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  1. Tapping the wellsprings of action: Aristotle's birth of tragedy as a mimesis of poetic praxis.Katherine Kretler - 2018 - In Lillian Doherty & Bruce M. King (eds.), Thinking the Greeks: A Volume in Honour of James M. Redfield. Routledge. pp. 70-90.
    This essay offers an interpretation of Aristotle’s account of the birth of tragedy (Poetics 1448b18–1449a15) as a mimesis of poetic praxis. The workings of this passage emerge when read in connection with ring composition in Homeric speeches, and further unfold through a comparison with the Shield of Achilles and with an ode from Euripides’ Heracles. Aristotle appears to draw upon a traditional pattern enacting cyclical rebirth or revitalization. It is suggested that his puzzling insistence on “one complete action” in plot (...)
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  • The Body as Argument: Helen in Four Greek Texts.Nancy Worman - 1997 - Classical Antiquity 16 (1):151-203.
    Certain Greek texts depict Helen in a manner that connects her elusive body with the elusive maneuvers of the persuasive story. Her too-mobile body signals in these texts the obscurity of agency in the seduction scene and serves as a device for tracking the dynamics of desire. In so doing this body propels poetic narrative and gives structure to persuasive argumentation. Although the female figure in traditional texts is always the object of male representation, in this study I examine a (...)
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  • Phoinix, Agamemnon And Achilleus: Parables and Paradeigmata.George F. Held - 1987 - Classical Quarterly 37 (02):245-.
    Achilleus′ speeches and action in Iliad 24 ‘complete a development of character-or better, enlargement of experience and comprehension-which stretches through the whole poem’. I largely agree with this statement, but since I also believe that an ‘enlargement of experience and comprehension’ necessarily entails ‘ a development of character’, I do not hesitate, as its author does, to assert that Achilleus′ character develops, i.e., changes for the better, in the course of the Iliad. It is my purpose here to discuss one (...)
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  • Chryses' Supplication: Speech Act and Mythological Allusion.Matthew Clark - 1998 - Classical Antiquity 17 (1):5-24.
    Chryses' supplication of Agamemnon at the beginning of the Iliad is anomalous in three interconnected ways: neither the language nor the gestures is typical of supplications in the Iliad, and there is no mention of the family of the person supplicated. These apparent difficulties, however, allow Chryses' supplication to play its role in the economy of the narrative. In some ways Chryses' supplication matches Priam's supplication of Achilles, since in both incidents a father asks for the return of his child. (...)
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  • Temor y compasión en los Poemas Homéricos.Graciela Cristina Zecchin de Fasano - 2002 - Synthesis (la Plata) 9:109-128.
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