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  1. What Sort of Experiences Bring About Changes of the Meaning of Words?:言葉の意味の変化をもたらす体験とはどのようなものか.Keiichi Yamada - 2018 - Journal of the Japan Association for Philosophy of Science 46 (1):1-9.
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  • Delusional Atmosphere, the Everyday Uncanny, and the Limits of Secondary Sense.Tim Thornton - 2012 - Emotion Review 4 (2):192-196.
    In Paradoxes of Delusion, Sass aims to use passages from Wittgenstein to characterize the feeling of “mute particularity” that forms a part of delusional atmosphere. I argue that Wittgenstein’s discussion provides no helpful positive account. But his remarks on more everyday cases of the uncanny and the feeling of unreality might seem to promise a better approach via the expressive use of words in secondary sense. I argue that this also is a false hope but that, interestingly, there can be (...)
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  • El gesto del arquitecto.Jean Pierre Cometti - 2007 - Areté. Revista de Filosofía 19 (1):135-155.
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  • El gesto del arquitecto.Jean Pierre Cometti - 2007 - Areté. Revista de Filosofía 19 (1):135-155.
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  • Narrative identity and dementia.Tim Thornton - forthcoming - Hungarian Philosophical Review.
    It seems obvious that one of the harms that dementia does is to undermine the person’s identity. One reason for thinking this is that personal identity has long been associated with continuity of a subjective perspective on the world held together by memory that that memory is severely curtailed in dementia. Hence dementia seems to threaten an individual’s identity as a particular person, gradually undermining it. But the necessity of the connection has been criticised by a number of philosophers and (...)
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  • “What is an Existential Emotion?,” Hungarian Philosophical Review 64 (December 2020), pp. 88-100.David Weberman - 2020 - Hungarian Philosophical Review 64:88-100.
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  • Wittgenstein on Musical Experience and Knowledge.Eran Guter - 2004 - In J. C. Marek & E. M. Reicher (eds.), Experience and Analysis: Papers of the 27th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society.
    Wittgenstein’s thinking on music is intimately linked to core issues in his work on the philosophy of psychology. I argue that inasmuch musical experience exemplifies the kind of grammatical complexity that is indigenous to aspect perception and, in general, to concepts that are based on physiognomy, it is rendered by Wittgenstein as a form of knowledge, namely, knowledge of mankind.
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