Das Leben hat sich auf unserem Planeten zu einer unermesslichen Fülle von Formen ausdifferenziert, die in komplexen Weisen interagieren. Durch die Zerstörung unserer natürlichen Umwelt bedrohen wir das Wunder der globalen Biodiversität in seinem Fortbestand. Dabei verdrängen wir, dass auch die Menschheit weiter von der Produktivität jener Ökosysteme abhängig bleibt, zu denen sich das Leben evolutionär organisiert hat. Doch wie lässt sich überzeugend für den Erhalt von Biodiversität argumentieren? Sind Arten und Ökosysteme nur als Voraussetzungen gelingenden menschlichen Lebens schützenswert? Oder (...) haben sie darüber hinaus einen von uns unabhängigen Eigenwert? Andreas Hetzel gibt philosophisch fundierte Antworten auf diese Fragen und diskutiert konkrete Möglichkeiten des Biodiversitätsschutzes. (shrink)

De moderne filosofie lijdt aan muziekvergetelheid. Opvallend is echter dat filosofen, wanneer ze toch aandacht schenken aan muziek, hun aandacht bij voorkeur op één bepaald genre richten, namelijk de opera. Filosofen zoals Søren Kierkegaard en Friedrich Nietzsche lieten hun gedachten over Don Giovanni, Parsifal en Carmen gaan, terwijl omgekeerd de filosofie van Arthur Schopenhauer de opera heeft beïnvloed via Wagner. Diens werk lijkt zich op het snijpunt van het grensverkeer tussen moderne filosofie en moderne muziek te bevinden. Het was zijn (...) ambitie de menselijke existentie en de menselijke geschiedenis in één panoramisch oeuvre te vatten, vanaf het primordiale begin tot en met de dramatische finale die ophanden leek: een catastrofale apotheose die een geheel nieuwe toekomst mogelijk zou maken. Dat is althans de verhaallijn van zijn meesterwerk Der Ring des Nibelungen. Aan het slot van Götterdämmerung lijkt zich een algehele verwoesting te hebben voltrokken: ‘Everything is destroyed and there is an enigmatic kind of hovering over the scene of destruction’ (Badiou 2010, p. 106), een ambivalente stemming van hoop en destructie zette Wagner op muziek. Voor Wagner is dan ook een hoofdrol in deze studie weggelegd: voor zijn muziektheoretische geschriften (waarin hij over een ‘muziek van de toekomst’ filosofeerde), maar meer nog voor de muzikale totaalkunstwerken die hij daadwerkelijk componeerde. (shrink)

This paper will analyze the evolution and the key aspects of René Girard’s critique of the Hegelian “struggle for recognition” and the master-slave dialectic. Through a discussion of Girard’s views on Identity, Difference, Violence, Desire and Negativity, the study will aim to highlight the philosophical uniqueness of the mimetic theory in respect to French Hegelianism and postHegelianism.

It is commonly held that Kant ventured to derive morality from freedom in Groundwork III. It is also believed that he reversed this strategy in the second Critique, attempting to derive freedom from morality instead. In this paper, I set out to challenge these familiar assumptions: Kant’s argument in Groundwork III rests on a moral conception of the intelligible world, one that plays a similar role as the ‘fact of reason’ in the second Critique. Accordingly, I argue, there is no (...) reversal in the proof-structure of Kant’s two works. (shrink)

Since the beginning of its history philosophy deals with the question for the meaning of war. This question, however, was always understood as the question for the causes of war: Why is there war? Where does it come from? The article presupposes that only this question and the attempts to respond to it can shed light onto the interpretation of the historical reality of war, which is finally the only reason to reflect on its causation. The article refers to a (...) set of notions and texts, which belong to a discourse on war unfolding through the centuries of European thinking. These notions are: contradictions, body, justice, nature, right, politics, and morals. Even if this sequence is only one possible sequence of the philosophical reflection on warfare, I consider it to be one of greater importance. We see, how a plurality of causes creates a context, in which we could try to analyze actual events: For it is evident that no war has only one reason. And the article has finally one other intention, namely to show that probably every possible sequence of causes of war will have the same consequence. This con-sequence will be the final destruction of the world, the coming of the ash. (shrink)

Several problems with Hegel’s conception of the organism in the Encyclopaedia are due to the separation between individual life in Nature and the universal life of the Concept. This discontinuity between ontogenesis and phylogenesis in his dialectics of organic life will be studied here by following his presentation of physiological development, especially reproduction, and by reconstructing the historical model he criticizes—Leibniz’s organic machines and their development in Buffon’s Natural History—a model that was also of crucial importance to the philosophy of (...) nature of Schelling and his followers. (shrink)

Resumo: Este artigo tem por objetivo apontar uma relação entre a estética e a ética em Sartre, mostrando que a constituição ética do indivíduo não se distingue da sua constituição estética. Primeiramente, parte-se da crítica que Merle faz em seu artigo à psicanálise existencial e se evidencia como o encontro com a história e a postulação de uma teoria da personalização nas obras biográficas destituem tais críticas. Num segundo momento, legitimam-se as postulações anteriores, apontando-se como na obra Saint Genet Sartre (...) ratifica a constituição do gosto sobre a moral pelo processo de personalização. Por fim, será visto que toda ética tem um pressuposto transgressor, na medida em que o sujeito ético é também sujeito estético.: This article aims to point out a relation between aesthetics and ethics in Sartre, showing that the ethical constitution of the individual does not distinguish from his or her aesthetic constitution. First, we start from Merle’s criticism of existential psychoanalysis, and we show how such criticisms can be dismissed on the basis of the encounter with history and the postulation of a theory of personalization in biographical works. Second, we point out how Sartre, in his Saint Genet, ratifies the constitution of a taste regarding the moral by the process of personalization. Finally, we will see that all ethics have a transgressive presupposition insofar as the ethical subject is also an aesthetic subject. (shrink)

O artigo visa discutir formas de pensar o conceito de liberdade para além de sua submissão às figuras da autonomia. O objetivo é avaliar a necessidade e pertinência de pensarmos, em nosso contexto sócio-histórico, a liberdade como heteronomia sem servidão. Conceito este que nasce da crítica à elevação do paradigma do auto-pertencimento a condição de via única para a definição da liberdade.

The final volume of Marcel Proust's novel _ la Recherche du Temps perdu (Recherche)_ presents a striking puzzle. In this volume, the narrator Marcel proposes a literary theory which is supposed to provide the theoretical basis for the whole book, such that the _Recherche_ can be considered a novel which contains its own theory. However, the _Recherche_ as a whole does not seem to comply with this literary theory. I suggest in this paper that this puzzle (...) can be solved by appreciating that Marcel's theory of literature, and his understanding of the way literature relates to his own life, is based on a Hegelian notion of teleology. (shrink)

Abstract: Hegel's theory of tragedy is often considered to be primarily a theory of the objective powers involved in tragic conflicts—for Hegel, these are paradigmatically competing ethical notions—and of the rationality which underlies and drives such conflicts. Such a view follows naturally from a close reading of Hegel's discussion of classical Greek tragedy in his Lectures on Aesthetics. However, this view gives rise to the question of whether Hegel's theory of tragedy can account for the significance of tragic experience, in (...) particular the experience of tragic suffering; it has been argued repeatedly that it cannot. In contrast, I want to suggest in this paper that a theory of tragic experience can be derived from Hegel's Phenomenology of Spirit. This Hegelian theory of tragic experience, I argue, should be understood as complementing rather than challenging Hegel's theory of objective tragic conflict. (shrink)

The article focuses on one highly idiosyncratic trait of Lifshits’ reading of Hegel, namely his assertion that the epoch of Restoration during which Hegel produced his main works was analogous to the period of the 1930s in the USSR. In both cases, “constructive” tasks came to the fore as the fermentation of the revolutionary era waned. On this assumption, Lifshits built up his idea of a Restauratio magna, which should serve as the guiding star of cultural politics. In fact, Lifshits (...) came very near to rehabilitating of Edmund Burke’s views about the conservation of cultural heritage, which is highly problematic in light of his initial Marxist convictions. (shrink)

Tras elaborar una versión de la Historia Universal motorizada por la producción deseante, Deleuze adoptó un viraje anti-historicista, desplazándose a los devenires no históricos y multiplicando perspectivas negativas sobre la historia. En el marco del debate entre quienes le adjudican posiciones exclusivamente anti-historicistas y quienes le atribuyen una filosofía de la historia o una metodología historicista, proponemos elucidar las críticas deleuzianas a la historia sirviéndonos de la distinción entre la historia como realidad objetiva y la disciplina histórica. Además, analizamos la (...) primacía otorgada a la filosofía sobre la historia a partir de su concepción del acontecimiento y su temporalidad. (shrink)

The German ethnologist Gustav Klemm (1802–67) occupies a rather problematic position in the history of ideas, alternately hailed as a seminal figure in the development of concepts of race and culture, or belittled as a rather derivative marginal thinker. This article seeks to clarify Klemm's significance by rooting his theories in their contemporary intellectual and social context. It argues that his system, a linear model of human development driven by the interworkings of race and culture, grew from an attempt to (...) synthesize Enlightenment notions of universal progress with major shifts of the mid-nineteenth century, including experiences of dramatic social, political and technological change, commitments to constitutional liberalism, and changes in contemporary ethnology and museology. His works therefore illustrate the complex manners in which ideas of heredity, environment, civilization, development and gender could be blended in this often neglected period, and how their meanings and implications altered as syntheses were built. (shrink)

This paper deals with the possible ways of understanding the relation between the reconstruction of history and literary fiction. The transmission of memory across generations – postmemory, and the composition of literary works out of the place of the origin – ectopic literature – facilitate the formation of historical discourse, which is inevitably accompanied by modern interpretation. As interpretation is understanding reality in a subjective manner, literary fiction takes its place in the reconstruction of historical events. And ectopic literature is (...) one of the main narratives, which helps to understand the relation between facts and fantasy. (shrink)

Hegel is one of the few philosophers to devote systematic attention to phenomena that can be called pathologies of juridicism. Hegel claims that the law fundamentally contaminates the way in which we relate to ourselves, to others and to the world so that our (inter-) subjectivity becomes ethically deformed, distorted, or deficient. I outline this notion and reconstruct its development in the work of the young Hegel. I reconstruct Hegel’s critique of juridical forms of normativity as developed in his Spirit (...) of Christianity with reference to the example of Judaism and sketch his idea of a non-juridical intersubjectivity. I will make apparent the considerable problems lurking in Hegel’s account of love, which turns out to be a form of social integration potentially just as violent as the law. I argue that Hegel himself became aware of this problem and modified his original model by assigning to both love and law a legitimate place within an overarching system of Sittlichkeit, as I demonstrate with reference to Hegel’s Jena article ‘Natural Law ’. In the end I briefly explain why I still find this strategy unsatisfactory. (shrink)

This paper deals with Keynes’s distinction between entrepreneurship and speculation, regarding business people in general and especially investors’ behaviour. Based on Keynes’s thoughts about financial markets, it analyses how different motivations influence the decision-making process of investors and its consequences for stock markets and the real economy and clarifies that Keynes’s considerations are still useful for understanding contemporary developments and risks in the financial system. Furthermore, it points out that Keynes’s theories and policy recommendations should be understood in the context (...) of his moral considerations, especially relating to individual responsibility of investors. Finally, Keynes’s moral thoughts can be taken as a foundation for a contemporary approach to investors’ responsibility. (shrink)

The architect who plans and designs our living environment in town and country can neither think exclusively technologically nor act completely independently. Rather, his designs and actions are always in moral relation to the environment, i. e. to nature and landscape as well as to the city/town or the people who live daily with and within the built space and thus have a kind of effective group affiliation. But to what extent does architecture – in the sense of Hegel’s phrase (...) the “sensuous in the meaningful” – already possess ethical implications? (shrink)

This paper addresses the cultural impact of genomics and the Human Genome Project on human self-understanding. Notably, it addresses the claim made by Francis Collins that the genome is the language of God and the claim made by Max Delbrück that Aristotle must be credited with having predicted DNA as the soul that organises bio-matter. From a continental philosophical perspective I will argue that human existence results from a dialectical interaction between two types of texts: the language of molecular biology (...) and the language of civilisation; the language of the genome and the language of our socio-cultural, symbolic ambiance. Whereas the former ultimately builds on the alphabets of genes and nucleotides, the latter is informed by primordial texts such as the Bible and the Quran. In applied bioethics deliberations on genomics, science is easily framed as liberating and progressive, religious world-views as conservative an... (shrink)

En el presente artículo se examina la relación de la Filosofía del derecho de Hegel con la filosofía práctica aristotélica. Con ello se pretende mostrar, por una parte, que algunas de las tesis y motivos centrales de la filosofía del derecho hegeliana se entienden de mejor forma trayendo a primer plano ciertos planteamientos aristotélicos y, por otro lado, que dichos planteamientos son objeto de una reinterpretación y reelaboración por parte de Hegel ante ciertas exigencias históricas y losó cas del contexto (...) moderno. En particular, se examina la relación entre estos dos autores atendiendo a dos puntos concretos: la metodología holística de una losofía práctica –entendida de modo amplio– y la teoría de la motivación ética. (shrink)

The influence of the thought of the great German Idealist philosopher G.W.F Hegel on the thought of Theodor Adorno, the leading thinker of the first generation of the Frankfurt School, is unmistakeable, and has been the subject of much commentary. Much less discussed, however, is the influence of Hegel's prominent contemporary, F.W.J. Schelling. This article investigates the influence of Schelling on Adorno, and the sometimes striking parallels between fundamental motifs in the work of both thinkers. It argues that Adorno's critique (...) of Hegelian dialectics, his conception of the relation between nature and spirit, and his philosophy of history owe a considerable debt to Schelling. Furthermore, when adequately explicated, Schelling's position on a range of problems which confronted German Idealist philosophy often prove intrinsically preferable to those of Hegel. (shrink)

Scholarly research on Bruno Bauer (1809-1882) tends to focus on the continuity in Bauer’s writings throughout the 1840s, or situates the older Bauer’s conservatism well before the revolutions of 1848. This review article does not intend to settle this debate, but tries to enrich it by referring to the criticism of two of Bauer’s contemporaries: Karl Marx, and, in particular, Max Stirner. Stirner's critique of Bruno Bauer helps to illuminate the extent to which a creative rendering of Hegelian philosophy was (...) intertwined with distinct political positions, and distinct ethical programmes prior to the Revolutions of 1848. Stirner’s criticisms in fact, highlight, by way of contrast, central features of Bauer’s reformed Hegelianism. (shrink)

This paper examines the transformation of Windelband’s Neo-Kantian program into a variety of Neo-Hegelianism. The paper shows that, for Windelband, the rehabilitation of philosophy in terms of a theory of knowledge is insufficient in the face of the pervasive crisis-consciousness of 19th-century philosophy. By Windelband’s account, the overcoming of this crisis requires the appropriation of distinctive Hegelian themes and a new understanding of the role of history in philosophical reflection. Based on this exposition, the final section of the paper advances (...) an interpretation on the meaning and conditions for the renewal of philosophy. (shrink)

This paper investigates the compatibility of Hegel’s analyses of the mechanization of work in industrial society with Hegel’s notion of freedom as rational self-determination. Work as such is for Hegel a crucial moment on the way to a more complete realization of human freedom, but, as I maintain with Adorno, the technological developments of the last two centuries raise the question of whether the nature of work itself has changed since the industrial revolution. In his Jena lectures, Hegel recognized significant (...) problems that the mechanization of work poses for human freedom that—on my assessment—his later, mature thought does not sufficiently address. One finds, however, a more comprehensive depiction of the same worries that Hegel mentioned in his Jena lectures in Adorno’s critique of the dominant forms of labor in contemporary society and his understanding of technological rationality, which according to Adorno, dominates the contemporary world. I suggest, furthermore, that juxtaposing Hegel’s and Adorno’s thoughts on technology and the mechanization of work reveals Adorno’s philosophy of technology to be an extension, rather than a critique, of the spirit of Hegel’s own philosophical project as immanent critique of the necessary entailments of any given concept. (shrink)

I detect a specific attitude to Byzantium (“the Byzantine Enlightenment”) in Ivan Kireevsky’ Slavophile article “On the Character of Enlightenment in Europe” (1852). I qualify this attitude as Byzantinocentrism. I take that as a focal point and, against this background, consider the image of Byzantium in Kireevsky and some thinkers of his social circle. It allows me to trace the most important lines of attitudes to Byzantium in the Russian historiosophical literature and opinion journalism of the nineteenth century. I detect (...) two opposite lines in perceiving Byzantium in Kireevsky’s early social circle: the anti- and pro-Byzantine ones. The first line goes back to an anti-Byzantine message, characteristic of the epoch of Enlightenment. It found its manifestation in G. W. F. Hegel’s Lectures on the Philosophy of History. I point to the traces of the implicit polemics with Hegel’s anti-byzantinism in Kireevsky and identify the context of these polemics in Arist Kunick. As well, I outline how these lines worked in Pyotr Chaadaev and Alexander Pushkin. Then I distinguish between how the image of Byzantium was presented, first, in Kireevsky’s earlier Slavophile article “On the Character of Enlightenment in Europe” and, second, in his last article “On the Necessity and Possibility of the new Foundations for Philosophy” (1856). In the latter article, which sees Byzantium as bipolar, I find another view on Byzantium. I suggest that this view on Byzantium as a bipolar entity goes back to Alexey Khomyakov’s Semiramis. My point is that this difference in the views on Byzantium is paradigmatic and it reflects a division that was present in the Russian Slavophile-conservative milieu of that time. I suggest that this division stands behind another division within the same milieu, which was politically oriented, the one in relation to the Greek-Bulgarian ecclesiastical question. I analyze how both monopolar (Byzantinocentric) and bipolar views on Byzantium were reflected in the Greek-Bulgarian question as it was considered by Alexey Khomyakov and Terty Filippov. I find a context for developing Kireevsky’s attitude towards Byzantium in François Guizot’s historiosophic scheme as well. (shrink)

This paper subjects Dan Brown’s most recent novel Origin to a philosophical reading. Origin is regarded as a literary window into contemporary technoscience, inviting us to explore its transformative momentum and disruptive impact, focusing on the cultural significance of artificial intelligence and computer science: on the way in which established world-views are challenged by the incessant wave of scientific discoveries made possible by super-computation. While initially focusing on the tension between science and religion, the novel’s attention gradually shifts to the (...) increased dependence of human beings on smart technologies and artificial intelligence. Origin’s message, I will argue, reverberates with Oswald Spengler’s The Decline of the West, which aims to outline a morphology of world civilizations. Although the novel starts with a series of oppositions, most notably between religion and science, the eventual tendency is towards convergence, synthesis and sublation, exemplified by Sagrada Família as a monumental symptom of this transition. Three instances of convergence will be highlighted, namely the convergence between science and religion, between humanity and technology and between the natural sciences and the humanities. (shrink)

In this essay, I analyze Kant’s views on the permissibility of revolutions as a means of political change. I hold that in the same way the developments of the French Revolution were somehow contained in the ambiguity of the 1791 Constitution, Kant’s hesitations concerning the continuity of a juridical order reflect his own inability to clearly specify who the sovereign is. This difficulty might be due to the fact that Kant did not develop a sound theory of constituent power.

Art interpretation in practice, not theory. -/- How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general and largely unspoken norms shared by interpreters of many kinds. -/- Ranging widely, (...) though taking writing within the Western tradition of art history as its primary focus, Interpreting Art highlights the norms, premises, and patterns that tend to guide interpretation along the way. Why, for example, is the concept of artistic ‘intention’ at once so reviled and yet so hard to let go of? What does it really involve when an interpretation appeals to an artwork’s ‘reception’? How can ‘context’ be used by some to keep things under control and by others to make the interpretation of art seem limitless? And how is it that artworks only seem to grow in complexity over time? -/- Interpreting Art reveals subtle features of art writing central to the often unnoticed interpretative practices through which we understand works of art. In doing so, the book also sheds light on possible alternatives, pointing to how writers on art might choose to operate differently in the future. -/- ‘It's wonderful to have a book that focuses on what art historians actually do when we interpret art, as opposed to the claims we make about our methods and their histories… Interpreting Art shows how apparently well-understood paths of interpretation are actually half-articulated ideals that are as likely to run away with our texts as support them, and for that reason it should be on the desk of every doctoral student when they set out to write.’ – James Elkins, School of the Art Institute of Chicago ‘In this lucid, sensible and insightful book, Sam Rose investigates interpretive practices common to almost all professional art historians, regardless of their objects of study, their professed "methods" and their schools of historical thought. Anyone curious about the “how” of art history as an intellectual and aesthetic endeavour will find Rose to be an invaluable guide.’ – Whitney Davis, University of California at Berkeley. (shrink)

Many ways there are to articulate the objective conditions of human subjectivity. If poetry is regarded as one way, philosophy ought to be regarded as another. Whereas young Danish poet Theis Ørntoft in his Poems 2014invokes a host of metaphors inorder to stage and address the fluctuating and at most semi-stable foundations of human being, American philosopher Graham Harman in his The Quadruple Objectexpounds the structural components of a metaphysics that uncovers the ontological relativity of the objectively secured stability of (...) human subjectivity. The implications of Harman's so-called 'object-oriented ontology' for the ethically significant construal of the relation between nature and freedom will be spelled out towards the end of my article. (shrink)

Resumen Hegel se aleja de la idea propia de la Ilustración sobre el progreso e introduce una concepción teleológica acerca de la historia a nivel mundial. En ese sentido, el pensamiento ilustrado abogaba por el futuro desde la idea del progreso, mientras que el Romanticismo trataba de comprender el pasado a través de una mirada histórica donde Oriente se consideraba como la niñez de la humanidad. Por lo tanto, se entendía como un pueblo con un elevado despotismo y una ausencia (...) de libertades que, desde la perspectiva occidental moderna, no favorecía la elevación del espíritu. Estos supuestos etnocéntricos son los que denuncia Boaventura de Sousa mediante una teoría Poscolonial de la Historia. (shrink)

The purpose of this article is to present and analyze the relationship between the concept of State (Staat) and the concept of freedom (Freiheit) as expounded by the German philosopher Georg Wilhelm Friedrich Hegel (1770-1831) in his Lectures on Philosophy of History (Vorlesungen über die Philosophie der Geschichte), published posthumously for the first time in 1837. The article’s exposition will generally follow the second chapter of the work in question – called the Determination of the Spirit in Universal History (Bestimmung (...) der Geistes in der Weltgeschichte) – and more precisely, the subchapter The form of its realization (Die Gestalt dieser Realisierung). (shrink)

Este artículo es una lectura del problema filosófico del mal a partir del estudio de las figuras de la bruja, la vaca y la leche en la obra de Derrida. Seguiremos los desarrollos que de este problema se encuentran en sus lecturas de Hegel, Nietzsche y Freud proponiendo, en primer lugar, algunas variaciones filosóficas y psicoanalíticas para comprender un conjunto de intrincadas referencias cruzadas con el trabajo de Hamacher y el problema del comer y, en segundo lugar, mostrando cómo la (...) significación de esta discusión sobre el problema del mal en estos autores se pudo convertir en un lugar de referencia para las "lecturas deconstructivas". (shrink)

Can the turn caused by the Protestant Reformation, which started 500 years ago, be understood in all its complexity without considering its hermeneutical aspects? Does the “actuality” of the Reformation, which addresses our present-day world, not manifest itself primarily as a hermeneutical actuality, or rather the actuality of hermeneutics? These are the questions motivating my investigation on the relationship between the hermeneutical turn of Martin Luther’s Reformation and the Schleiermacherian-Gadamerian turn of modern hermeneutics, respectively on the horizontal and the vertical (...) orientation of transcendence, with special attention to the ontological status of the sacred Word and to modernity’s experience of finitude in establishing the horizontal transcendence, which will prevail again with the Reformation. In the second part of my essay, I focus on the analysis of three modernization processes ‒ methodological awareness, practical worldly rationality, and technological functionality ‒, in which the verticalization tendencies opposed to the prevalence of the horizontal transcendence, based on the mutual interconnectedness of finitude and completeness, keep on recurring and attempt to disrupt their togetherness, counteracting the hermeneutical attitude. (shrink)