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Sincerity and Single-Mindedness

In Freedom of mind, and other essays. Oxford,: Clarendon Press. pp. 232-256 (1971)

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  1. Issues in the pharmacological induction of emotions.David Wasserman & S. Matthew Liao - 2008 - Journal of Applied Philosophy 25 (3):178-192.
    abstract In this paper, we examine issues raised by the possibility of regulating emotions through pharmacological means. We argue that emotions induced through these means can be authentic phenomenologically, and that the manner of inducing them need not make them any less our own than emotions arising 'naturally'. We recognize that in taking drugs to induce emotions, one may lose opportunities for self-knowledge; act narcissistically; or treat oneself as a mere means. But we propose that there are circumstances in which (...)
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  • The idea of a duty to love.S. Matthew Liao - 2006 - Journal of Value Inquiry 40 (1):1-22.
    Can there be a duty to love someone? The kind of love we will consider is the kind of highly intense interaction that two human beings seek that involves not only strongly valuing another person for the person’s sake and wanting to promote the person’s well-being for the person’s sake, but also desiring to be physically and psychologically close to each other and desiring that the other person reciprocates our love. This kind of interaction features in romantic love, parental love, (...)
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  • Insincerity and disloyalty.Gabriel Falkenberg - 1988 - Argumentation 2 (1):89-97.
    Insincerity is the intentional conflict between a state of mind and a synchronic linguistic act. Three cases have to be distinguished: lying, as the opposition of belief and assertion (the act is untruthful); dishonesty, as the opposition of will and declaration of will (act empty); and simulation, as the opposition of emotion and exclamation (act ungenuine). One of the problems arising is: Are there insincere commands, and if not, why?Disloyalty, on the other hand, is a diachronic inconsequence, the breach of (...)
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  • Authenticity in Kurosawa.Luc Bovens - 1999 - Journal of Value Inquiry 33 (2):227-237.
    Much of the contemporary philosophical literature on authenticity is secondary work on figures like Kierkegaard, Nietzsche, Heidegger, Sartre, and Camus. I would like to find a different voice by searching for inspiration in the artistic expression that the theme of authenticity has found in the oeuvre of the Japanese film-maker Akira Kurosawa. To be authentic is to be true to ourselves. But what is it to be true to ourselves? The locution suggests that authenticity has something to do with the (...)
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