It is possible to pursue philosophy with a clarificatory end in mind. Doing philosophy in this mode neither reduces to simply engaging in therapy or theorizing. This paper defends the possibility of this distinctive kind of philosophical activity and gives an account of its product—non-theoretical insights—in an attempt to show that there exists a third, ‘live’ option for understanding what philosophy has to offer. It responds to criticisms leveled at elucidatory philosophy by defenders of extreme therapeutic readings and clearly demonstrates (...) that in rejecting the latter one cannot assume Wittgenstein’s approach to philosophy was theoretically based by default. (shrink)

The paper examines the ethical standpoint of the Tractatus as it has been reconstructed by Cora Diamond (“the austere view”) and gives an account of some of the criticism this reconstruction has received in the work of P. M. S. Hacker and Meredith Williams (“the standard view”). The second half of the paper tries to argue that the austere and the standard views rather complement each other if we recognize “two I ’-s” in the Tractatus and if it is supposed (...) that there is a “3rd person” and “1st person” perspective which are both voiced on its pages. (shrink)

The present work aims at providing an evaluation of musical formalism, as it was intended by Eduard Hanslick in his treatise On the Musically Beautiful, in the light of Ludwig Wittgenstein's remarks on aesthetics and music. After a short historical introduction concerning the origins of the concept of absolute music within the framework of Romantic aesthetics and the writings of authors such as Wilhelm Heinrich Wackenroder, E. T. A. Hoffmann and Arthur Schopenhauer, I suggest a definition of formalism on the (...) basis of Hanslick's account of music. I compare, then, Hanslick's view on music with Wittgenstein's reflections on music and aesthetics, referring to both Wittgenstein's early philosophy – especially to the Tractatus Logico-Philosophicus – and to the later writings – namely to the Philosophical Investigations and the Lectures on Aesthetics. The outcome of the comparison between Hanslick's and Wittgenstein's views on music leads the discussion to an evaluation of the plausibility of the dichotomy between formalism and anti-formalism, and to a reflection on the objects, aims and methods of aesthetics. (shrink)