense, I suggest that serenity can be conceived as the way in which authentic existence acts. Serenity is not the passivity of man versus technique, but a way of responding to the occurrence of being, a genuine way of acting according to the time. (shrink)